Reviews

  • Magnificent. Beautifully written, immaculately researched and thoroughly absorbing from start to finish. A tour de force that explains how Europe's cultural life transformed during the course of the 19th century - and so much more.

    Peter Frankopan
  • Magnificent and utterly gripping: European identity, culture and commerce through the lives of three remarkable individuals, the book for our times.

    Philippe Sands
  • It plunged me into another world. I learned so much and was carried away by the intelligence and fluidity of the style - a combination which is unbeatable.

    Antonia Fraser
  • A timely, brilliant and hugely enjoyable book ... A magnificently humane book, written with supple grace but firmly underpinned by meticulous scholarship.

    Rupert Christiansen, Sunday Telegraph
  • The Europeans is a massively impressive work, as enjoyable as it is knowledgeable, full of insights into the mechanisms of history and in the people who make it. It is a book about the making of Europe, and this description, wonderful as it is, has now, in these days, sadly, also almost a utopian quality to it. Orlando Figes is an outstanding historian and writer, he brings distant history so close that you could feel its heartbeat. He did it with the Russian Revolution in A People's Tragedy, and he does it again in The Europeans.

    Karl Ove Knausgaard
  • [There are] a multitude of fascinating pieces of information to be gleaned from Orlando Figes's magisterial and wide-ranging book The Europeans ... Relevant, trenchant and searching.

    William Boyd, The Guardian
  • I loved the book. I read it in every spare moment, fascinated and sometimes surprised. ... I have been speaking about the book to everyone I know: it is clearly not just a book for musicians but for the widest audience interested in literature, music and art.

    Barbara Hannigan
  • Meticulously detailed, exhaustively researched and written with Figes's characteristic verve, The Europeans is a sweeping tour de force and a monumental work of historical synthesis.

    Julian Coman, The Observer