Life in Progress

The inspiring titan of the modern art world delivers an unconventional and entertaining short memoir, while offering a sustained burst of infectious enthusiasm for the life-affirming power of creative connection

The Irish Times

In his memoir, Obrist reveals a poignant motive for all his busyness. When he was six-years old, he was hit by a car on his way to school. He spent weeks hovering between life and death in hospital. “I just remember that the feeling of urgency started there, that there is no time to lose, every day could be your last"

Financial Times

His words come out in an almost comical torrent, citations bobbing up and ideas colliding... ArtReview named him the most powerful figure in the field, but Obrist seems less to stand atop the art world than to race around, up, over, and through it

The New Yorker

Hans Ulrich Obrist manages to underline the value of art, to single it out from other human endeavours as something of paramount importance; to this, he brings an instinctive and profound love, a generosity of spirit (and heart) that he extends also to other fields of human expression

Etel Adnan

He is a passionate communicator. In result, half the world is starting to live in the future now

Yoko Ono