Elizabethan England and the Islamic World

This Orient Isle

WINNER OF THE HISTORICAL WRITERS ASSOCIATION NON-FICTION CROWN 
 
AS HEARD ON BBC RADIO 4 
 
'Fabulous, timely, a marvellous achievement' Spectator 
 
'A richly resonant work which recasts our understanding of the Elizabethan era' Daily Telegraph 
 
In 1570, after plots and assassination attempts against her, Elizabeth I was excommunicated by the Pope. It was the beginning of cultural, economic and political exchanges with the Islamic world of a depth not again experienced until the modern age. England signed treaties with the Ottoman Porte, received ambassadors from Morocco and shipped munitions to Marrakech in the hope of establishing an accord which would keep the common enemy of Catholic Spain at bay. This awareness of the Islamic world found its way into many of the great English cultural productions of the day - especially, of course, Shakespeare's Othello and The Merchant of Venice. This Orient Isle shows that England's relations with the Muslim world were far more extensive, and often more amicable, than we have ever appreciated, and that their influence was felt across the political, commercial and domestic landscape of Elizabethan England.

I adored this book, it resonated deeply with me.

A little-known story that Brotton chronicles with scholarship, assurance, and not a little charm.

Jerry Brotton's sparkling new book sets out just how extensive and complex England's relationship with the Arab and Muslim world once was, and tentatively connects the threads of that engagement to our own times.

A vivid, significant work of scholarship.

There is much in these pages to delight and provoke... This Orient Isle is a richly resonant work which not only recasts our understanding of the Elizabethan era but also reveals Islam, crucially, as "part of the national story of England".

Jerry Brotton's fabulous new book [reveals] just how deep and entangled the roots of the Islamic and Christian faiths were in the early modern period. ... a timely intervention and a marvellous achievement.

A History of the World in Twelve Maps

[A] fascinating and panoramic new history of the cartographer's art... Brotton's idea of tracing within maps the patterns of human thought is a wonderful one

As this mesmerising and beautifully illustrated book demonstrates, maps have, since ancient times, carried vast symbolic weight ... rich and endlessly absorbing history

An elegant, powerfully argued variation on the theme of knowledge as power and ignorance as powerlessness

An achievement of evocation....a fascinating and thought-provoking book

Brotton is acutely sensitive to the social, political and religious contexts which unravel why maps were made, for whom and with what axes to grind

The intellectual background to these images is conveyed with beguiling erudition ... There is nothing more subversive than a map

It is a wonderful history, which will delight anyone with an interest in history and geography

Jerry Brotton is Professor of Renaissance Studies at Queen Mary University of London, and a leading expert in the history of maps and Renaissance cartography. His most recent book, The Sale of the Late King's Goods: Charles I and his Art Collection (2006), was short-listed for the Samuel Johnson Prize as well as the Hessell-Tiltman History Prize. In 2010, he was the presenter of the BBC4 series 'Maps: Power, Plunder and Possession'.

Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world. Brotton shows how each of his maps both influenced and reflected contemporary events and how, by reading it, we can better understand the worlds that produced it. 
 
Although the way we map our surroundings is changing, Brotton argues that maps today are no more definitive or objective than they have ever been, but that they continue to define, shape and recreate the world. Readers of this book will never look at a map in quite the same way again.

Jerry Brotton

Sathnam Sanghera, author of EMPIRELAND and EMPIREWORLD

Four Points of the Compass is breathless as well as breathtaking ... Brotton offers what might be framed as a history of the cultural politics of the cardinal directions [and] makes pertinent interventions in those politics ... fascinating titbits, provocations to thought and further inquiries abound ...

A unique and observant history ... well written, measured and precise ... points lucidly at where we have come from.

Mr. Brotton’s evocative book investigates those shifting meanings, drawing from religion, history, literature and geopolitics to argue that north, south, east, and west now function more as loaded ideological terms than as navigational aids . . . He establishes that they remain potent in fascinating and surprising ways

The Unexpected History of Direction

North, south, east and west: almost all societies use the four cardinal directions to orientate themselves, to understand who they are by projecting where they are. For millennia, these four directions have been the foundation of our navigation and exploration and are central to the imaginative, moral and political geography of virtually every culture in the world. Yet they are far more subjective and various – sometimes contradictory – than we might realize. 
 
Four Points of the Compass takes the reader on a journey of directional discovery. Jerry Brotton reveals why Hebrew culture privileges east; why Renaissance Europeans began drawing north at the top of their maps; why early Islam revered the south; why the Aztecs used five colour-coded cardinal directions; and why no societies, primitive or modern, have ever orientated themselves westwards. He ends by reflecting on our digital age in which we, the little blue dot on the screen, have become the most important compass point. Throughout, Brotton shows that the directions reflect a human desire to create order and that they only have meaning, literally and metaphorically, depending on where you stand.

Jerry Brotton

Praise for Four Points of the Compass

A brilliant writer and historian

Surprising, entertaining and original

Four Points of the Compass is breathless as well as breathtaking ... Brotton offers what might be framed as a history of the cultural politics of the cardinal directions [and] makes pertinent interventions in those ...

A brilliant writer and historian

Surprising, entertaining and original

Four Points of the Compass is breathless as well as breathtaking ... Brotton offers what might be framed as a history of the cultural politics of the cardinal directions [and] makes pertinent interventions in those ...

A brilliant writer and historian

Surprising, entertaining and original

Four Points of the Compass is breathless as well as breathtaking ... Brotton offers what might be framed as a history of the cultural politics of the cardinal directions [and] makes pertinent interventions in those ...

Books by Jerry Brotton

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