Micaiah Johnson

A brilliant, spellbinding tale of terror that deftly interrogates privilege and generational trauma while scaring your socks off. You’ve never seen a haunted house like this one before

Kylie Lee Baker, Sunday Times bestselling author of Japanese Gothic

A bold, beautiful, gut-punch of a story, at turns ferocious and poetic - and sometimes both at once

Veronica Roth, New York Times bestselling author of Chosen Ones

One of the most original, imaginative, and terrifying takes on the haunted house genre I've read. . . Johnson has written a novel of unfathomable crimes, privilege, and the buried traumas of our past that exposes both the horrors of the supernatural, and the ones that lurk in our mundane world. One you start reading, you will not want to put it down

P. Djèlí Clark, award-winning author of Ring Shout

[The Space Between Worlds] It remained two steps ahead of my imagination

[The Space Between Worlds] Twisting, suspenseful and profound

Max Gladstone, co-author of the Hugo and Nebula-winning THIS IS HOW YOU LOSE THE TIME WAR

[The Space Between Worlds] Johnson excels at contrasting lives of privilege and poverty

A house, itself, is nothing. It’s not a shelter until it is sheltering someone. A house is a housefire, waiting for its match. A house is a ghost story, waiting for its death. 
 
At the end of the Civil War, a daughter of the Confederacy made what she thought was an innocent wish: to build a house where nothing bad could happen. But peace came at a price, and one hundred and seventy years later Shantell and her friends are about to discover where all that darkness ended up. 
 
When Shantell’s best friend, Avery, tells her he has inherited a house big enough to make their dreams of a sanctuary come true, she’s too cautious to be optimistic. A lifetime of loss has taught her cynicism, and even though Avery swears the house has never experienced a tragedy, she goes along expecting everything from black mold to evil spirits. 
 
But not only is the house in better shape than they’d expected, it makes them better too: Shantell’s anxiety stops flaring up; terminally shallow Avery is suddenly capable of deeper emotions; and Tobias, Avery’s older brother and the contractor for the job, even quits chain smoking. 
 
There’s an eeriness to the calm, and it’s almost a relief when they realize they do not walk alone in Abernathy House. But as they dig into its history, Shantell, Avery, and Tobias discover that there’s only one thing worse than a house that’s haunted: a house that desperately wants to be.

Micaiah Johnson

Praise for The Unhaunting

A brilliant, spellbinding tale of terror that deftly interrogates privilege and generational trauma while scaring your socks off. You’ve never seen a haunted house like this one before

A bold, beautiful, gut-punch of a story, at turns ferocious and poetic - and sometimes both at once

A strong new voice

A brilliant, spellbinding tale of terror that deftly interrogates privilege and generational trauma while scaring your socks off. You’ve never seen a haunted house like this one before

A bold, beautiful, gut-punch of a story, at turns ferocious and poetic - and sometimes both at once

A strong new voice

A brilliant, spellbinding tale of terror that deftly interrogates privilege and generational trauma while scaring your socks off. You’ve never seen a haunted house like this one before

A bold, beautiful, gut-punch of a story, at turns ferocious and poetic - and sometimes both at once

A strong new voice

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