U.S.a.

In this experimental trilogy, Dos Passos uses "camera eye" and "newsreel" sections to create a fragmented atmosphere. Through the testimony of numerous characters, both fictional and historical figures, he buids up a composite picture of American society in the first quarter of the 20th century.
The biggest influence was a novel my father gave me to read at the age of about 13, U.S.A. by John Dos Passos. At that age, it just got me. You can trace back everything I do to that novel because it's all about the relationship between grand history and individual experience. And it's a collage with quotes from newsreels, cinema, and newspapers-a collage of history. That's where I get it all from.
Adam Curtis (filmmaker)

About John Dos Passos

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