In the words of Italo Calvino, ‘a classic is a book that has never finished saying what it has to say’. In 2007 we launched the now iconic Vintage Classics Red Spines bringing contemporary designs and introductions from modern authors to much loved classics.
This summer we are launching a redesign of the list with twenty titles, ten much-loved classics already on the list and we’re thrilled to welcome ten new titles to the classics list. From Fiction to Memoir, Non-Fiction to a Graphic Novel, there is a classic here for every reader.
Unsure which ones you should read first? Use our quiz to pair you with your perfect pick.
This is a volcanic journey into the soul of a winged red monster named Geryon. It is queer coming-of-age love story, a Greek myth retold, and a modern classic.
Tormented as a boy by his brother, Geryon escapes to a parallel world of photography. He falls deeply in love with Herakles, a golden young man, who deserts him at the peak of infatuation. So Geryon retreats ever further into the world created by his camera, fascinated by his wings, his redness and the fantastic accident of who he is. But all is suddenly and irrevocably shattered by Herakles’ return.
Sethe is now miles away from Sweet Home, the farm where she was kept as a slave.
Unable to forget the unspeakable horrors that took place there, she is haunted by the violent spectre of her dead child, the daughter who died nameless and whose tombstone is etched with a single word, ‘Beloved’. A tale of brutality, horror and, above all, love at any cost, Beloved is Toni Morrison’s enduring masterpiece and best-known work.
Illustration © Rosanna Webster, Photograph detail © Bridgeman Images
Welcome to New London. Everybody is happy here.
Our perfect society achieves peace and stability by dispensing with monogamy, privacy, money, family and history itself. Now everyone belongs. You can be happy too. All you need to do is take your Soma pills.This is the brave new world of Aldous Huxley’s deeply sinister and prophetic novel, a society based on maximum pleasure and complete surveillance – no matter the cost.
It's the closing months of World War II and Yossarian has never been closer to death. Stationed in an American bomber squadron off the coast of Italy, each flight mission introduces him to thousands of people determined to kill him.
But the enemy above is not Yossarian's problem - it is his own army intent on keeping him airborne, and the maddening 'Catch-22' that allows for no possibility of escape.
Illustration © Julia Connolly
All that stands between one man and murder by the mafia is a penguin.
Viktor is an aspiring writer with only Misha, his pet penguin, for company. Although Viktor would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.
Illustration © Sergiy Maidukov
After years teaching Romantic poetry in Cape Town, David Lurie has an impulsive affair with a student.
The affair sours; he is denounced and summoned before a committee of inquiry. Willing to admit his guilt, but refusing to yield to pressure to repent publicly, he resigns and retreats to his daughter Lucy’s isolated smallholding. For a time, his daughter’s influence and the natural rhythms of the farm promise to harmonise his discordant life. But the balance of power in the country is shifting. He and Lucy become victims of a savage and disturbing attack which brings into relief all the faultlines in their relationship.
Illustration © Sally Muir
Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, these women have no memory of how they got there, no notion of time, and only vague recollections of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl – the fortieth prisoner – sits alone and outcast in the corner. But soon she will show herself to be the key to the others’ escape and survival in the strange world that awaits them above.
Illustration © George Mayer
Christy Brown's inspirational story of his early life, his battle against the restraints of cerebral palsy and his determination to learn to read, write, and paint, all with the aid of his left foot.
This autobiography, published in 1954 when he was twenty-two, recounts his early life in Dublin – the poverty of his childhood, the support of his mother and his hope for a better life. Above all it describes his struggle to learn to read, write, paint and finally type, all with the toe of his left foot. Warm, honest and inspiring, this is a unique and captivating story of disability told by an extraordinary man.
Cover Photograph © Estate of Shirley Baker and Mary Evans Picture Library
Bigger Thomas has grown up in Chicago’s slums, reckless, angry and adrift.
A respectable job with the affluent Dalton family provides hope but sets him on course for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself the cause célèbre in an ever-narrowing endgame.
Cover Painting: Atcha © Idris Habib
This is the story of Jeanette, born to be one of God's elect: adopted by a fanatical Pentecostal family and ablaze with her own zeal for the scriptures, she seems perfectly suited for the life of a missionary. But then she converts Melanie, and realises she loves this woman almost as much as she loves the Lord. How on Earth could her Church called that passion Unnatural?
Both a groundbreaking coming-of-age novel and a pioneering work of autofiction, Oranges Are Not the Only Fruit
Illustration © Fien Jorrise
Marjane Satrapi lived through the Iranian Revolution as a little girl. This is her classic memoir-in-comic-strips, the story of a child entangled in the history and politics of her country. It paints an unforgettable portrait of growing up in revolutionary and war-torn Iran, in a family that was both outrageous and ordinary, beset by tragedy and yet buffered by love. Funny, wise, ultimately heartbreaking and told with unforgettable pictures.
Illustration © Marjane Satrapi
William Stoner enters the University of Missouri at nineteen to study agriculture. A seminar on English literature changes his life, and he never returns to work on his father's farm. Stoner becomes a teacher. He marries the wrong woman. His life is quiet, and after his death, his colleagues remember him rarely.
Yet with truthfulness, compassion and intense power, this novel uncovers a story of universal value - of the conflicts, defeats and victories of the human race that pass unrecorded by history - and in doing so reclaims the significance of an individual life.
Photography © Getty Images
When she arrives in the southern town of Bigelow, it isn’t long before the neighbourhood is alight with gossip and suspicion. Sugar fears her past is catching up with her. Then she meets Pearl, a woman trying to forget her own trauma. As these next-door neighbours become unlikely friends, they wonder if their lives could finally be changing for the better. But small towns have long memories.
Illustration © Bruce Sihle Mthembu
Solzhenitsyn spent eleven years in labour camps and in exile.
This book is his masterwork, based on his own experiences as well as the testimony of some 200 survivors. A vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators but also of everyday heroism, it chronicles the story of those who dared to oppose Stalin, and for whom the key to survival lay not in hope but in despair. A thoroughly researched document and a feat of literary and imaginative power, this edition of The Gulag Archipelago was abridged into one volume at the request of the author.
Illustration © Katja Lang
Offred is a Handmaid in The Republic of Gilead. She is placed in the household of The Commander, Fred Waterford – her assigned name, Offred, means ‘of Fred’. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.
In 1949 a group of Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters’ futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers’ advice is irrelevant to their modern American lives – until their own inner crises reveal how much they’ve inherited of their mothers’ pasts.
Illustration © Whooli Chen
In Bulgakov's allegorical masterpiece of Stalin’s regime the devil is making a personal appearance in Moscow.
He is accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order are in disarray. Only the Master, a writer and a man devoted to truth, and Margarita, the woman he loves, can resist the devil’s onslaught.
Illustration © Agnieszka Weglarska
A band of thirteen-year-old boys reject the stupidity of the adult world. They decide it is illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call ‘objectivity’. When the mother of one of them begins an affair with a ship’s officer, he and his friends idealise the man at first, but it is not long before they conclude that he is, in fact, soft and romantic. They regard this disillusionment as an act of betrayal on his part – and the retribution is deliberate and horrifying.
Illustration © Gérard DuBois
New Year’s Eve, 1975. Two hunted men leave Mexico City in a borrowed white Impala.
Their quest: to track down the mythical, vanished poet Cesárea Tinajero. But, twenty years later, they are still on the run. The Savage Detectives
Illustration © Diego Becas
'Shoot all the Bluejays you want, if you can hit 'em, but remember it's a sin to kill a Mockingbird .'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped in prejudice and hypocrisy.
Illustration © Harry Tennant
