A novel of masterly understatement... Laura Beatty uses [landscape] with subtle obliquity as a grid for mapping the emotional lives of her twin heroines, women divided by nearly four centuries.
Jonathan Keates, Spectator
From the virtuoso opening chapter, Beatty takes an offbeat, impressionistic approach... She is interested in the darkness of history, belief and the motivations of the heart: in how "places make people". B ...
Justine Jordan, Guardian
The lives of two women, centuries apart are curiously entwined. Beatty makes you feel the layers of history existing alongside the present, so that the stories blend seamlessly... Beautifully writte ...
The Times
A novel of masterly understatement... Laura Beatty uses [landscape] with subtle obliquity as a grid for mapping the emotional lives of her twin heroines, women divided by nearly four centuries.
Jonathan Keates, Spectator
From the virtuoso opening chapter, Beatty takes an offbeat, impressionistic approach... She is interested in the darkness of history, belief and the motivations of the heart: in how "places make people". B ...
Justine Jordan, Guardian
The lives of two women, centuries apart are curiously entwined. Beatty makes you feel the layers of history existing alongside the present, so that the stories blend seamlessly... Beautifully writte ...
The Times
A novel of masterly understatement... Laura Beatty uses [landscape] with subtle obliquity as a grid for mapping the emotional lives of her twin heroines, women divided by nearly four centuries.
Jonathan Keates, Spectator
From the virtuoso opening chapter, Beatty takes an offbeat, impressionistic approach... She is interested in the darkness of history, belief and the motivations of the heart: in how "places make people". B ...
Justine Jordan, Guardian
The lives of two women, centuries apart are curiously entwined. Beatty makes you feel the layers of history existing alongside the present, so that the stories blend seamlessly... Beautifully writte ...