A Twentieth-Century History

The Rise and Fall of the British Nation

'Forget almost everything you thought you knew about Britain ... You will not find a better informed history' David Goodhart, Evening Standard 
 
'A striking new perspective on our past' Piers Brendon, Literary Review 
 
From the acclaimed author of Britain's War Machine and The Shock of the Old, a bold reassessment of Britain's twentieth century. 
 
It is usual to see the United Kingdom as an island of continuity in an otherwise convulsed and unstable Europe; its political history a smooth sequence of administrations, from building a welfare state to coping with decline. Nobody would dream of writing the history of Germany, say, or the Soviet Union in this way. 
 
David Edgerton's major new history breaks out of the confines of traditional British national history to redefine what it was to British, and to reveal an unfamiliar place, subject to huge disruptions. This was not simply because of the world wars and global economic transformations, but in its very nature. Until the 1940s the United Kingdom was, Edgerton argues, an exceptional place: liberal, capitalist and anti-nationalist, at the heart of a European and global web of trade and influence. Then, as its global position collapsed, it became, for the first time and only briefly, a real, successful nation, with shared goals, horizons and industry, before reinventing itself again in the 1970s as part of the European Union and as the host for international capital, no longer capable of being a nation. 
 
Packed with surprising examples and arguments, The Rise and Fall of the British Nation gives us a grown-up, unsentimental history which takes business and warfare seriously, and which is crucial at a moment of serious reconsideration for the country and its future.

Every so often a book comes out that the entire political class needs to read ... Edgerton is Britain's most exciting and arresting late-modern historian ... Thanks to this rich and compelling book, we now have a proper map and compass.

A fierce and dazzling account of 20th-century Britain

An extraordinary revisionist study of modern Britain ... Edgerton's aim here is nothing short of a radical repositioning of our sense of ourselves as a nation. It's a startling book, and an unexpected thesis ... I'll be reading [it] over and over, and for years to come.'

Forget almost everything you thought you knew about Britain in the 20th century ... You will not find a better informed history of this country in the last century.

Stimulating and bracing ... He demonstrates that the story the British tell about themselves - and how it is taught in schools and discussed in the public sphere - is bogus.

Unsentimental and rigorous rewriting of British history. ... It looks beyond the froth of political debate, takes business seriously and analyses government as much from Whitehall and administration as Westminster and politics.

Beautifully written and can be read with pleasure by the general reader as well as the trained historian

Original, opinionated, scholarly, complex and immensely stimulating ... this ambitious and provocative book achieves something remarkable. It provides a striking new perspective on our past, one that future historians may not accept but will be unable to ignore.

A sweepingly, and ambitiously, revisionist account of 20th century British history ... full of striking lines ... and a very important challenge to much of the existing historiography.

Timely jolt to a deluded 'Bullshit Britain'. David Edgerton fillets national delusion and historical amnesia ... of a country that knows so little of its own history.

Edgerton is an extraordinary historian ... Written with bracing élan, Rise and Fall generates insights at every turn. Edgerton set out to rattle "the cage of clichés which imprison our historical and political imaginations", and succeeds magnificently.

... refreshing and immensely stimulating, and should be compulsory reading for anyone wanting to understand the reality of twentieth-century Britain. Lewis Namier, another historian known for his combative brand of scholarship, viewed iconoclasm as the judge of a great historian, that having produced an account of a period 'others should not be able to practise within its sphere in the terms of the preceding era'. Edgerton has certainly achieved this.

David Edgerton is Hans Rausing Professor of the History of Science and Technology and Professor of Modern British History at King's College London. He is the author of a sequence of ground-breaking books in 20th century British history: Science, Technology and the British Industrial 'Decline', 1870-1970; Warfare State: Britain, 1920-1970; as well as Britain's War Machine, and England and the Aeroplane, both published by Penguin. He is also the author of the iconoclastic and brilliant The Shock of the Old: Technology and Global History Since 1900.

Out of a liberal, capitalist, genuinely global power of a unique kind, there arose from the 1940s a distinct British nation. This nation was committed to internal change, making it much more like the great continental powers. From the 1970s it became bound up both with the European Union and with foreign capital in new ways. David Edgerton's fascinating perspective produces refreshed understanding of everything from the nature of British politics to the performance of British industry. 
 
Packed with surprising examples and arguments, The Rise and Fall of the British Nation gives us a grown-up, unsentimental history, one which is crucial at a moment of serious reconsideration for the country and its future.

Militarism, Modernity and Machines

England and the Aeroplane

The story of the strange mixture of romanticism, militarism and technology that has made planes so important to England, from the brilliant author of Britain's War Machine 
 
The history of England and the aeroplane is one tangled with myths - of 'the Few' and the Blitz, of boffins, flying machines, amateur inventors and muddling through. In England and the Aeroplane David Edgerton reverses received wisdom, showing that the aeroplane is a central and revealing aspect of an unfamiliar English nation: a warfare state dedicated to technology, industry, empire and military power. 
 
England had the strongest air force in the Great War, the largest industry in the world in the 1920s, outproduced Germany by 50% at the time of the Battle of Britain and was the third largest producers of aeroplanes well after this time. In a revelatory recounting of the story of aeronautical England, from its politics to its industry and culture, David Edgerton reconfigures some of the most important chapters of our history. 
 
Reviews: 
 
'A brilliant polemic' Guardian 
 
'Full of good stories ... an illuminating read' Spectator 
 
'A tour de force, after which the history of the aircraft industry will never be quite the same again' Business History 
 
'David Edgerton's sure-footed essay ... sees Britain from an unusual perspective ... His arguments provide sound backing for the idea that modern Britain is as much a warfare state as a welfare one' Economist 
 
About the author: 
 
David Edgerton is Hans Rausing Professor at Imperial College London, where he was the founding director of the Centre for the History of Science, Technology and Medicine. He is the author of a sequence of groundbreaking books on 20th century Britain: Science, Technology and the British Industrial 'Decline', 1870-1970; Warfare State: Britain, 1920-1970; and Britain's War Machine, published by Penguin. He is also the author of the iconoclastic and brilliant The Shock of the Old: Technology and Global History Since 1900.

Full of good stories ... an illuminating read

A tour de force, after which the history of the aircraft industry will never be quite the same again

David Edgerton's sure-footed essay ... sees Britain from an unusual perspective ... His arguments provide sound backing for the idea that modern Britain is as much a warfare state as a welfare one

David Edgerton is Hans Rausing Professor at Imperial College London, where he was the founding director of the Centre for the History of Science, Technology and Medicine. He is the author of a sequence of groundbreaking books on 20th century Britain: Science, Technology and the British Industrial 'Decline', 1870-1970; Warfare State: Britain, 1920-1970; and Britain's War Machine, published by Penguin. He is also the author of the iconoclastic and brilliant The Shock of the Old: Technology and Global History Since 1900.

Weapons, Resources and Experts in the Second World War

Britain's War Machine

Brilliant and thought-provoking ... There are moments of edgy humour, too ... This remarkable book shows that whatever the reasons for the length of time it took to bring Hitler to heel, the quantity and quality of British war material was not among them

Edgerton's book is a remarkable achievement. He re-envisions Britain's role in World War II and with it Britain's place in modernity. In place of a plucky island standing alone, he gives us a global empire of machines, not a welfare state, but a technocratic warfare state. The period will never look the same again

Adam Tooze, author of The Wages of Destruction: The Making and Breaking of the Nazi Economy

Consistently lively, stimulating and authoritative

Absolutely fascinating. This book will make you think differently about Britain's role in the Second World War

Laurence Rees, author of Auschwitz: The Nazis and The 'Final Solution'

This book has certainly changed my views ... It is a necessary and timely corrective to a great deal of loosely thought-through conventional wisdom, and makes a real contribution to our understanding of the war

For too long we have had a distorted view of Britain's position and role in the Second World War.  David Edgerton has produced a stunning book that rectifies this misconception, and which is told with authority, clarity and compelling energy

James Holland, author of The Battle of Britain

An important corrective to the black-and-white portrait of the period that still prevails

A stimulating exercise in muscular revisionism ... Offers a fresh and provocative view of our much-loved and much-misunderstood "finest hour"

Accessibly written and deserves a wide audience.  Above all, Edgerton demonstrates that the war is a subject we haven't yet heard nearly enough about.  Britain's War Machine is a considerable achievement

Edgerton has excelled himself with this highly revisionist account of Britain's national performance during the Second World War ... an unusually provocative book

Edgerton has written what could prove to be one of the most influential books on the history of the Second World War ... majestic ... [he] has successfully shown us that we still have a lot to learn about the conflict ... it will become the required reading for all students wishing to study the Second World War

An astounding work of myth-busting ... Inspiring and unsettling in equal measure

Majestic ... a wonderful read. It has probably popped more myths than any other book on the war in recent years

Brilliant and iconoclastic ... debunks the myth that Britain was militarily and economically weak and intellectually parochial during the 1930s and 1940s

Truly eye-opening ... Edgerton's carefully researched book will fundamentally change the way you think about World War II

Riveting ... a wonderfully rich book ... thoroughly stimulating

A major new assessment of Britain's war effort from 1939 to 1945. Never again will some of the lazy assessments of how Britain performed over these years ... be acceptable. That's why this is such an important book

Compelling and engaging ... an excellent read

Edgerton's well-researched volume bursts with data that reveal Britain's true strength even when supposed to be in critical condition

Britain's War Machine offers the boldest revisionist argument that seeks to overturn some of our most treasured assumptions about Britain's role in the war ... Edgerton [is] an economic historian with an army of marshalled facts and figures at his fingertips ... This is truly an eye-opening book that explodes the masochistic myth of poor little Britain, revealing the island as a proud power with the resources needed to fight and win a world war

Masterful Britain's War Machine promotes the notion that the United Kingdom of the Forties was a superpower, with access to millions of men across the globe, and forming the heart of a global production network

David Edgerton is Hans Rausing Professor at Imperial College London, where he was the founding director of the Centre for the History of Science, Technology and Medicine. He is the author of a sequence of groundbreaking books on 20th century Britain: England and the Aeroplane: An Essay on a Militant and Technological Nation; Science, Technology and the British Industrial 'Decline', 1870-1970; and Warfare State: Britain, 1920-1970. He is also the author of the iconoclastic and brilliant The Shock of the Old: Technology and Global History Since 1900

GUARDIAN BOOKS OF THE YEAR 
 
The familiar image of the British in the Second World War is that of the plucky underdog taking on German might. David Edgerton's bold, compelling new history shows the conflict in a new light, with Britain as a very wealthy country, formidable in arms, ruthless in pursuit of its interests and sitting at the heart of a global production system. 
 
The British, indeed Churchillian, vision of war and modernity was challenged by repeated defeat by less well equipped enemies. Yet the end result was a vindication of this vision. Like the United States, a powerful Britain won a cheap victory, while others paid a great price. Britain's War Machine, by putting resources, machines and experts at the heart of a global rather than merely imperial story, demolishes some of the most cherished myths about wartime Britain and gives us a very different and often unsettling picture of a great power in action

Fintan O'Toole

Ruth Padel

Heather Jones

Elif Shafak

David Edgerton

Sara LeFanu

Various

How great artists and their work were shaped by the First World War

The complete BBC Radio 3 series exploring how great creative minds responded to the First World War in individual works of art and scholarship 
 
World War I saw an unprecedented loss of life in Western Europe, and destruction on a scale no one alive had ever seen. All those who experienced it were irrevocably changed, including many writers and artists upon whose oeuvre it left an indelible mark. 
 
This captivating series examines the impact of the war on artists and thinkers through the prism of their great works. In each episode, a leading figure from the worlds of science, culture and the arts reflects on a single iconic piece, and discusses how the events of 1914-18 shaped its creation. 
 
The 29 artworks in this collection comprise paintings, plays, books, films, sculptures and cartoons. Ian Christie appraises Eisenstein's seminal Soviet drama Battleship Potemkin; Dame Gillian Beer considers Virginia Woolf's masterpiece Mrs Dalloway; Fintan O'Toole decodes James Joyce's epic modernist novel, Ulysses; and Dr Heather Jones looks at the controversy and war connections around Marcel Duchamp's notorious 'Fountain'. 
 
Key texts such as Sigmund Freud's twin essays Thoughts for the Time on War and Death; Rabindranath Tagore's Nobel Lectures; and Siegfried Sassoon's celebrated 1917 protest letter to The Times are analysed by Dr Michael Shapira, Santanu Das and Joanna Bourke; and a panoply of other pieces, among them Kathe Kollwitz's 'The Grieving Parents', Sean O'Casey's The Silver Tassie and Rudyard Kipling's Epitaphs are discussed by experts including Ruth Padel, Elizabeth Kuti and Janet Montefiore. 
 
Powerful, moving, thought-provoking and often shocking, these landmark works are all, in their very different ways, a response to the horrors of World War I and its aftermath - one that vividly demonstrates the transformative effects the conflict had on the collective artistic psyche. 
 
Production credits 
Presented by Allan Little, Sara LeFanu, Martin Rowson, Prof David Edgerton, Michal Shapira, Dr Heather Jones, Ian Christie, Lyse Doucet, Santanu Das, Ruth Padel, Arthur Smith, Prof Gillian Beer, Richard Cork, Sasha Dugdale, Fintan O'Toole, Gerald Dawe, John D McHugh, Elizabeth Kuti, Tarek Osman, Joanna Bourke, Elif Shafak, Dr Imaobong Umoren, Janet Montefiore, Jane Potter and Alex Walton 
Produced by Beaty Rubens, Benedict Warren, Emma Kingsley, Simon Elmes and Sarah Bowen 
 
Episode list: 
1. Paths of Glory 
2. Non-Combatants and Others 
3. Der Krieg 
4. The Memorandum on the Neglect of Science 
5. Thoughts for the Times on War and Death 
6. Le Feu 
7. Battleship Potemkin 
8. Fighting France, from Dunkerque to Belfort 
9. The Broken Wing 
10. The Grieving Parents 
11. Tagore's Nobel Lectures 
12. Tzara's Dada Manifesto 
13. Woolf's Mrs Dalloway 
14. Parade 
15. Akhmatova's July 1914 
16. James Joyce's Ulysses 
17. Elizabeth Bowen's The Last September 
18. Francis Ledwidge's poem O'Connell Street 
19. Father Browne's Photograph of a Wounded Soldier 
20. Sean O'Casey's The Silver Tassie 
21. Marcel Duchamp 
22. Gertrude Bell 
23. Siegfried Sassoon's Letter to The Times 
24. Mata Hari's Final Performance 
25. Isaac Rosenberg's Dead Man's Dump 
26. WEB Dubois' Returning Soldiers 
27. Rudyard Kipling's Epitaphs 
28. Mary Borden's The Forbidden Zone 
29. Isobel Rae 
 
© 2022 BBC Studios Distribution Ltd (P) 2022 BBC Studios Distribution Ltd

David Edgerton

Books by David Edgerton

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