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Michael Levey

In this evocative memoir Michael Levey recreates a between-the-wars English childhood outwardly ordinary and undramatic, but inwardly rich, stirring, sometimes bewildering, and altogether far from typical, not least in its pervasive Catholic ethos. An only child, intensely self-aware, devout, yet questioning, as well as imaginative, drawn to Shakespeare and the theatre, and to all things visual, he grew up in Leigh-on-Sea on the Essex coast.  He attended a succession of Catholic schools, before joining the Army at the very end of the War.  Notably entertaining is his account of service life, spent partly in Egypt, as is the final chapter, which finds him arriving at the National Gallery in London, to begin a career that would culminate in his being appointed Director.With its precise evocation of a child's relationship with the world around him and with his parents - a couple united in reticent affection and intelligence, but totally opposed in temperament - The Chapel is on Fire will surely become a classic in the literature of childhood.

The Chapel is on Fire

Charlie Porter

Most of us live our lives in our clothes without realizing their power. But in the hands of artists, garments reveal themselves. They are pure tools of expression, storytelling, resistance and creativity: canvases on which to show who we really are. 
 
In What Artists Wear, style luminary Charlie Porter takes us on an invigorating, eye-opening journey through the iconic outfits worn by artists, in the studio, on stage, at work, at home and at play. From Yves Klein's spotless tailoring to the kaleidoscopic costumes of Yayoi Kusama and Cindy Sherman; from Andy Warhol's signature denim to Charlotte Prodger's casualwear, Porter's roving eye picks out the magical, revealing details in the clothes he encounters, weaving together a new way of understanding artists, and of dressing ourselves. 
 
Part love letter, part guide to chic, and featuring generous photographic spreads, What Artists Wear is both a manual and a manifesto, a radical, gleeful, inspiration to see the world anew-and find greater pleasure and possibility in the clothes we all wear.

What Artists Wear

Laura Cumming

**THE SUNDAY TIMES BESTSELLER** 
**SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD** 
 
Uncovering the mystery of her mother's disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story. 
 
'A modern masterpiece' Guardian 
 
Autumn 1929 - a young girl is kidnapped from a beach. Five agonising days go by before she is discovered safe and well in a nearby village. The child remembers nothing of these events and at home, nobody ever speaks of them again. 
 
Decades later, Laura Cumming delves into the mystery surrounding her mother's disappearance. Examining everything from old family photos to letters, tickets and recipes, she uncovers a series of secrets and lies perpetuated not just by her family but by the whole community and in doing so unlocks a mystery almost a century old. 
 
'A moving, many-sided human story of great depth and tenderness, and a revelation of how art enriches life' Sunday Times 
 
Shortlisted for the Baillie Gifford Prize for Non-Fiction 
Shortlisted for the Rathbones Folio Prize 
Longlisted for the RSL Ondaatje Prize

On Chapel Sands

My mother and other missing persons

Elizabeth Bingham

'A treasure of a collection' Amber Butchart, of BBC's The Great British Sewing Bee 
 
'I think I may already have discovered the best non fiction book of 2023' Reverend Richard Coles, author of A Murder Before Evensong 
 
Kneelers is a celebration of the most widely practised - but often overlooked - folk art in England and Wales over the past ninety years: the design and craft of church kneelers. Featuring charming stories and enchanting designs from churches across the country, the book traces the history of kneelers; from their spectacular beginnings at Winchester in the 1930s to their booming popularity after Queen Elizabeth II's coronation and the present-day congregations who are keeping the tradition alive. 
 
In their range and diversity, the kneelers collected here form a fascinating social record of the concerns and interests that occupied their makers - including local fauna and flora, cricket, dragons, post-war tributes and the thrills of high-speed travel. 
 
Filled to the brim with beautiful full-colour images, Kneelers displays the quirky artistry and widely varied (and often surprising) motifs which have characterised church kneelers in the twentieth century. It rejoices in the personal stories of some of the people who have practised and advanced the art form, and is a wonderful commemoration of what happens when communities come together to celebrate their history and their environment. 
 
'A glorious and delightful salute' Tracy Chevalier, author of A Single Thread 
 
'This book is a Godsend!' Alan Titchmarsh, author of The Gardener's Almanac

Kneelers

The Unsung Folk Art of England and Wales

Philippe Aries

In this pioneering and important book, Philippe Aries surveys children and their place in family life from the Middle Ages to the end of the eighteenth century. The first section of the book explores the gradual change from the medieval attitude to children, looked upon as small adults as soon as they were past infancy, to the seventeenth and eighteenth century awareness of the child as the focal point of family life. Aries goes on to examine the schooling of children and the development of modern educational methods. In the second section, he describes the metamorphosis of the family: at first the family was a unit in which everything was open and public and children mingled with adults in the social life of the community; eventually the family become a closed or private society, within which children had a unique and important status.

Centuries Of Childhood

Simon Schama

Churchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a naked John Lennon five hours before his death. 
 
Simon Schama has written a tour de force about British portraits over the centuries in which the image-maker, the subject and everyone else looking on are brought unforgettably to life. Mesmerising in its extraordinary storytelling, and beautifully illustrated, The Face of Britain will change the way we see our past - and ourselves.

The Face of Britain

The Stories Behind the Nation’s Portraits

The Nation through Its Portraits

Grayson Perry

'I have never read such a stimulating short guide to art' Lynn Barber, Sunday Times 
 
Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he's called this book Playing to the Gallery and not 'Sucking up to an Academic Elite'). Based on his hugely popular BBC Radio 4 Reith Lectures and full of pictures, this funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but seem too embarrassing to ask.

Playing to the Gallery

Helping Contemporary Art in its Struggle to Be Understood

Vic Gatrell

The colourful, salacious and sumptuously illustrated story of Covent Garden - the creative heart of Georgian London - from Wolfson Prize-winning author Vic Gatrell 
 
SHORT-LISTED FOR THE HESSELL TILTMAN PRIZE 2014 
 
In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the eighteenth century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and an intimacy that was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here.

The First Bohemians

Life and Art in London's Golden Age

Edmund de Waal

The gripping story of the lure of porcelain, or 'white gold', from the Number One bestselling author of The Hare with Amber Eyes. 
 
** A Sunday Times Top Ten Bestseller ** 
 
 "Other things in the world are white but for me porcelain comes first" 
 
 A handful of clay from a Chinese hillside carries a promise: that mixed with the right materials, it might survive the fire of the kiln, and fuse into porcelain - translucent, luminous, white. 
 
 Acclaimed writer and potter Edmund de Waal sets out on a quest - a journey that begins in the dusty city of Jingdezhen in China and travels on to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the hills of Cornwall to tell the history of porcelain. Along the way, he meets the witnesses to its creation; those who were inspired, made rich or heartsick by it, and the many whose livelihoods, minds and bodies were broken by this obsession. It spans a thousand years and reaches into some of the most tragic moments of recent times. 
 
 In these intimate and compelling encounters with the people and landscapes who made porcelain, Edmund de Waal enriches his understanding of this rare material, the 'white gold' he has worked with for decades. 
 
'This is a haunting book, a book that amasses itself piece by piece, gaining in weight.' Olivia Laing, New Statesman 
 
'A mighty achievement' Guardian

The White Road

A Journey Into Obsession

a pilgrimage of sorts

WINNER OF THE JAMES TAIT BLACK BIOGRAPHY PRIZE 
SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 
 
Selected as a Book of the Year in the Herald 
 
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velázquez, he bought the picture and set out to discover its strange history - a quest that led from fame to ruin and exile. 
 
Fusing detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velázquez, bringing us closer to the creation and appreciation of his works than ever before.

The Vanishing Man

In Pursuit of Velazquez

Fatima Manji

A fresh perspective on British history from award-winning broadcaster Fatima Manji 
 
Why was there a Turkish mosque adorning Britain's most famous botanic garden in the eighteenth century? How did a pair of Persian-inscribed cannon end up in rural Wales? And who is the Moroccan man depicted in a long-forgotten portrait hanging in a west London stately home? 
 
 Throughout Britain's museums, civic buildings and stately homes, relics can be found that reveal the diversity of pre-twentieth-century Britain and expose the misconceptions around modern immigration narratives. In her journey across Britain exploring cultural landmarks, Fatima Manji searches for a richer and more honest story of a nation struggling with identity and the legacy of empire. 
 
'A timely, brilliant and very brave book' Jerry Brotton, author of This Orient Isle

Hidden Heritage

Rediscovering Britain’s Relationship with the Orient

Rediscovering Britain’s Lost Love of the Orient

Geordie Greig

For ten years Geordie Greig was among a very small group of friends who regularly met Lucian Freud for breakfast at Clarke’s restaurant on Kensington Church Street. Over tea and the morning papers, Freud would recount stories of his past and discuss art. It was, in effect, Freud’s private salon. 
 
In this kaleidoscopic memoir, Greig remembers Freud’s stories: of death threats; escaping from Nazi Germany; falling out with his brother Clement; loathing his mother; painting David Hockney; sleeping with horses; escaping the Krays; painting the Queen; his controversial role as a father; and why Velázquez was the greatest painter. It is revelatory about his art, his lovers, his children, his enemies and his love of gambling. Freud dared never to do dull, speaking candidly of dancing with Garbo as well as painting Kate Moss naked. 
 
Those closest to him, after decades of silence and secrecy, have spoken frankly about what life was like living, loving or sitting for the greatest figurative portraitist of the twentieth century. Partly based on hours of taped conversations with the artist and his circle, and drawing on interviews with those who knew Freud intimately – including many girlfriends, models, dealers and bookmakers – Breakfast with Lucian is an intimate portrait of the artist as a young and old man. Illustrated with many unseen photographs of Freud, it is a uniquely fascinating, personal and authoritative account of one of the greatest British painters of this century and the last, and a profile of a man who makes everyone else's life seem less lived.

Breakfast with Lucian

Michael Hall

"Hall’s consummate history is not just the story of the evolution of one of the world’s great collections… The book is also a through-the-keyhole insight into the shifting tastes, good or bad, of 1,000 years of monarchs." 
- The Times 
 
The Royal Collection is the last great collection formed by the European monarchies to have survived into the twenty-first century. Containing over a million artworks and objects, it covers all aspects of the fine and decorative arts, from paintings by Rembrandt and Michelangelo to grand sculpture, Fabergé eggs and some of the most exquisite furniture ever made. The Royal Collection also offers a revealing insight into the history of the British monarchy from William the Conqueror to Queen Elizabeth II, recording the tastes and obsessions of kings and queens over the past 500 years. 
 
With unprecedented access to the royal residences of St James' Palace, Windsor Castle and Buckingham Palace, Art, Passion &amp; Power traces the history of this national institution from the Middle Ages to the present day, exploring how royalty used the arts to strengthen their position as rulers by divine right and celebrating treasures from the Crown Jewels to the "Abraham" tapestries in Hampton Court Palace. Author Michael Hall examines the monarchy's response to changing attitudes to the arts and sciences during the Enlightenment and celebrates the British monarchy's role in the democratisation of art in the modern world. Packed with glimpses of rarely seen artworks, Art, Passion &amp; Power is a visual treat for all art enthusiasts. 
 
Accompanying the BBC television series and a major exhibition at the Royal Academy, Art, Passion &amp; Power is the definitive statement on the British monarchy's treasures of the art world.

Art, Passion & Power

The Story of the Royal Collection

John Batchelor

An entertaining account of an extraordinary cultural and historical event: - the establishment by one highly intelligent woman of a salon of the arts in a beautiful country house in Northumberland. Wallington Hall was remote from the major centres of artistic activity, such as London and Edinburgh. Yet Pauline Trevelyan single handedly made it the focus of High Victorian cultural life. Among those she attracted into her orbit were Ruskin, Swinburne, the Brownings, the Rossettis (Dante Gabriel, Christina and William Michael), Carlyle, and Millais and other members of the Pre-Raphaelite Brotherhood. 
The penniless but clever daughter of a clergyman, Pauline Jermyn married an older man whom she met through a shared passion for geology. Sir Walter Trevelyan was a philanthropist, teetotal, vegetarian, pacificist ... and very rich. With his encouragement, she collected works of art and decorated Wallington Hall with a cycle of vast paintings on the history of Northumberland. She was a patron of the arts who provided a fostering environment for many of the geniuses of her day. After her death, Swinburne wept every time her name was mentioned.

Lady Trevelyan and the Pre-Raphaelite Brotherhood

Julia Blackburn

Winner of the East Anglian Book of the Year 2015 
Winner of the New Angle Book Prize 2017 
 
John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as ‘a stuporous state’. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk. 
 
Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn’s account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen’s cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein’s stay there, guarded by dashing young women in jodhpurs with shotguns. 
 
Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia’s beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished. 
 
In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske’s paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.

Threads

The Delicate Life of John Craske

Why do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born. 
 
In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group-the collective of creatives and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E. M. Forster's top buttons to the creativity of Vanessa Bell's wayward hems; from the sheer pleasure of Ottoline Morrell's lavish dresses to the clashing self-consciousness of Virginia Woolf's orange stockings; from Duncan Grant's liberated play with nudity to John Maynard Keynes's power play in the traditional suit. As Porter carefully unpicks what they wore and how they wore it, we see how clothing can be a means of artistic, intellectual and sexual liberation, or, conversely, a tool for patriarchal control. 
 
As he travels through libraries, archives, attics and studios, Porter uncovers new evidence about his subjects, revealing them in a thrillingly intimate, vivid new light. And, as he begins making his own clothing, his own perspective on fashion-and on life-starts to change. In the end, he shows, we should all 'bring no clothes', embracing not just a new way with fashion but a new philosophy of living-one which activates the connections between the way we dress and the way we think, act and love.

Bring No Clothes

Bloomsbury and the Philosophy of Fashion

Christopher Winn

'What is this life if, full of care, We have no time to stand and stare.' - W.H. Davies 
 
Walking around London is one of life's great pleasures. There is a huge amount that you can only see on foot – but sometimes it is hard to know where to look. Luckily, Christopher Winn, bestselling author of I Never Knew That About London, knows where all the hidden treasures are. 
 
This book takes the reader on a series of stimulating original walks through different areas of central London, focusing on one particular period of history, the Victorian, so ubiquitous that we take it for granted, and yet so astonishing and so far reaching in its variety, imagination, ambition and detail. 
 
Discover... 
 
..the remarkable 300-foot bell tower at the Houses of Parliament you never knew was there.... 
..the extraordinary fairytale house in Kensington where the Mikado was inspired... 
..the best Victorian loos in the world near Old Street... 
..a hidden chapel in Bloomsbury described by Oscar Wilde as 'the most delightful private chapel in London'... 
..London's best preserved high class Victorian shop near Tottenham Court Road… 
...an almost complete Victorian townscape boasting the world's oldest surviving mansion block... 
 
Walk through history and discover the hidden gems of Victorian London!

Walk Through History

Discover Victorian London

Daniel Farson

Widely regarded as the best British painter since Turner, very little is known about Francis Bacon's life. In this, the first-ever book to be written about him, Daniel Farson, friend and confidant to Bacon for over forty years, gives a highly personal, first-hand account of the man as he knew him. From his sexual adventures to his rise from obscurity to international fame, Farson gives us unique insight into Bacon's genius.

The Gilded Gutter Life of Francis Bacon

The Authorized Biography

Joanna Pitman

Raphael's St George and the Dragon is the work of a genius - an exquisitely rendered vision of heroism and innocence by one of the greatest painters of all time. Yet the painting's creation is only the beginning of a fascinating story that spans centuries of power play and intrigue, taking in a cast of characters both colourful and terrifying. 
 
For the young Raphael the painting was an expression of his growing talents and a crucial step in his ascent to the peak of the Renaissance art world. But for a succession of jealous owners it became a symbol of power and prestige. Painted in Italy, St George and the Dragon was sent to England as a gift for Henry VII in exchange for the prestigious knighthood of the Garter, art being traded for honour. The painting then mysteriously disappeared for a century before re-emerging as one of the key works in the great collection of art built up by Charles I, only to be sold when the collection was forcibly broken up after his execution. 
 
When Catherine the Great, a monarch of enormous appetites - political, sexual and cultural - later heard the painting was again on the market, she dispatched the famous philosopher Diderot to add it to her vast collection at the Hermitage in Russia. Treated both as an icon and as a Western masterpiece, St George and the Dragon survived fire and the Russian Revolution, only to be sold by the arch-Communist Stalin to Andrew Mellon, Capitalism's chief priest and one of the last US Robber Barons, in a secret and utterly illicit transaction. 
 
Exceptionally written and breathlessly paced, The Raphael Trail shows how the greatest beauty in art can provoke the basest instincts in man.

The Raphael Trail

The Secret History of One of the World's Most Precious Works of Art

Mark Ovenden

London Underground By Design is the beautifully illustrated new book from Mark Ovenden, the acclaimed author of Great Railway Maps of the World, published to coincide with the 150th anniversary of the Tube in 2013. 
 
Since its establishment 150 years ago as the world's first urban subway, the London Underground has continuously set a benchmark for design that has influenced transit systems from New York to Tokyo, Moscow to Paris and beyond. London Underground by Design is the first meticulous study of every aspect of that feat, a comprehensive history of one of the world's most celebrated design achievements, and of the visionaries who brought it to life. 
 
Beginning in the pioneering Victorian age, Mark Ovenden charts the evolution of architecture, branding, typeface, map design, interior and textile styles, posters, signage and graphic design and how these came together to shape not just the Underground's identity, but the character of London itself. This is the story of celebrated designers - from Frank Pick, the guru who conceptualised the modern Tube's look under the 'design fit for purpose' mantra, to Harry Beck, Tube diagram creator, and from Marion Dorn, one of the twentieth century's leading textile designers, to Edward Johnston, creator of the distinctive font that bears his name, as well as Leslie Green, designer of central London's distinctive ruby-red tiled stations, and the Design Research Unit's head, Misha Black, who in the 1960s rebranded British Railways and created the Victoria line's distinctive style, and Sir Norman Foster, architect of Canary Wharf station. 
 
'Fascinating ... authoritative ... bristles with photographs I've never seen before ... the book does ample justice to a network that - overcrowded and overpriced - is a glorious palimpsest of design' Andrew Martin, Observer 
 
'I wouldn't ordinarily enthuse about one book at such length, but this is an important work...not because it's an entertaining read (it is), but because it identifies the birth of a brand...and records the birth of a new idea - the transport interchange' Kevin McCloud, Grand Designs Magazine 
 
'Mark Ovenden has devotedly documented the designs associated with [the Underground] ... "addictive" for anyone interested in the look of everyday life' Telegraph 
 
'This beautifully illustrated history is a worth tribute [to 150 years of design]' Shortlist 
 
'A wonderful, handsome book ... it makes me want to nerd out, get a travel card and whiz out to the strange ends of Metroland or the UFO shape of Southgate station' Robert Bownes/Andrew Tuck, Monocle Weekly (Radio programme) 
 
Mark Ovenden is a British writer and broadcaster. His previous books are Metro Maps of the World, Paris Metro Style and Great Railway Maps of the World. He is a Fellow of the Royal Geographic Society and lives in London.

London Underground By Design

From the author of the bestselling phenomenon The Hare with Amber Eyes 
 
As you may have guessed by now, I am not in your house by accident. I know your street rather well. 
 
 The Camondos lived just a few doors away from Edmund de Waal's forebears. Like de Waal's family, they were part of belle époque high society. They were also targets of anti-Semitism. 
 
Count Moïse de Camondo created a spectacular house filled with art for his son to inherit. Over a century later, de Waal explores the lavish rooms and detailed archives and, in a haunting series of letters addressed to Camondo, he tells us what happened next. 
 
'Illuminating... A wonderful tribute to a family and to an idea' Guardian 
 
'Letters to Camondo immerses you in another age... Dazzling' Financial Times

Letters to Camondo

Frances Spalding

The life of the painter and designer Duncan Grant spanned great changes in society and art, from Edwardian Britain to the 1970s, from Alma-Tadema to Gilbert and George. This authoritive biography combines an engrossing narrative with an invaluable assessment of Grant's individual achievement and his place within Bloomsbury and in the wider development of British art. 'Spalding's skill is to sketch out the intricate emotional web against the bright bold untouchable figure of the artist. . . Her achievement is to let that sense of a man living with his craft shine through on every page: the result is an exceptionally honest and warm portrait. ' Financial Times

Duncan Grant

Richard Weight

Welcome to the world of the sharp-suited ‘faces’. The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon. 
 
Mod began life as the quintessential working-class movement of a newly affluent nation – a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution. 
 
In Mod, Richard Weight tells the story of Britain’s biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod’s heyday in Swinging London in the mid-60s – to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod–Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran. 
 
But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult’s revival in the late 70s – played out against its own soundtrack of Quadrophenia and the Jam – but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave. 
 
This is the story of Britain’s biggest and brassiest youth movement – and of its legacy. Music, film, fashion, art, architecture and design – nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.

From Bebop to Britpop, Britain’s Biggest Youth Movement

Patricia Bosworth

Diane Arbus's startling photographic images of dwarfs, twins, transvestites, and freaks seemed from the first to redefine both the normal and the abnormal in our lives; they were already becoming part of the iconography of the age when Arbus committed suicide in 1971. Arbus herself remained an enigma until the publication of this first full biography. Patricia Bosworth examines the life behind the eerie, mesmerizing photographs: Diane's pampered childhood; her passionate marriage to Allan Arbus and their work together as fashion photographers during the fifties; the emotional upheaval surrounding the end of that marriage; and the radically dark, liberating, and ultimately tragic turn Diane's art took during the sixties. Bosworth's engrossing book is a compassionate portrait of the woman behind some of the most powerful photographs of our time.

Diane Arbus

Marina Picasso

Marina Picasso remembers being six years old and standing awkwardly in front of the gates of Picasso's grand house near Cannes. She was there with her father and eight-year-old brother to collect from her grandfather the weekly allowance that Picasso grudgingly gave his eldest son to support is family. Sometimes they were sent away and on other occasions, the gates would be opened and they would walk into the intimidating, exciting chaos of Picasso's studio to face the man himself and his unpredictable moods. 
 
Looking back, Marina can understand why Picasso had so little interest in his grandchildren; but at the time, she and her brother longed for him to love and understand them. Just a few miles away down the Côte d'Azur, they led a hand-to-mouth existence. Her father was a weak man, reliant on his father for everything and her mother lived in her own fantasy world; the family were therefore utterly dependent on Picasso. 
 
People assumed they were rich and privileged because they were Picassos and they were to live their lives under the burden of these assumptions. It was this that caused Marina's brother to commit suicide and when her father died Marina found herself in the ironic position of being one of the major heirs to Picasso's estate.

Picasso

My Grandfather

The White Pube

Gabrielle de la Puente

Zarina Muhammad

At a moment in which working as a professional artist is an increasingly unattainable luxury, art criticism duo The White Pube investigate why so many artists try anyway. Labelled “the Diet Prada of the art world” by British Vogue, in Poor Artists writers Gabrielle de la Puente and Zarina Muhammad ridicule a contemporary art world that has turned art into artworks, art schools into art universities, and creative expression into cut-throat competition. 
 
Poor Artists follows aspiring artist Quest Talukdar as she embarks on a surreal journey into the creative industry, where she must decide whether she cares more about success or staying true to herself. Featuring dialogue from anonymous interviews with real people who have all had to ask themselves the same question – including a Turner Prize winner or two, a recluse, a Venice Biennale fraudster, a communist messiah, a ghost, and a literal knight – The White Pube tell the story of art like never before.

Poor Artists

Maggie Nelson

**AS SEEN ON BBC2's BETWEEN THE COVERS** 
 
A Guardian Book of the Year 
 
Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia Laing 
 
Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief. 
 
Much like Roland Barthes's A Lover's Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.

Bluets

Patrick Bringley

** THE NEW YORK TIMES BESTSELLER AND SUNDAY TIMES ART BOOK OF THE YEAR 2023 ** 
 
A revelatory portrait of a great museum and the moving story of one guard's quest to find solace and meaning in art 
 
'Who would have thought that the outstanding art book of you would have been written not by a curator or an art historian or even an artist - but by a museum guard?' Sunday Times 
 
When Patrick’s older brother dies at twenty-six, all he wants is to retreat. So, he does. He quits his job and seeks refuge in the most beautiful place he can think of: New York’s Metropolitan Museum of Art. 
 
All the Beauty in the World recounts Patrick’s time as a museum guard, keeping quiet vigil over some of our greatest treasures and uncovering the Met’s innermost secrets. As his connection to the art and the life that swirls around it grows, so does Patrick – and gradually he emerges transformed by heartbreak, community and the power of art to illuminate life in all its pain, pleasure and hope. 
 
'As luminous as the old masters paintings' Daily Mail 
'Consoling and beautiful' Guardian 
'Marvellous' Daily Telegraph 
'A beautiful tale about beauty. It is also a tale about grief, balancing solitude and comradeship, and finding joy in both the exalted and the mundane' Washington Post 
 
*New York Times bestseller, Nov 24

All the Beauty in the World

A Museum Guard’s Adventures in Life, Loss and Art

Carola Hicks

WITH A FOREWORD BY GRAYSON PERRY 
 
Carola Hicks sets out to solve the mystery of one of art history’s greatest paintings, The Arnolfini Portrait 
 
The Arnolfini Portrait by Jan van Eyck in 1434 hangs in the National Gallery in London and remains a mystery to this day. Is the painting of the girl in the green gown the celebration of marriage or pregnancy, a memorial to a wife who died in childbirth, a fashion statement or a status symbol? Using her acclaimed forensic skills as an art historian, Carola Hicks set out to decode the mystery of one the most enigmatic paintings in the western art. 
 
‘This book will send you back to the National Gallery with much sharper eyes’ Independent on Sunday

Girl in a Green Gown

The History and Mystery of the Arnolfini Portrait

Christopher de Hamel

Christopher de Hamel is one of the world’s best-known scholars and writers on illuminated manuscripts. He was mostly brought up in the south of New Zealand, where his family moved when he was four. This book magically evokes a childhood at vast distance from Europe, recalling his thrill and wonder in first encountering medieval manuscripts in libraries there and the realization that they too are migrants far from home. 
 
The Migrants explores the immense journeys of books and people. It is a tale of colonization and the migration of culture – of motives and idealism, triumphs and disasters – bringing us face-to-face with history. We meet the colonial governor on his paradise island, the shipwrecked accountant, the nonagenarian who cut up manuscripts, the magnate who unknowingly bought Becket’s Boethius and the early settler who inscribed his Book of Hours in the Maori language in 1842. We travel with the author today back to where these manuscripts began their own lives, through France and Poland and medieval England, discovering their first owners and following the longest journeys on earth. 
 
This is a coming-of-age saga with extraordinary twists, crossing many hundreds of years and tens of thousands of miles, recounted with passion, humour and a lifetime’s reflection.

The Migrants

A Memoir with Manuscripts

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