Blues

A funny, insightful and disquieting collection of poems about Germany, Eastern Europe and Englishness, from an award-winning and consummately stylish poet.

Strong, sophisticated, funny original. Since 1983, the poems in his collections have explored sex, politics, the wild west, and language in a wide range of styles: formal, direct, swashbucklingly experimental. The mix of traditionalism and ignoring convention shakes you into reading with fresh eyes and mind

Williams has the advantage of being effortlessly intelligent and funny

Williams' poems hold beauty and dread, humour and high seriousness. He has an impressive range of voices as well as technical ability... A delight

John Hartley Williams is an award-winning poet, novelist, essayist and critic. He has published nine collections of poetry, including Spending Time with Walter, two of which have been shortlisted for the TS Eliot Prize. He has also won the Arvon International Poetry Competition. He co-edited Teach Yourself Writing Poetry and he teaches English at the Free University of Berlin.

Subversive and satirical, inventive, wry and unconventional, John Hartley Williams has long been celebrated for his maverick sensibility, for his outsider's take on the way we live our lives. In Blues, his eighth collection, he focuses with new directness on the turmoil of Germany and Eastern Europe, and writes eloquently about being English, and staying English, in a continental climate, through all the upheavals of the last fifteen years. 
 
Alert to the intricacies and ironies of the language, to the musculature of politics and passion, these poems are chronicles of change, wired to the energies of jazz and science fiction, yet the under-song is a threnody for the loss of a kind of Englishness - voiced powerfully in a moving elegy for the poet Ken Smith. While there is no diminishing of his comic brio, no dulling of his incisive, questioning intelligence, Blues finds John Hartley Williams taking on subjects of new depth and complexity - while maintaining his characteristic lightness of touch, imagination and profound originality.

Café des Artistes

John Hartely William's latest collection of poems is a glorious miscellany of bizarre stories, surreal images and Bacchic reveries from the prize-winning, absurdist arch-comedian of British poetry.

He is a strong, sophisticated, funny original. Since 1983, the poems in his collections have explored sex, politics, the wild west, and language in a wide range of styles: formal, direct, swashbucklingly experimental. The mix of traditionalism and ignoring convention shakes you into reading with fresh eyes and mind

Williams's great skill is to make the places and people he's writing about seem to be absolutely central to the concerns of poetry, now and always

His poetry comes at you from any angle. You could no more predict what he will do next - from one collection to another, from one poem to another - than you can know whether or why Cootie Williams will come after Johnny Hodges or Tricky Sam or Harry Carney. About the only thing you can be sure of is that whatever he serves up will be well worth reading

John Hartley Williams, still resident in Berlin, has the most recognisably English voice... open to both the influence of European poetry and a very British absurdism, both of which mark him as at his own precise angle to the mainstream

John Hartley Williams is an award-winning poet, novelist, essayist and critic. He has published nine collections of poetry, including Blues (2004), two of which have been shortlisted for the T.S Eliot Prize and he won the Arvon International Poetry Competition in 1983. He has also written a romance, Mystery in Spiderville (2002), and co-edited Teach Yourself Writing Poetry. He teaches English at the Free University of Berlin and has lived in Berlin since 1976.

Welcome to the Café des Artistes. Your host, the owner, bartender, master of ceremonies and only other guest: John Hartley Williams. Here you will be entertained and diverted - by bizarre stories of mapless roads and unreal cities, the Ostrich Palisades and the erotic stones of Bonehenge; by a spooked version of Rimbaud's 'La Bateau Ivre'; by encounters with Malcolm Lowry, the floating dead, the 'old men behind the waterfall' and the knitted poet; by poems about donkey jackets and dancing with donkeys, and a one-sided conversation with a decidedly un-Romantic polar bear two doors down from Dove Cottage. 
 
Long celebrated for his ranging, restless imagination, his baroque, elliptical narratives, his manic humour and maverick stance, Williams returns with another invitation to join him for a jug or two of wine in his out-of-kilter universe: a world that is both strange, and strangely familiar. Welcome to the Café des Artistes!

Mystery In Spiderville

'A fascinating debut which combines madcap surrealism, film-noir and eroticism' - Guardian

Surrealist film noir that blends the forensic with the erotic

If there's been something missing in your life ever since William Burroughs went to the great needle exchange in the sky, then perhaps John Hartley Williams is the author for you

Nodding as much to William Burroughs as to Raymond Chandler

Probably the first crime novel to ally forensic procedures with lyrical poetry

This is the evil twin of the novel: a form locked in the literary basement that deserves to see the light of day

John Hartley Williams has published nine poetry collections, including Spending Time with Walter and, most recently, Blues (2004). He co-edited Teach Yourself Writing Poetry and won the Arvon International Poetry Competition in 1983. He teaches English at the Free University of Berlin, where he has been since 1976.

Alongside the names of James Hadley Chase and Erle Stanley Gardner we must now add that of John Hartley Williams - though Mystery in Spiderville is no run-of-the-mill hard-boiled thriller. The décor is by Dali, the plot is a mixture of Breton and Burroughs, and the main character - the protean and unkillable Spider Rembrandt - has six toes, sleeps in a grave and dreams of congress with the pert and playful Reedy Buttons. 
 
Sucked into the vortex of Spider's philandering mind is a narrator - sometimes Spider's adversary, sometimes his victim - who lies upon a bed brooding on the absence of a nameless, brown-haired woman. He, too, is protean: full of passionate longings and homicidal tendencies. 
 
A surrealist film-noir that blends the forensic with the erotic, the seedy penny-dreadful and the lyric prose-poem, Mystery in Spiderville is one of the strangest, strongest and most arresting fictional debuts in years.

John Hartley Williams

The long poem at the centre of John Hartley Williams' new collection is a dramatic monologue narrated by a laconic, possibly lamed, forest dweller, a lowly crewmember on a barge travelling an unnamed waterway. Some of his remarks are addressed to his talisman, the shrunken head of an African tribesman. The barge carries a sinister cargo and its captain has a preference for sadistic sex. Other poems in the book undertake journeys - to Northern Cyprus, China, medieval France, Florida - but like 'The Barge' they're not exactly travel poems, more poems which travel. Welcome to the unsettling world of John Hartley Williams, whose restless, inexhaustible imagination, originality and maverick humour have enlivened contemporary poetry for years. Paranoid, erotic, disturbed and disturbing, these are bulletins from a dislocated, parallel world that excites, entertains and terrifies - and often feels more real to us than our own.

Spending Time With Walter

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