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Features

Inspiring bookish quotes perfect for a protest banner

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On the distinct charm of the airport bookshop

A flatlay of classic books about dysfunctional families

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Must-read classics about dysfunctional families

Soldier's Pay

Faulkner's first novel is a humane, searching and powerful exploration of war and mortality

By universal consent of critics and common readers, Faulkner is now recognised as the strongest American novelist of the century, clearly surpassing Ernest Hemingway and Scott Fitzgerald, and standing as an equal in the sequence that includes Hawthorne, Melville, Mark Twain and Henry James

There is no writer living who can play upon a scene the rich and Rembrandtesque flame that Faulkner commands

His prose style is all his own, often sensuously alert, evocative, graceful

Born in 1897 in New Albany, Mississippi, William Faulkner was the son of a family proud of their prominent role in the history of the south. He grew up in Oxford, Mississippi, and left high school at fifteen to work in his grandfather's bank. 
 
Rejected by the US military in 1915, he joined the Canadian flyers with the RAF, but was still in training when the war ended. Returning home, he studied at the University of Mississippi and visited Europe briefly in 1925. 
 
His first poem was published in The New Republic in 1919. His first book of verse and early novels followed, but his major work began with the publication of The Sound and the Fury in 1929. As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), Absalom, Absalom! (1936) and The Wild Palms (1939) are the key works of his great creative period leading up to Intruder in the Dust (1948). During the 1930s, he worked in Hollywood on film scripts, notably The Blue Lamp, co-written with Raymond Chandler. 
 
William Faulkner was awarded the Nobel Prize for Literature in 1949 and the Pulitzer Prize for The Reivers just before his death in July 1962.

A group of soldiers travel by train across the United States in the aftermath of the First World War. One of them is horribly scarred, blind and almost entirely mute. Moved by his condition, a few civilian fellow travellers decided to see him home to Georgia, to a family who believed him dead, and a fiancée  who grew tired of waiting. Faulkner's first novel deals powerfully with lives blighted by war.

Requiem for a Nun

A tense and troubling tale of how a dark past can return to tear apart a hard-won present peace.

A revolutionary novelist - he experiments with narration like no other

His mind to him a kingdom was; or rather, a county, Yoknapatawpha. He breathed on it and gave it life, a luminous world of rustics, comic and sinister, of inchoate historical processes and tragic human beings, earning dignity by endurance

The magnitude of Faulkner's characters lies in their blood and bone and sinew: the exquisite specificity of their human fallibility... Faulkner seemed incapable of separating intimate character from universal truth, and this rough refusal - both humble and defiant - was at the root of his force as a writer... No other American writer has achieved such staggering heights of form

There is tension and passion enough in this drama. The impetus never fails

'The past is never dead. It's not even past.' 
 
Nancy, a black nursemaid, is about to be hanged for killing her mistress's baby. The mother, Temple Drake, knows the reason why. The night before the execution, a lawyer pleads with Temple to intercede, but will the past allow for justice or absolution in the present? Switching between narrative prose and play script, this is Faulkner's haunting sequel to his earlier bestseller, Sanctuary.

Intruder in the Dust

A murder mystery and a serious exploration of racism in the American South

He has written a novel which in form is a thriller - and a very good thriller too - but this without distracting from its profundity

There is an extraordinary vigor and power in his writing, a feverish urge toward description in which words combine in a dense web of meaning

The greatest American writers of the last century were William Faulkner and Saul Bellow

In a single brief decade, Faulkner had produced more lasting works of fiction than many great writers do in a lifetime

An elderly, proud black farmer, Lucas Beauchamp, is wrongfully arrested for the murder of a white man. The lynch mob are baying for his blood. His sole hope lies with a young white boy, bent on repaying an old favour, who with the help of Lucas's cynical lawyer will work to find the truth and hatch a risky plot to prove his innocence.

Wild Palms

In a feverishly beautiful novel, Faulkner interweaves two narratives, each subtly illuminating the other

Lays to rest any doubts that Faulkner could write a powerful love story

Born in 1897 in New Albany, Mississippi, William Faulkner was the son of a family proud of their prominent role in the history of the south. He grew up in Oxford, Mississippi, and left high school at fifteen to work in his grandfather's bank. Rejected by the US military in 1915, he joined the Canadian flyers with the RAF, but was still in training when the war ended. Returning home he studied at the University of Mississippi and visited Europe briefly in 1925. His first poem was published in The New Republic in 1919. His first book of verse and early novels followed, but his major work began with the publication of The Sound and the Fury in 1929. As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), Absalom, Absalom! (1936) and The Wild Palms (1939) are the key works of his great creative period leading up to Intruder in the Dust (1948). During the 1930s, he worked in Hollywood on film scripts, notably The Blue Lamp, co-written with Raymond Chandler. 
William Faulkner was awarded the Nobel Prize for Literature in 1949 and the Pulitzer Prize for The Reivers just before his death in July 1962.

'Between grief and nothing I will take grief' 
 
In New Orleans in 1937, a man and woman embark on a headlong flight into the wilderness of illicit passion, fleeing her husband and the temptations of respectability. In Mississippi ten years earlier, a convict sets forth across a flooded river, risking his one chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation, survival and self-sacrifice, a novel in which elemental danger is juxtaposed with fatal injuries of the spirit.

Absalom, Absalom!

Faulkner's gripping, dark tale of pride and prejudice in the Deep South

The novel in which Faulkner most profoundly and completely says what he has to say about the South and the human condition

For range of effect, philosophical weight, originality of style, variety of characterisation, humour and tragic intensity [Faulkner's Works] are without equal in our time and country

For all his concern with the South, Faulkner was actually seeking out the nature of man. Thus we must turn to him for that continuity of moral purpose which made which made for the greatness of our classics

A dazzling meditation on memory, history, destiny, race, miscegenation, class, and - of course - incest

Born in 1897 in New Albany, Mississippi, William Faulkner was the son of a family proud of their prominent role in the history of the south. He grew up in Oxford, Mississippi, and left high school at fifteen to work in his grandfather's bank. Rejected by the US military in 1915, he joined the Canadian flyers with the RAF, but was still in training when the war ended. Returning home he studied at the University of Mississippi and visited Europe briefly in 1925. His first poem was published in The New Republic in 1919. His first book of verse and early novels followed, but his major work began with the publication of The Sound and the Fury in 1929. As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), Absalom, Absalom! (1936) and The Wild Palms (1939) are the key works of his great creative period leading up to Intruder in the Dust (1948). During the 1930s, he worked in Hollywood on film scripts, notably The Blue Lamp, co-written with Raymond Chandler. 
William Faulkner was awarded the Nobel Prize for Literature in 1949 and the Pulitzer Prize for The Reivers just before his death in July 1962.

This postbellum Greek tragedy is the perfect introduction to Faulkner’s elaborate descriptive syntax. 
 
Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War... but Sutpen returns from the conflict to find his estate in ruins and his family collapsing. Secrets from his own past threaten to ruin the lives of his children and destroy everything he has worked for.

Sanctuary

A terrifying story that scandalised Faulkner's editor into rejecting the original manuscript

Thick with menace, desire, compulsion and despair

Born in 1897 in New Albany, Mississippi, William Faulkner was the son of a family proud of their prominent role in the history of the south. He grew up in Oxford, Mississippi, and left high school at fifteen to work in his grandfather's bank. Rejected by the US military in 1915, he joined the Canadian flyers with the RAF, but was still in training when the war ended. Returning home, he studied at the University of Mississippi and visited Europe briefly in 1925. His first poem was published in The New Republic in 1919. His first book of verse and early novels followed, but his major work began with the publication of The Sound and the Fury in 1929. As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), Absalom, Absalom! (1936) and The Wild Palms (1939) are the key works of his great creative period leading up to Intruder in the Dust (1948). During the 1930s, he worked in Hollywood on film scripts, notably The Blue Lamp, co-written with Raymond Chandler. William Faulkner was awarded the Nobel Prize for Literature in 1949 and the Pulitzer Prize for The Reivers just before his death in July 1962.

Spolit, feckless Temple Drake, the daughter of a judge, runs away from school with an unsuitable man. Abandoned by him with a gang of moonshiners, Temple falls into the clutches of the psychotic Popeye, one of the most grotesque characters of Faulkner's imagination. A compelling, shocking tale of perverted justice in the Deep South, Sanctuary is also a moving plea for courage in the darkest of circumstances.