(Les Dieux Ont Soif)

The Gods Will Have Blood

Anatole France's tale of the French Revolution is strangely prophetic of twentieth century terror

Anatole France (Jacques-Anatole-Francois Thibault) was born in Paris in 1844, the only son of a book dealer. Working throughout his life in the publishing industry, he also contributed to various reviews and from 1873 was beginning to focus on his own creative writing. In 1897 he was elected to the Academic Francaise. The decisive shift in his career came in his participation in the Dreyfus affair, on behalf of the convicted Jewish officer. It marked the first stage of his emergence as one of the 'representative men' of his epoch, and brought about his conversion to socialism. Subsequent works reflect thsi sharpened humane concern. He was awarded the Nobel Prize for Literature in 1921. He died in 1924. 
 
 
Frederick Davies is widely known as the translator of the plays of Carlo Goldini. He is a Fellow at Churchill College, Cambridge.

It is April 1793 and the final power struggle of the French Revolution is taking hold: the aristocrats are dead and the poor are fighting for bread in the streets. In a Paris swept by fear and hunger lives Gamelin, a revolutionary young artist appointed magistrate, and given the power of life and death over the citizens of France. But his intense idealism and unbridled single-mindedness drive him inexorably towards catastrophe. Published in 1912, The Gods Will Have Blood is a breathtaking story of the dangers of fanaticism, while its depiction of the violence and devastation of the Reign of Terror is strangely prophetic of the sweeping political changes in Russia and across Europe.

Alphonse Daudet

Frederick Davies

Alphonse Daudet's novels established him as the most successful writer in France by the end of the XIX century; but it was the LETTERS, first published in book form in 1869, which remained his favourite creation and has proved his most lasting. 
 
Throughout his working life in Paris Daudet never lost his almost umbilical attachment to Provence. These tales of that region are characterised by a tenderness and delicacy, a wistfulness and wry humour, which give moving substance to his claim that to invent, for him, was to remember.

Frederick Davies

Books by Frederick Davies

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