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9 Vintage Paperback Novels to Add to Your Summer TBR Pile

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Features

Books to read if you’re feeling lonely

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Where to start with...

Where to start reading Ottessa Moshfegh

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My Year of Rest and Relaxation: how Ottessa Moshfegh’s book pre-empted lockdown

Read women: A reading list of VINTAGE Classic and new female authors for 2019

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Read women in 2019: VINTAGE classic and new female authors

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Eileen by Ottessa Moshfegh

The unmissable Sunday Times Bestseller

Lapvona

Welcome to Lapvona. In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself at the centre of a power struggle that puts all manner of faith to a savage test . . . 
 
Discover the Sunday Times bestselling novel from the author of TikTok sensation My Year of Rest and Relaxation. 
 
'One of the most provocative reads of the year' 
i NEWSPAPER 
 
'Disturbingly funny' 
OBSERVER, BOOKS OF THE YEAR 
 
'An addictive read . . . with a chequered cast of misfits, despots and unholy souls' 
THE FACE 
 
'One of America's most exciting - and most provocative - young novelists' 
FINANCIAL TIMES 
 
'Lapvona deserves all the hype it's received and more' 
i-D 
 
'Brace yourselves' 
STYLIST

Compelling... Moshfegh's bold venture beyond her comfort zone in Lapvona is a welcome promise of how much more she has to offer American literature today.

What impresses here is not so much Moshfegh's abilities with character or narrative, or even her language . . . as the qualities Lapvona shares with a Francis Bacon painting: depicting in blood-red vitality, without morals or judgment, the human animal in its native chaos.

Moshfegh expertly creates a world with its own superstitions and laws, both timeless and topical.

Moshfegh's genius is her ability to rip away the veil, revealing the horrors beneath, in writing so compelling, and bleakly funny, that we can't bear to look away.

A witty, vicious novel.. . Moshfegh is one of our most thrilling chroniclers of the abject

Booker-shortlisted Ottessa Moshfegh is likely to out-weird most things published next year - set in a medieval fiefdom, could it be a work of genius, too?

Deliriously quirky medieval tale . . . Moshfegh brings her trademark fascination with the grotesque to depictions of the pandemic, inequality, and governmental corruption, making them feel both uncanny and all too familiar. It's a triumph.

Moshfegh writes brilliantly bizarre. Her arresting fourth novel continues this tradition.

Despite its medieval milieu, Lapvona is a quintessential Moshfegh book. It has the warped earthiness of the author's first two novels... [and] a powerful undercurrent of allegory.

Enjoyably disgusting - an effective...medieval fantasy.

One of America's most celebrated authors continues her exploration of what fiction has to offer with a further digression from the standard realist purview and into fantasy... a fascinating premise, and I'm excited to see the yarn Moshfegh is able to weave.

No one is quite who he first seems in the latest wicked tale from macabre master Moshfegh . . . Sculpting an eerily canny fabular world of contrasts and evil, cartoonish cruelty, in her signature way, Moshfegh conjures a grotesque, disturbing story of gross inequality and senseless strife.

A thrilling dissection of illusion and reality.

Lapvona is a sublime work in the truest sense - mighty, irrepressible and terrifying.

Like a twisted reworking of A Hundred Years of Solitude... readers will no doubt relish its icy intensity and Old Testament grimness.

Strange, subversive and utterly unique.

Weird, unsettling and exciting...Moshfegh writes like a dream - or perhaps a nightmare?

[A] strange, disturbingly funny faux-historical novel.

A brazen, mordantly comic and decidedly odd examination of corruption... proving to be one of the most provocative and divisive reads of the year.

Brace yourself for a daring, dizzying fable about corruption.

An addictive read... a curious, unjudging journey into humanity's craters.

Lapvona is an interrogation of faith, greed, and abuse - yet Moshfegh's dark humour cackles right through it.

This unsettling read is unlike anything else.

[Lapvona] is unlike anything she's [Moshfegh] written before... a rollercoaster ride exploring the themes of poverty, religion and greed.

Moshfegh's novel is bitterly comic, compelling reading, ever-pulsing with perversity.

[A] wry, bewitching and slightly dark novel.

Moshfegh is one of the most original and astute young novelists working today.

The superabundantly talented...Moshfegh's sentences are piercing and vixenish... she is always a deep pleasure to read.

New York Times (on MY YEAR OF REST AND RELAXATION)

Ottessa Moshfegh is a fiction writer from New England. Eileen, her first novel, was shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. My Year of Rest and Relaxation and Death in Her Hands, her second and third novels, were New York Times bestsell­ers. She is also the author of the short story collection Homesick for Another World and a novella, McGlue. She lives in Southern California.

My Year of Rest and Relaxation

The cult New York Times bestseller

'When I'd slept enough, I'd be okay. I'd be renewed, reborn.' 
 
 This is the story of a woman with no name. Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. Yet she longs to lose herself completely. 
 
 It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a savagely funny novel of a woman looking out from the abyss. 
 
Meet ten of literature's most iconic heroines, jacketed in bold portraits by female photographers from around the world.

Moshfegh's stunning 2018 novel has a haunting ending... [and] relentlessly vicious humour.

This razor sharp satirical novel has achieved near mythical status... [a] compelling and clever take on a female character that isn't afraid to speak her mind

Ottessa is one of our newest, most dazzling, daring and outrageous voices in literature

Death in Her Hands

'This is a story about what might happen when a woman takes charge... A glorious visceral mystery' The Times 
 
While on her daily walk with her dog in the woods near her home, Vesta comes across a chilling handwritten note. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. 
 
Shaky even on her best days, Vesta is also alone, and new to the area, having moved here after the death of her husband. Her brooding about the note grows quickly into a full-blown obsession: who was Magda and how did she meet her fate? 
 
From the Booker-shortlisted author of Eileen comes this razor-sharp, chilling and darkly hilarious novel about the stories we tell ourselves and how we strive to obscure the truth. 
__________________________ 
 
PRAISE FOR DEATH IN HER HANDS: 
'Routinely hailed as one of the most exciting young American authors working today' Guardian 
'A new kind of murder mystery' New Yorker 
'Dark, devious' Observer 
'A fine line between shocking realism and the absurd' New Statesman 
'A brilliant off-kilter detective story' Evening Standard 
'A beautiful novel' Sunday Times

From one of our most provocative literary talents, a novel of haunting metaphysical suspense

Routinely hailed as one of the most exciting young American authors working today... Her work takes dirty realism and makes it filthier. But it is is also beautiful...the depravity of her material matched by the purity and precision of her prose.

Ottessa Moshfegh's Death in Her Hands is a new kind of murder mystery... The work of a writer who is, like Henry James or Vladimir Nabokov, touched by both genius and cruelty... Like a surgeon, or a serial killer, Moshfegh flenses her characters, and her readers, until all that's left is a void. It's the amused contemplation of that void that gives rise to the dark exhilaration of her work -- its wayward beauty, its comedy, and its horror.

Much more than a whodunnit... This is a story about what might happen when a woman takes charge... A glorious visceral mystery... Moshfegh is as wise and wild as Ali Smith or Rebecca Solnit, and as gifted a scribe of nature as Annie Dillard or Thoreau.

Ottessa Moshfegh's postmodern whodunit...burnishes Moshfegh's claim as one of the most distinctive American writers around.

[Death in Her Hands] cracks open like a matryoshka doll, revealing multiple tales within... Its dark, devious portrait of the troubled psychology of a lonely, stymied woman makes a mark all of its own.

[A] brilliant off-kilter detective story... An eerie, affecting read.

Clever, dark, funny... A gripping story.

There is an unspoken fascination in those we find abhorrent and Moshfegh writes these women with wit and intrigue, treading a fine line between shocking realism and the absurd.

Death in her Hands is a return to the dark humour that marks Moshfegh's work to date, making it sure to hit the sweet spot with established fans.

Moshfegh returns to the violent timbre of her debut Eileen.

In sending up the detective genre, Moshfegh is true to her mischievous persona.

Blending sharp tongue-in-cheek parody, genuine suspense and a disorientingly unreliable narrator, Death in Her Hands is wildly accomplished, if at times unwieldy. There's always been an existential dread to Moshfegh's writing and here it triumphs as the muddy shadows of an old woman's mind.

A story of brooding anxiety that expands on Moshfegh's writerly obsessions.

Death in Her Hands isn't a conventional mystery, and it isn't going to give you the satisfaction of a conventional ending. But it does satisfy, and in ways I hadn't expected. I hope that, for Moshfegh, this is the new abnormal.

Slow-burning, mind-bending light fantasy

Emily Bootle, author of THIS IS NOT WHO I AM

Homesick For Another World

'Razor-sharp’ Zadie Smith 
 
An electrifying, prizewinning short story collection from the Booker-shortlisted author of Eileen and My Year of Rest and Relaxation. 
 
There’s something eerily unsettling about Ottessa Moshfegh’s stories, something almost dangerous while also being delightful – and often even weirdly hilarious. Her characters are all unsteady on their feet; all yearning for connection and betterment, in very different ways, but each of them seems destined to be tripped up by their own baser impulses. 
 
The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful, but beauty comes from strange sources, and the dark energy surging through these stories is oddly and powerfully invigorating. 
 
 
One of the most gifted and exciting young writers in America, she shows us uncomfortable things, and makes us look at them forensically – until we find, suddenly, that we are really looking at ourselves. 
 
‘Moshfegh’s writing is cinematic – vivid, immediate’ TLS

An electrifying, prizewinning short story collection from the Booker-shortlisted author of Eileen

Moshfegh is consistently as sparky and gripping as she is inventive… She could become one of the most outstanding US writers of her generation.

The characters in this collection are an unlovely bunch but make for an irresistible read… She writes terrific, attention-grabbing openings, and impactful last lines that don’t strain for a lapidary effect. Her damaged-girl deadpan snark is second to none, but she inhabits other character types with ease.

She can really write and has a pitch-black sense of humour.

Moshfegh’s writing is cinematic – vivid, immediate.

Moshfegh’s powerful, pristine prose shines a light on the dark side of these characters […] Her endings are never happy, but they often contain hope – which can be more convincing.

Moshfegh delights in exploring the seamy underside of life… Once encountered these characters are not easily forgotten.

An impressive study of human vulnerability and self-deception, through which the reader is guided by a cynical and darkly funny literary voice.

Homesick for Another World showcases her mastery.

A perfect showcase to Moshfegh’s brilliant and sui generis mind… brilliant as was Eileen, Moshfegh is near virtuosic in short story form, and newcomers to her work would do well to begin with this collection.

Dark, confident, prickling stories… [Moshfegh] has a wicked sort of command. Sampling her sentences is like touching a mildly electrified fence… Moshfegh is a penetrating observer of class and social mores… Do not come to these stories if your own guts are easily stirred.

In her excellent first collection, Homesick for Another World, Ottessa Moshfegh… homes in on characters in states of weirdly dynamic paralysis, trapped between the pains of the past – bad childhoods, bad relationships, bad marriages – and dreams of the future… The stories… give us a sense of watching a fluent, deeply talented artist extend herself and take risks in her quest to master the form… Magnificent examples of how a short story can become expansive beyond expectation.

Provocative… Moshfegh presents characters who evince a flinching disgust for bodily functions and human intimacy. There’s no shortage of colourful sociopaths here… The stories draw a picture of an America that has lost its way, a bigoted, insular nation in the grip of an obesity epidemic... It’s a bracing, brilliant collection.

Moshfegh’s style is a blend of nihilism and drollery that feels hyper-contemporary in its relentless sassiness, moving in the same breath from biting human observation to casual one liners about anal sex.

Efforts to contrive a sensationalist buzz around the author are not surprising. But Moshfegh needs no extra edge. Her works make enough of an impression, and they are exceptional: dark, violent and grotesquely intelligent. This new story collection, Homesick for Another World, is probably her most accomplished work to date, and it does not scrimp on obscenity, on esoteric rituals, or on harsh, uncomfortable realities… These stories paint a stunningly unique picture of contemporary disenchantment that goes beyond glassy-eyed millennial ennui.

There’s something eerily unsettling about Ottessa Moshfegh’s stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny… Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O’Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find… The dark energy surging through these stories is powerfully invigorating.

Moshfegh’s stories are sharp, dark and often horribly funny.

McGlue

Discover the blistering first novella from the from the Booker-shortlisted author of Eileen and My Year of Rest and Relaxation. 
 
They said I've done something wrong?... And they've just left me down here to starve. Haven't had a drop in days more so... 
 
Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of his name or situation or orientation – he may have killed a man. That man may have been his best friend. Now, McGlue wants one thing and one thing only: a drink. Because for McGlue, insufferable, terrifying memories accompany sobriety. Asail on the high seas of literary tradition, Ottessa Moshfegh gives us an unforgettable blackguard on a knife-sharp voyage through the fogs of recollection.

Man Booker Shortlisted Ottessa Moshfegh's blistering first novel: 'A wonderwork of virtuoso prose and truths that will make you squirm and concur' Gary Lutz

A gorgeously sordid story of love and murder on the high seas and in reeky corners of mid-nineteenth-century New York and points North. McGlue is a wonderwork of virtuoso prose and truths that will make you squirm and concur

You’re in safe, if sticky hands with an Ottessa Moshfegh story… Everything bulges and reeks in this novella, which feels as if it was written in a permanent state of nausea… The plot spins faster than its main character’s head. What elevates this novella are the scalpelsharp observations about McGlue’s nihilism and her prose, which is as distilled as the liquor McGlue necks. It’s a wild ride.

Moshfegh is… a superlative short-story writer… McGlue, which owes as much to Cormac McCarthy as it does to Poe or Melville, is an entertaining curio with some lovely baroque flourishes.

A haunting men-on-boats noir, Ottessa Moshfegh’s first work of fiction… is Moby Dick through a broken, twisted looking glass. Moshfegh writes a fascinating, ugly form of brotherhood, shot through with homophobic homoeroticism, violence and taboo. It is a pungent novella, that revels in its own foulness with a wink and a nudge… Moshfegh’s sharp, strangely textured prose makes McGlue shock in all the right ways.

The mixture of brutality and tenderness was so surprising and moving to me

Ottessa Moshfegh is a fiction writer from Boston. Her novel Eileen was awarded the 2016 Pen/Hemingway Award and was shortlisted for the Man Booker Prize. Her short fiction has earned her the Paris Review Plimpton Prize, a creative writing fellowship from the National Endowment for the Arts, a Pushcart Prize, and an O. Henry Award. Her collection Homesick for Another World was published in January 2017. McGlue was her debut novel, and the winner of the Fence Modern Prize for Prose and the Believer Book Award. This is the first time the book is published here in the U.K.

Ottessa Moshfegh

Shortlisted for the Man Booker Prize 2016

VINTAGE CLASSICS' AMERICAN GOTHIC SERIES 
Spine-tingling, mind-altering and deliciously atmospheric, journey into the dark side of America with nine of its most uncanny classics. 
 
*SHORTLISTED FOR THE MAN BOOKER PRIZE* 
**FROM THE AUTHOR OF TIKTOK SENSATION MY YEAR OF REST AND RELAXATION** 
 
Trapped between caring for her alcoholic father and her job as a secretary at the boys' prison, Eileen Dunlop dreams of escaping to the big city. 
 
In the meantime, her nights and weekends are filled with shoplifting and cleaning up her increasingly deranged father's messes. 
 
When the beautiful, charismatic Rebecca Saint John arrives on the scene as the new counsellor at the prison, Eileen is enchanted, unable to resist what appears to be a miraculously budding friendship. But soon, Eileen's affection for Rebecca pull her into a crime that far surpasses even her own wild imagination. 
 
'Fully lives up to the hype. A taut psychological thriller, rippled with comedy as black as a raven's wing, Eileen is effortlessly stylish and compelling' The Times 
 
*SHORTLISTED FOR THE CWA NEW BLOOD DAGGER AWARD*

Ottessa Moshfegh

Eileen

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