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Extracts

Death of a Salesman by Arthur Miller

A BBC Radio 4 adaptation of the unproduced screenplay

Unmade Movies: Arthur Miller's The Hook

Arthur Miller's unproduced screenplay about a 1950s Brooklyn dock worker who takes a stand against corruption, directed by Adrian Noble 
 
The annals of movie history are full of lost treasures - spectacular scripts from world-renowned writers that could have been classics, had they only been made. Now, for the first time, some of these forgotten gems have been brought to life, fully realised as vivid, cinematic radio productions. Scripted by major 20th Century writers, including Harold Pinter, Arthur Miller, Alfred Hitchcock and Dennis Potter, they star a host of A-list actors and feature richly evocative, atmospheric soundtracks. 
 
The Hook, one of seven 'unmade movies' available on audio, is set in New York's docks in 1951, where hundreds of longshoremen queue up at dawn hoping to be given a counter and a place in the day's gang. It's hard, dangerous work, but in a world ruled by corrupt union bosses on the take, they have no choice but to accept it. Then a tragedy occurs, and one man, Marty Ferrara, decides to fight back... 
 
Arthur Miller was America's leading post-war playwright, but his credits also include several successful movie scripts, among them the 1961 classic The Misfits. Developed with Elia Kazan, The Hook was shelved when Miller refused to comply with Columbia Pictures' demands that he make the corrupt union bosses Communists. However, it went on to inspire both Kazan's On the Waterfront and Miller's A View from the Bridge. This dazzling production marks director Adrian Noble's radio debut, and stars Elliot Cowan (Lost in Austen) as Marty, with Tim Pigott-Smith (The Jewel in the Crown) as Farragut. It is narrated by David Suchet, who flawlessly reads Miller's directions, describing the action we can't see. Gritty, powerful and resonant, this rediscovered masterpiece will have you hooked from beginning to end. 
 
 
Production credits 
Written by Arthur Miller 
Adapted for radio by Laurence Bowen 
Directed by Adrian Noble 
Produced by Laurence Bowen 
Sound Design: Wilfredo Acosta 
A Feelgood Fiction production for BBC Radio 4 
 
Cast 
Narrator - David Suchet 
Marty - Elliot Cowan 
Louis - Nigel Lindsay 
Rocky - Michael Feast 
Farragut - Tim Pigott-Smith 
Piggy - Nathan Wiley 
Enzo - Jonathan Guy Lewis 
Sleeper - Kerry Shale 
Therese - Joanne Pearce 
Old Dominic - Vincent Riotta 
Mama - Lorelei King 
Irene - Hollie Burgess 
Pete - Leo Heller 
 
First broadcast BBC Radio 4, 17 October 2015 
 
© 2022 BBC Studios Distribution Ltd 
(p) 2022 BBC Studios Distribution Ltd

A Play in Four Acts

The Crucible

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Arthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - 'one of the strangest and most awful chapters in human history' - and the American anti-communist purges led by Senator McCarthy in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations. 
 
A depiction of innocent men and women destroyed by malicious rumour, The Crucible is also a powerful indictment of McCarthyism and the 'frontier mentality' of Cold War America.

American dramatist Arthur Miller was born in New York City in 1915. In 1938 Miller won awards for his comedy The Grass Still Grows. His major achievement was Death of a Salesman, which won the 1949 Pulitzer Prize for drama and the 1949 New York Drama Critics' Circle Award. The Crucible was aimed at the widespread congressional investigation of subversive activities in the US; the drama won the 1953 Tony Award. Miller's autobiography, Timebends: A Life was published in 1987.

Arthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - 'one of the strangest and most awful chapters in human history' - and the McCarthyism which gripped America in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations.

Certain Private Conversations in Two Acts and a Requiem

Death of a Salesman

Arthur Miller's extraordinary masterpiece, Death of a Salesman changed the course of modern theatre, and has lost none of its power as an examination of American life. 
 
'A man is not an orange. You can't eat the fruit and throw the peel away' 
 
Willy Loman is on his last legs. Failing at his job, dismayed at his the failure of his sons, Biff and Happy, to live up to his expectations, and tortured by his jealousy at the success and happiness of his neighbour Charley and his son Bernard, Willy spirals into a well of regret, reminiscence, and A scathing indictment of the ultimate failure of the American dream, and the empty pursuit of wealth and success, is a harrowing journey. In creating Willy Loman, his destructively insecure anti-hero, Miller defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.

In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life.'

A View from the Bridge

Arthur Miller's play A View from the Bridge is a tragic masterpiece of the inexorable unravelling of a man, set in a close-knit Italian-American community in 1950s New York. 
 
Eddie Carbone is a longshoreman and a straightforward man, with a strong sense of decency and of honour. For Eddie, it's a privilege to take in his wife's cousins, Marco and Rodolpho, straight off the boat from Italy. But, as his niece Catherine begins to fall for one of them, it's clear that it's not just, as Eddie claims, that he's too strange, too sissy, too careless for her, but that something bigger, deeper is wrong - and wrong inside Eddie, in a way he can't face. Something which threatens the happiness of their whole family. 
 
This Penguin Classics edition includes an introduction by the author and a new foreword by actor Philip Seymour Hoffman.

Eddie Carbone is a longshoreman and a straightforward man, with a strong sense of decency and of honour. For Eddie, it's a privilege to take in his wife's cousins, straight off the boat from Italy. But, as his niece begins to fall for one of them, it's clear that it's not just, as Eddie claims, that he's too strange, too sissy, too careless for her, but that something bigger, deeper is wrong, and wrong inside Eddie, in a way he can't face. Something which threatens the happiness of their whole family.

All My Sons

In Joe and Kate Keller's family garden, an apple tree - a memorial to their son Larry, lost in the Second World War - has been torn down by a storm. But his loss is not the only part of the family's past they can't put behind them. Not everybody's forgotten the court case that put Joe's partner in jail, or the cracked engine heads his factory produced which caused it and dropped twenty-one pilots out of the sky ...

An Adaptation of the Play by Henrik Ibsen

An Enemy of the People

'The strong must learn to be lonely' 
 
When Dr Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labelled an enemy of the people. Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority.

Miller has released the anger and scorn of the father of realism

When Dr Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labelled an enemy of the people. Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority.

The Ride Down Mt. Morgan

A car wreck on the slopes of Mount Morgan puts insurance tycoon Lyman Felt in the hospital. While Lyman recovers, two women meet in the hospital waiting room only to discover that they are both married to him. With his secrets exposed, Lyman tries to justify himself to the two women - the prim, cultured Theo and the restless, ambitious Leah - at the same time hoping to convince himself that he is blameless. 
 
Moving between broad farce and delicate tragedy, The Ride Down Mt. Morgan explores the struggle between honesty with others and honesty with oneself.

Resurrection Blues

Arthur Miller's penultimate play, Resurrection Blues, is a darkly comic satirical allegory that poses the question: What would happen if Christ were to appear in the world today? 
 
In an unidentified Latin American country, General Felix Barriaux has captured an elusive revolutionary leader. The rebel, known by various names, is rumoured to have performed miracles throughout the countryside. The General plans to crucify the mysterious man, and the exclusive television rights to the twenty-four-hour reality-TV event have been sold to an American network. An allegory that asserts the interconnectedness of our actions and each person's culpability in world events, Resurrection Blues is a comedic and tragic satire of precarious morals in our media-saturated age.

The Price

Victor, a New York cop nearing retirement, moves among furniture in the disused attic of a house marked for demolition. Cabinets, desks, a damaged harp, an overstuffed armchair - the relics of a lost life of affluence he's finally come to sell. But when his brother Walter, who he hasn't spoken to in years, arrives, the talk stops being just about whether Victor's been offered a fair price for the furniture, and turns to the price that one and not the other of them paid when their father lost both his fortune and the will to go on ... 
 
Fraught, but cut through with humour, The Price is one of Arthur Miller's finest plays.

Victor, a New York cop nearing retirement, moves among furniture in the disused attic of a house marked for demolition. Cabinets, desks, a damaged harp, an overstuffed armchair - the relics of a lost life of affluence he's finally come to sell. But when his brother Walter, who he hasn't spoken to in years, arrives, the talk stops being just about whether Victor's been offered a fair price for the furniture, and turns to the price that one and not the other of them paid when their father lost both his fortune and the will to go on ...

After the Fall

Quentin is a successful lawyer in New York, but inside his head he is struggling with his own sense of guilt and the shadows of his past relationships. One of these an ill-fated marriage to the charming and beautiful Maggie, who went from operating a switchboard to become a self-destructive star - a singer everyone wanted a piece of. 
 
With tremendous psychological acuity and depth, and a brilliant, dreamlike structure, After the Fall is a literary masterpiece, drawing on Miller's own life - the story of a man striving to comprehend his feelings for his friends, family and the women he has loved.

Quentin is a successful lawyer in New York, but inside his head he is struggling with his own sense of guilt and the shadows of his past relationships. One of these an ill-fated marriage to the charming and beautiful Maggie, who went from operating a switchboard to become a self-destructive star - a singer everyone wanted a piece of. 
 
After the Fall is often seen as the most explicitly autobiographical of Arthur Miller's plays, and Maggie as an unflinching portrait of Miller's ex-wife Marilyn Monroe, only two years after her suicide. But in its psychological acuity and depth, and its brilliant, dreamlike structure, it is a literary, and not just biographical, masterpiece.

Incident at Vichy

In Vichy France, 1942, a group of men sit outside an office, waiting to be interviewed. The reason they have been pulled off the street and taken there is obvious enough. They are, for the most part, Jews. But how serious an offence this is, and how they are to suffer for it, is not clear, and they hope for the best. But as rumours pass between them of trains full of people locked from the outside and furnaces in Poland, and although they reassure themselves that nothing so monstrous could be true, their panic rises. 
 
Arthur Miller's claustrophobic play of how the inconceivable becomes allowed to pass, Incident at Vichy is one of the most indispensable, moving pieces of art about the Holocaust.

In Vichy France, 1942, a group of men sit outside an office, waiting to be interviewed. The reason they have been pulled off the street and taken there is obvious enough. They are, for the most part, Jews. But how serious an offence this is, and how they are to suffer for it, is not clear, and they hope for the best. But as rumours pass between them of trains full of people locked from the outside and furnaces in Poland, and although they reassure themselves that nothing so monstrous could be true, their panic rises.

Focus

A reticent personnel manager living with his mother, Mr Newman shares the prejudices of his times and of his neighbours - and neither a Hispanic woman abused outside his window nor the persecution of the Jewish store owner he buys his paper from are any of his business. Until Newman begins wearing glasses, and others begin to mistake him for a Jew. 
 
Arthur Miller's chilling novel displays the same searing moral precision and emotional intensity of his plays, as the intensity of anti-Semitism in 1945 New York mounts, and the prejudices Newman shares begin to turn threateningly against him.

A reticent personnel manager living with his mother, Mr Newman shares the prejudices of his times and of his neighbours - and neither a Hispanic woman abused outside his window nor the persecution of the Jewish store owner he buys his paper from are any of his business. Until Newman begins wearing glasses, and others begin to mistake him for a Jew.

Alfred Hitchcock

Ernest Lehmann

Mark Gatiss

Anthony Hinds

D.M. Thomas

Dennis Potter

Harold Pinter

Karen Blixen

Joseph Conrad

Alexander Mackendrick

Jay Presson Allen

Arthur Miller

Michael Sheen

Peter Serafinowicz

Mark Strong

Hugh Laurie

David Suchet

Vanessa Kirby

Meera Syal

Full cast

Seven BBC Radio 4 Adaptations of Unproduced Screenplays

Seven legendary unproduced screenplays, resurrected and reinvented for BBC Radio 4 
 
The annals of movie history are full of lost treasures – spectacular scripts from world-renowned writers that could have been classics, had they only been made. Now, for the first time, some of these forgotten gems have been brought to life, fully realised as vivid, cinematic radio productions. Scripted by major 20th Century writers, they star a host of A-list actors and feature richly evocative, atmospheric soundtracks. 
 
Collected here are seven sensational ‘unmade movies’: 
 
Harold Pinter’s Victory, adapted from the novel by Joseph Conrad 
Harold Pinter’s The Dreaming Child, adapted from the novel by Karen Blixen 
Arthur Miller’s The Hook 
Alfred Hitchcock’s unfinished screenplay The Blind Man, completed by Mark Gatiss 
Hammer Horror’s The Unquenchable Thirst of Dracula 
Dennis Potter’s The White Hotel 
Alexander MacKendrick’s Mary Queen of Scots 
 
These could-have-been classics are brought to life with stellar casts featuring Hugh Laurie, Bertie Carvel, Rose Leslie, Bill Paterson, Ellie Bamber, Tim Pigott-Smith, Rebecca Front, Anne-Marie Duff, Meera Syal, Vanessa Kirby and Mark Strong. Setting the scene and providing the ‘establishing shots’ – the original stage directions and descriptions from the screenplays – are narrators Simon Russell Beale, Anne Reid, David Suchet, Peter Serafinowicz, Michael Sheen, Simon McBurney and Glenda Jackson. 
 
Moving, mysterious, suspenseful, thrilling and terrifying, these dazzling productions will keep you enraptured from beginning to end. So sit back, grab some popcorn and let them play out on the biggest screen of all – that of your imagination. 
 
NB: Contains strong language and sexual scenes 
 
© 2024 BBC Studios Distribution Ltd. (P) 2024 BBC Studios Distribution Ltd

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