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The most memorable teachers in books

Kokoro

Natsume Soseki (1867-1916), one of Japan's most influential modern writers, is widely considered the foremost novelist of the Meiji era (1868-1914). Born Natsume Kinnosuke in Tokyo, he graduated from Tokyo University in 1893 and then taught high school English. He went to England on a Japanese government scholarship, and when he returned to Japan he lectured on English literature at Tokyo University and began his writing career with the novel Botchan. Numerous nervous disorders forced him to give up teaching in 1908, and he became a full-time writer. He wrote fourteen novels, including I Am A Cat and Kusamakura, as well as haiku, poems in the Chinese style, academic papers on literary theory, essays, autobiographical sketches, and fairy tales. His work enjoyed wide popularity in his lifetime and secured him a permanent place in Japanese literature. 
 
Meredith McKinney holds a PhD in medieval Japanese literature from the University in Canberra, where she teaches in the Japan Centre. She lived and taught in Japan for twenty years and now lives near Braidwood, New South Wales. Her other translations include Ravine and Other Stories, The Tale of Saigyo, and for Penguin Classics, The Pillow Book of Sei Shonagon and Kusamakura.

Kokoro, meaning 'heart', is a tantalising novel about the friendship between a young man and an enigmatic elder whom he calls Sensei. Set in the early twentieth century, when the death of the emperor Meiji gave way to a new era in Japanese politicial and cultural life, the novel enacts the transition from one generation to the next in the dynamic between Sensei, who is haunted by mysterious events in his past, and the unnamed young man, one of the new generation's elite who will inherit the coming era.

Sanshiro

'Even bigger than Japan is the inside of your head. Don't ever surrender yourself - not to Japan, not to anything' 
 
Soseki's work of gentle humour and doomed innocence depicts twenty-three-year-old Sanshiro, a recent graduate from a provincial college, as he begins university life in the big city of Tokyo. Baffled and excited by the traffic, the academics and - most of all - the women, Sanshiro must find his way amongst the sophisticates that fill his new life. An incisive social and cultural commentary, Sanshiro is also a subtle study of first love, tradition and modernization, and the idealism of youth against the cynicism of middle age. 
 
This Penguin Classics edition of Soseki's beloved novel is translated by Jay Rubin with an introduction by Haruki Murakami.

One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.

Kusamakura

A new translation for a novel by one of Japan's most beloved authors

Natsume Soseki (1867-1916) is one of the best-known Japanese authors of the 20th century and considered as the master of psychological fiction. As well as his works of fiction, his essays, haiku, and kanshi have been influential and are popular even today. 
 
 
Meredith McKinney holds a PhD in medieval Japanese literature from the University in Canberra, where she teaches in the Japan Centre. Her other translations include Ravine and Other Stories, The Tale of Saigyo, and for Penguin Classics, The Pillow Book of Sei Shonagon.

Literally meaning 'Pillow of Grass', Kusamakura is Soseki's portrayal of an artist who opposes convention and logic, and shuns emotional involvement. Soseki's artist attempts to live as a hermit using other people as his stimuli for his sensations and reflections. The artist fluently and prolifically composes poetry, but finds himself unable to paint - despite befriending a beautiful young divorcee. He remains emotionally distanced from her for a long time and it is only one day when he sees compassion in her eyes that he finds himself able to paint her, but also reconnected with the emotional undercurrents he had hitherto tried to avoid, thereby ending his retreat from the world. Siseko's beautiful and haikuesque novel is infused with his own musings on art and nature, and helped to establish the novel as a major literary form in Japan.

Natsume Soseki

J. Cohn

This rollicking rebel, and the spice and pace of the narrative, will appeal to parent, teacher, and schoolchild alike

Introducing Penguin Japanese Classics: a collection of some of Japan's most celebrated and ground-breaking 20th century writers, with covers inspired by Japanese art and design. Taking us from a sun-drenched affair in a seaside town to an underground 'ark' full of shadows and eccentrics, with stops at mountains of skulls, lonely apartments and boarding school dormitories, this series is perfect for new and long-time readers of Japanese literature. 
 
Botchan is a modern young man from the Tokyo metropolis, sent to the ultra-traditional Matsuyama district as a Maths teacher after his the death of his parents. Cynical, rebellious and immature, Botchan finds himself facing several tests, from the pupils, the staff, and from his own as-yet-unformed nature, as he finds his place in the world. Beloved by readers in Japan, Botchan is as funny, poignant and memorable as it was when first published. 
 
'Full of appealing characters... vividly portrayed and unique' - Harumi Murakami 
 
Translated by J. Cohn

Botchan

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