Shelf Life

A refreshing, heart-wrenching, innovative debut about a young woman rebuilding herself after her partner abandons her, leaving behind only their shared shopping list for the upcoming week.

'An impressive, Sally Rooney-esque debut novel' New Statesman 
 
'Shelf Life is whip-smart, slyly heartbreaking, and I felt the truth of it in my bones. Franchini dissects ideas of love, dating and identity in a way that feels both ruthless and humane. I loved it.' Sophie Mackintosh, author of The Water Cure 
 
An exquisite, heart-wrenching story of a woman discovering and rebuilding herself, beyond what she does for others. 
 
Ruth is thirty years old. She works as a nurse in a care home and her fiancé has just broken up with her. The only thing she has left of him is their shopping list for the upcoming week. 
 
And so she uses that list to tell her story. Starting with six eggs, and working through spaghetti and strawberries, and apples and tea bags, Ruth discovers that her identity has been crafted from the people she serves; her patients, her friends, and, most of all, her partner of ten years. Without him, she needs to find out – with conditioner and single cream and a lot of sugar – who she is when she stands alone. 
 
An excellent author playing with form, structure, and unreliable narrators, discover Livia Franchini’s highly anticipated, new release High Tide.

Shelf Life is whip-smart, slyly heartbreaking, and I felt the truth of it in my bones. Franchini dissects ideas of love, dating and identity in a way that feels both ruthless and humane. I loved it.

Sophie Mackintosh, author of 'The Water Cure'

This is a beautiful novel. The scene with the mother and the chicken is one of the most rigorous, affecting, strange scenes I have read in a while and it's still haunting me. It was funny, and sad, and I devoured it. It reminded me of Convenience Store Woman. I absolutely loved it.

Susannah Dickey, author of 'Tennis Lessons'

Livia Franchini has delivered an impressive, Sally Rooney-esque debut novel.

Shelf Life is so intimate. It's like riding the bus home with a friend as she confides her secret hopes and fears. Each raw emotion is carefully delivered. Franchini has created a protagonist who feels achingly real. I wanted to cancel all my plans and just read this book.

Rowan Hisayo Buchanan, author of 'Harmless Like You'

Shelf Life feels like a Bridget Jones for cynical souls. Franchini captures perfectly the mundane devastation of heartbreak and the utter impossibility of knowing and being known. Sweet, funny, odd and achingly perceptive, this seemingly small tale asks some terrifyingly big questions about love, loss, identity and existence. I couldn’t put it down.

Natasha Bell, author of 'His Perfect Wife'

This is a book that should not be missed: a beautifully executed contribution to the discussion of toxic masculine behaviour and the patterns of socialisation that enable it.

A novel that explores the precarities, fragilities and tendernesses of modern life — it scintillates.

Eley Williams, author of 'Attrib: and other stories'

Shelf Life is dark and disarming. It wryly explores hunger and denial and the play between pleasure and power in an honest portrayal of the complexities of desire. Franchini's voice is sharp and clever and her debut novel tells us truths about how and why we love.

Shelf Life is a truly unique read; a book so thoughtfully and articulately written it draws the reader deep into the painful heart of a fracturing relationship. Ruth, the novel's central character is crafted in such a believable way, I felt every one of her disappointments keenly. I was rooting for her throughout. By the final page I felt like we'd been through something monumental together.

Jan Carson, author of 'The Fire Starters'

I absolutely loved this - really moving and powerful

Structured around a shopping list, the non-linear narrative is as droll as it is disarming. The playful form gives a new, distinctly millennial shape to perennial struggles of love and dating.

Quirky, awkward and fresh . . . Slyly moving [and] vividly written . . . There’s a confidence to the wilful eccentricities of her writing that reminded me of Miranda July, as well as a fresh voice that’s highly readable.

‘This intriguing debut ends up weirder and more structurally adventurous than its chattily plain-spoken opening leads us to expect . . . [with] a provocative climax to an unpredictable exploration of 21st-century sexual mores’

An eccentric and lingering snapshot of millennial womanhood . . . Though unsettling at times, the unrelenting rawness of Shelf Life forms its brilliance. The novel is a bold and uncompromising addition to experimental women’s writing, exposing truths at every turn.

A picture of a woman defined by those she serves [that] weaves in challenging questions about womanhood

The real heart of the novel [is] how people must learn to stand alone - and how the apparently meek are often most resilient.

Livia Franchini

A beautiful, intelligent and transportive novel about love, co-dependency, grief and the redemption of finding your own voice. Livia writes the hot claustrophobia of first love – and the wounds it leaves behind – forensically, tenderly.

Franchini has so perfectly captured the light and taste and colour of an Italian summer in this vivid novel about youth, love, art, debauchery and consequences.

Sara Baume, multi-award-winning author of Spill Simmer Falter Wither

As sultry as it is menacing, High Tide is a novel about desire, grief, art. It's about the stories we tell and the stories we hide. High Tide has everything you need: sex, mystery and Mediterranean decadence.

A dark, tense, and compulsive novel. The Shelleys and their seedy entourage are uncannily reincarnated as palazzo-parasite, would-be YBAs on a grungy Grand Tour: the result is unputdownable.

Art, hedonism and the nineties sweating under a menacing Italian sun: I feel intoxicated just thinking of about High Tide. Fans of Ferrante’s darker works will not be disappointed.

Charlotte Tierney, author of The Cat Bride

Brilliant. I was completely beguiled by its woozy, boozy atmosphere; it’s as thrilling and seductive as a beach read, with a corpse washed up in it. High Tide is a complicated, disturbing and intelligent book with all the propulsion of a page-turner.

Amy Sackville, author of Painter to the King

An intoxicating, sweltering and engrossing novel. It is truly one of the best books you will read this year.

Misha Honcharenko, author of Trap Unfolds Me Greedily

Set in the bright, careless delirium of youth and saturated with colour, excess and lust, High Tide is a novel of striking beauty and gathering darkness – poetic, heart-throbbingly pacy and poignant in its exploration of art and agency. I devoured High Tide in a day, but I still wear its salt on my skin.

Both grimily glamorous and campily Gothic, High Tide is a novel of love, art and insanity. Franchini injects all the thrills of a horror movie into a languidly tragic love story that trespasses from London’s wild art scene to the harshly beautiful Italian coast.

Whip-smart, slyly heartbreaking, and I felt the truth of it in my bones. Franchini dissects ideas of love, dating and identity in a way that feels both ruthless and humane. I loved it.

Franchini's voice is sharp and clever and her debut novel tells us truths about how and why we love.

Quirky, awkward and fresh... There’s a confidence to the wilful eccentricities of her writing.

A quirky, funny, poignant book which shimmers with originality. I loved it.

A Radio Times Book Club Pick as chosen by Dawn O'Porter 
 
‘A complicated, disturbing and intelligent book with all the propulsion of a page-turner.’ 
Amy Sackville, author of Painter to the King 
 
‘So perfectly captures the light and taste and colour of an Italian summer.’ 
Sara Baume, author of Spill Simmer Falter Wither 
 
Summer, 1992. Peter, a promising young artist, vanishes off the coast of Tuscany. Ten days later, his body washes ashore, bloated and unrecognisable. For one sweltering summer, his death grips the public imagination, before fading into the haze of nineties lore. 
 
Thirty years on, Peter’s widow, Marie, has become infamous in her own right. A cult but reclusive horror writer, her novels are celebrated for their dark brilliance – but no one knows the woman behind the pen name, or the memories she’s spent a lifetime suppressing. 
 
When a retrospective of Peter’s work is announced at a prestigious London gallery, an old friend resurfaces who seems determined to drag Marie from the shadows and unmask her. Drawn back to Italy, she feels the past begin to stir: the heat, the secrets, the girl she once was. What does she owe the dead – and how far will she go to protect the living?

Livia Franchini

Books by Livia Franchini

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