'Tiger, Tiger will start a thousand conversations. It is shocking, revelatory and fearless. As the story of a victim, it is gripping; as a work of literature, it's a triumph'
Alice Sebold, author of The Lovely Bones
Margaux Fragoso was only 7 years old when she swam up to a guy in his 50s and asked him to play with her. The mesmerizing memoir of the next fifteen years - spent with the pedophile who became her playmate, father, ...
Daily Candy, the 10 Nonfiction Reads of the New Year
Margaux Fragoso's memoir, a subtly crafted account of her 15-year involvement as a child and adolescent with a middle-aged man, asks urgent questions about the traffic between memory and art.
Boyd Tonkin, Ones to Watch in 2011, The Independent
'Tiger, Tiger will start a thousand conversations. It is shocking, revelatory and fearless. As the story of a victim, it is gripping; as a work of literature, it's a triumph'
Alice Sebold, author of The Lovely Bones
Margaux Fragoso was only 7 years old when she swam up to a guy in his 50s and asked him to play with her. The mesmerizing memoir of the next fifteen years - spent with the pedophile who became her playmate, father, ...
Daily Candy, the 10 Nonfiction Reads of the New Year
Margaux Fragoso's memoir, a subtly crafted account of her 15-year involvement as a child and adolescent with a middle-aged man, asks urgent questions about the traffic between memory and art.
Boyd Tonkin, Ones to Watch in 2011, The Independent
'Tiger, Tiger will start a thousand conversations. It is shocking, revelatory and fearless. As the story of a victim, it is gripping; as a work of literature, it's a triumph'
Alice Sebold, author of The Lovely Bones
Margaux Fragoso was only 7 years old when she swam up to a guy in his 50s and asked him to play with her. The mesmerizing memoir of the next fifteen years - spent with the pedophile who became her playmate, father, ...
Daily Candy, the 10 Nonfiction Reads of the New Year
Margaux Fragoso's memoir, a subtly crafted account of her 15-year involvement as a child and adolescent with a middle-aged man, asks urgent questions about the traffic between memory and art.
Boyd Tonkin, Ones to Watch in 2011, The Independent