Flooded civilisations have long been a staple of post-apocalyptic fiction… Few have executed their dystopian vision with quite as much panache as Robbie Morrison and Jim Murray do here.
Stephen Jewell, SFX
Jim Murray’s gorgeous art is reminiscent in style of a toned-down Simon Bisley, and his attention to detail really brings this grimy, waterlogged world to life.
Henry Northmore, The List
It’s not the first time noir has been merged with science fiction, but the execution is absolutely first class. Murray’s illustration is simply stunning… [Morrison’s] script is razor-sharp… Together, Morrison and ...
Andy Shaw, Grovel
Flooded civilisations have long been a staple of post-apocalyptic fiction… Few have executed their dystopian vision with quite as much panache as Robbie Morrison and Jim Murray do here.
Stephen Jewell, SFX
Jim Murray’s gorgeous art is reminiscent in style of a toned-down Simon Bisley, and his attention to detail really brings this grimy, waterlogged world to life.
Henry Northmore, The List
It’s not the first time noir has been merged with science fiction, but the execution is absolutely first class. Murray’s illustration is simply stunning… [Morrison’s] script is razor-sharp… Together, Morrison and ...
Andy Shaw, Grovel
Flooded civilisations have long been a staple of post-apocalyptic fiction… Few have executed their dystopian vision with quite as much panache as Robbie Morrison and Jim Murray do here.
Stephen Jewell, SFX
Jim Murray’s gorgeous art is reminiscent in style of a toned-down Simon Bisley, and his attention to detail really brings this grimy, waterlogged world to life.
Henry Northmore, The List
It’s not the first time noir has been merged with science fiction, but the execution is absolutely first class. Murray’s illustration is simply stunning… [Morrison’s] script is razor-sharp… Together, Morrison and ...