Dialectical Lyric by Johannes De Silentio

Fear and Trembling

In Fear and Trembling, Søren Kierkegaard's infamous and controversial work made a lasting impression on both modern Protestant theology and existentialist philosophers such as Sartre and Camus. This Penguin Classics edition is translated from the Danish with an introduction by Alistair Hannay. 
 
Writing under the pseudonym of 'Johannes de silentio', Kierkegaard expounds his personal view of religion through a discussion of the scene in Genesis in which Abraham prepares to sacrifice his son Isaac at God's command. Believing Abraham's unreserved obedience to be the essential leap of faith needed to make a full commitment to his religion, Kierkegaard himself made great sacrifices in order to dedicate his life entirely to his philosophy and to God. The conviction shown in this religious polemic - that a man can have an exceptional mission in life - informed all Kierkegaard's later writings. His 'teleological suspension of the ethical' challenged the contemporary views of Hegel's universal moral system, and was also hugely influential for both protestant theology and the existentialist movement. 
 
Alastair Hannay's introduction evaluates Kierkegaard's philosophy and the ways in which it conflicted with more accepted contemporary views. This edition also includes detailed notes to complement this groundbreaking analysis of religion, and a new chronology. 
 
Danish-born S¢ren Kierkegaard (1813-55) wrote on a wide variety of themes, including religion, psychology, and literature. He is remembered for his philosophy, which pioneered the idea of the Absurd, and was influential and in the development of 20th century existentialism. His other works include The Sickness unto Death, Either/Or, and Papers and Journals, all of which are available in Penguin Classics. 
 
If you enjoyed Fear and Trembling, you might like Kierkegaard's The Sickness unto Death, also available in Penguin Classics.

Danish-born S¢ren Kierkegaard (1813-55) wrote on a wide variety of themes, including religion, psychology, and literature. He is remembered for his philosophy, which was influential in the development of 20th century existentialism. 
 
Alastair Hannay is Professor of Philosophy at the University of Oslo. He is co-editor of the Cambridge Companion to Kierkegaard and has translated Kierkegaard's Fear and Trembling, The Sickness unto Death, Either/Or, and Papers and Journals for Penguin Classics.

The Sickness Unto Death

'If you have lived in despair, then whatever else you won or lost, for you everything is lost'  Søren Kirkegaard

Danish-born S&cent;ren Kierkegaard (1813-55) wrote on a wide variety of themes, including religion, psychology, and literature. He is remembered for his philosophy, which was influential in the development of 20th century existentialism.

Influencing philosophers such as Sartre and Camus, and still strikingly modern in its psychological insights, Kierkegaard&rsquo;s The Sickness Unto Death explores the concept of &lsquo;despair&rsquo; as a symptom of the human condition and describes man&rsquo;s struggle to fill the spiritual void. 
 
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The Seducer's Diary

Soren Aabye Kierkegaard (1813-1855) was a 19th century Danish philosopher and theologian, generally recognized as the first existentialist philosopher.

Johannes is an aesthete, dedicated to creating the possibility of seduction through the careful manipulation of young women. He stealthily pursues the innocent Cordelia until she becomes increasingly drawn to him. But when she is ready to give herself completely, she realizes she may have got everything wrong. 
 
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Papers and Journals

This abridged edition, translated by Alastair Hannay, clearly reveals the compelling development of Kierkegaard's thought, while detailed notes and individual introductions to each section provide a detailed consideration of his life and times.

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One of the greatest thinkers of the nineteenth century, Søren Kierkegaard (1814-55) often expressed himself through pseudonyms and disguises. Taken from his personal writings, these private reflections reveal the development of his own thought and personality, from his time as a young student to the deep later internal conflict that formed the basis for his masterpiece of duality Either/Or and beyond. Expressing his beliefs with a freedom not seen in works he published during his lifetime, Kierkegaard here rejects for the first time his father's conventional Christianity and forges the revolutionary idea of the 'leap of faith' required for true religious belief. A combination of theoretical argument, vivid natural description and sharply honed wit, the Papers and Journals reveal to the full the passionate integrity of his lifelong efforts 'to find a truth which is truth for me'.

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Soren Kierkegaard's childhood was clouded by the religious fervour of his father. Studying both theology and the liberal arts, he began to criticize the Christianity upheld by his father and look for a new set of values. He wrote no fewer than twelve major philosophical essays and his work inspires both modern Protestant theology and existentialism. In his own time, he died an object of public ridicule and scorn.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. 
 
The Father of Existentialism, Kierkegaard transformed philosophy with his conviction that we must all create our own nature; in this great work of religious anxiety, he argues that a true understanding of God can only be attained by making a personal 'leap of faith'.

A Fragment of Life

Either/Or

Either/Or is a brilliant exploration of the conflicts inherent in life between living aesthetically, and living morally

Kierkegaard (1813-55) was born in Copenhagen, the youngest of seven children. His childhood was unhappy, clouded by the religious fervour of his father, and the death of his mother, his sisters and two brothers. Educated at the School of Civic Virtue, he went on study theology, liberal arts and science at university, gaining a reputation for his academic brilliance and extravagant social life. He began to criticize Christianity, and in 1841 broke off his engagement to concentrate on his writing. Over the next ten years he produced a flood of works, in particular twelve major philosophical essays, many written under noms de plume. By the end of his life he had become an object of public ridicule, but he is now enjoying increasing acclaim. 
 
 
Alastair Hannay was educated at the Edinburgh Academy, the University of Edinburgh and University College London. In 1961 he became a resident of Norway and is now Emeritus Professor of Philosophy at the University of Oslo.

In Either/Or, using the voices of two characters - the aesthetic young man of part one, called simply 'A', and the ethical Judge Vilhelm of the second section - Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous Seducer's Diary, the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, Either/Or is a brilliant exploration of the conflict between the aesthetic and the ethical - both meditating ironically and seductively upon Epicurean pleasures, and eloquently expounding the noble virtues of a morally upstanding life.

Søren Kierkegaard

'What does love fear? Limitation.' 
 
Johannes stealthily pursues Cordelia through the streets of Copenhagen, and through an intricate, manipulative courtship contrives to possess her. Motivated not by love or sex but by sensation and experiment, he seeks to make the object of his desire desire him – and then to retreat. At once a captivating story and philosophical exploration of existence’s entanglements, The Seducer's Diary is also an excoriating reconstruction of Kierkegaard’s own romantic failures.

The Seducer’s Diary

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