Everyman's Library CLASSICS

240 books in this series
The finest editions available of the world's greatest classics from Homer to Achebe, Tolstoy to Ishiguro, Proust to Pullman, printed on a fine acid-free, cream-wove paper that will not discolour with age, with sewn, full cloth bindings and silk ribbon markers, and at remarkably low prices. All books include substantial introductions by major scholars and contemporary writers, and comparative chronologies of literary and historical context.
Book cover of The Portrait Of A Lady by Henry James

The Portrait Of A Lady

Isabel Archer is a young, intelligent, and spirited American girl, determined to relish her first experience of Europe. She rejects two eligible suitors in her fervent commitment to liberty and independence, declaring that she will never marry. Thanks to the generosity of her devoted cousin Ralph, she is free to make her own choice about her destiny. Yet in the intoxicating worlds of Paris, Florence, and Rome, her fond illusions of self-reliance are twisted by the machinations of her friends and apparent allies. What had seemed to be a vista of infinite promise steadily closes around her and becomes instead a 'house of suffocation'.
Book cover of Pride And Prejudice by Jane Austen

Pride And Prejudice

Probably the popular favourite among Jane Austen's novels, Pride and Prejudice was the first to be written (1796-7), when the author was just twenty-one. Revised for publication thirteen years later, it combines the freshness of youth with the skill of maturity, not least in the brilliance of the characterization and the attractiveness of the heroine, Elizabeth Bennet.
Book cover of The Princess Casamassima by Henry James

The Princess Casamassima

When a beautiful, spoilt, aristocratic woman with revolutionary ambitions meets an idealistic young proletarian conspirator who dreams of a better life, the stage is set for The Princess Casamassima in which Henry James explores the London underworld and the political unrest seething there in the later nineteenth century. In the end, Christina Light’s waywardness proves fatal for the fancifully named Hyacinth Robinson, but not before the typically Jamesian encounter of instinct and intelligence has been explored in all its tragi-comic potential.
Book cover of Scarlet And Black by Stendhal

Scarlet And Black

In this account of a disillusioned soul failing to come to terms with reality, the novelist recreates the Byronic anti-hero in the context of post-revolutionary France where the church, politics and society itself are in upheaval.
Book cover of The Steppe And Other Stories by Anton Chekhov

The Steppe And Other Stories

Primarily known as a dramatist, Chekhov also wrote short stories. This selection of his work includes "The Swedish Match", "Easter Eve", "Mire", "On the Road", "Verotchka", "Volodya", "The Kiss", "Sleepy" and "The Steppe".
Book cover of Tess Of The D'urbervilles by Thomas Hardy

Tess Of The D'urbervilles

When Tess Durbeyfield is driven by family poverty to claim kinship with the wealthy D’Urbervilles and seek a portion of their family fortune, meeting her ‘cousin’ Alec proves to be her downfall. A very different man, Angel Clare, seems to offer her love and salvation, but Tess must choose whether to reveal her past or remain silent in the hope of a peaceful future
Book cover of Tom Jones by Henry Fielding

Tom Jones

Tom Jones is one of the earliest English novels, and was hugely popular when it was first published in 1749. It tells the story of the foundling Tom and his journey towards adulthood and marriage. As might be expected, this journey is a complicated one: Tom falls in love with a neighbour's daughter, discovers that he has a rival for his love in the shape of the unpleasant Master Blifil, and is expelled from Mr Allworthy's house after a series of misadventures.
Book cover of Tom Sawyer And Huckleberry Finn by Mark Twain

Tom Sawyer And Huckleberry Finn

Tom Sawyer, a shrewd and adventurous boy, is as much at home in the respectable world of his Aunt Polly as in the self-reliant and parentless world of his friend Huck Finn. The two enjoy a series of adventures, accidentally witnessing a murder, establishing the innocence of the man wrongly accused, as well as being hunted by Injun Joe, the true murderer, eventually escaping and finding the treasure that Joe had buried.

Huckleberry Finn recounts the further adventures of Huck, who runs away from a drunken and brutal father, and meets up with the escaped slave Jim. They float down the Mississippi on a raft, participating in the lives of the characters they meet, witnessing corruption, moral decay and intellectual impoverishment.

Book cover of Tristram Shandy by Laurence Sterne

Tristram Shandy

Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick.
Book cover of Typhoon And Other Stories by Joseph Conrad

Typhoon And Other Stories

In these three sea stories, based on his own experience, Conrad invests his portraits of mundane steamers and their crews with epic qualities of fortitude and courage in the face of overwhelming natural odds. At the same time, he probes the psychological condition of men together and under pressure with the greatest delicacy, raising the adventure story to the level of high art. The supreme poet of the sailor's life, Conrad here establishes his reputation as a master storyteller.
Book cover of Under Western Eyes by Joseph Conrad

Under Western Eyes

This novel is considered to be one of Conrad's major works and is close in subject matter to The Secret Agent. It is full of cynicism and conflict about the historical failures of revolutionary movements and ideals.
Book cover of Vanity Fair by William Makepeace Thackeray

Vanity Fair

Thackeray's upper-class Regency world is a noisy and jostling commercial fairground, predominantly driven by acquisitive greed and soulless materialism, in which the narrator himself plays a brilliantly versatile role as a serio-comic observer.
Book cover of The Warden by Anthony Trollope

The Warden

The Warden is a novel by English author Anthony Trollope published by Longman in 1855. It is the first book in the Chronicles of Barsetshire series, followed by Barchester Towers.

Church of England, The Warden is also a subtle exploration of the rights and wrongs of moral crusades and, in its account of Harding's intensely felt personal drama, a moving depiction of the private impact of public affairs.
Book cover of The Wealth Of Nations by Adam Smith

The Wealth Of Nations

Published in the same year as the American Declaration of Independence, The Wealth of Nations has had an equally great impact on the course of modern history. Adam Smith’s celebrated defence of free market economics is notable also as one of the Enlightenment’s most eloquent testaments to the sanctity of the individual in his relations to the state.
Book cover of The Woman In White by Wilkie Collins

The Woman In White

'In one moment, every drop of blood in my body was brought to a stop .. There, as if it had that moment sprung out of the earth .. stood the figure of a solitary Woman, dressed from head to foot in white'

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
Book cover of Wuthering Heights by Emily Brontë

Wuthering Heights

The title of the novel comes from the Yorkshire manor on the moors of the story. The narrative centres on the all-encompassing, passionate, but ultimately doomed love between Catherine Earnshaw and Heathcliff, and how this unresolved passion eventually destroys them and the people around them