Penguin Modern Classics

1275 books in this series
Book cover of The Feminine Mystique by Betty Friedan

The Feminine Mystique

When Betty Friedan produced The Feminine Mystique in 1963, she could not have realized how the discovery and debate of her contemporaries' general malaise would shake up society. Victims of a false belief system, these women were following strict social convention by loyally conforming to the pretty image of the magazines, and found themselves forced to seek meaning in their lives only through a family and a home. Friedan's controversial book about these women - and every woman - would ultimately set Second Wave feminism in motion and begin the battle for equality.

This groundbreaking and life-changing work remains just as powerful, important and true as it was forty-five years ago, and is essential reading both as a historical document and as a study of women living in a man's world.
Book cover of Aloft by William Langewiesche

Aloft

In the essays collected here William Langewiesche considers how flying has altered not only how we move about the earth, but also how we view our world and our place in it. With vivid descriptions of the aesthetics and excitement of flight, Langewiesche also writes of the risks that go with this beauty: the perils of air traffic control, and the dangers of nervous passengers and bad weather.

Full of spare and elegant prose, Aloft is a fascinating journey into the new, profound dimension that flight has added to the human experience.
Book cover of Alone in Berlin by Hans Fallada

Alone in Berlin

Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ...
Book cover of Anthills of the Savannah by Chinua Achebe

Anthills of the Savannah

Chris, Ikem and Beatrice are like-minded friends working under the military regime of His Excellency, the Sandhurst-educated President of Kangan. In the pressurized atmosphere of oppression and intimidation they are simply trying to live and love - and remain friends. But in a world where each day brings a new betrayal, hope is hard to cling on to. Anthills of the Savannah (1987), Achebe's candid vision of contemporary African politics, is a powerful fusion of angry voices. It continues the journey that Achebe began with his earlier novels, tracing the history of modern Africa through colonialism and beyond, and is a work ultimately filled with hope.
Book cover of Arrow of God by Chinua Achebe

Arrow of God

Ezeulu, headstrong chief priest of the god Ulu, is worshipped by the six villages of Umuaro. But he is beginning to find his authority increasingly under threat - from his rivals in the tribe, from those in the white government and even from his own family. Yet he still feels he must be untouchable - surely he is an arrow in the bow of his God? Armed with this belief, he is prepared to lead his people, even if it means destruction and annihilation. Yet the people will not be so easily dominated.

Spare and powerful, Arrow of God is an unforgettable portrayal of the loss of faith, and the struggle between tradition and change. Continuing the epic saga of the community in Things Fall Apart, it is the second volume of Achebe's African trilogy, and is followed by No Longer at Ease.
Book cover of Cities of the Red Night by William S. Burroughs

Cities of the Red Night

An opium addict is lost in the jungle; young men wage war against an empire of mutants; a handsome young pirate faces his execution; and the world's population is infected with a radioactive epidemic. These stories are woven together in a single tale of mayhem and chaos. In the first novel of the trilogy continued in The Place of Dead Roads and The Western Lands, William Burroughs sharply satirizes modern society in a poetic and shocking story of sex, drugs, disease and adventure.
Book cover of The Divided Self by R. D. Laing

The Divided Self

First published in 1960, this watershed work aimed to make madness comprehensible, and in doing so revolutionized the way we perceive mental illness. Using case studies of patients he had worked with, psychiatrist R. D. Laing argued that psychosis is not a medical condition but an outcome of the 'divided self', or the tension between the two personas within us: one our authentic, private identity, and the other the false, 'sane' self that we present to the world.
Book cover of A Man of the People by Chinua Achebe

A Man of the People

As Minister for Culture, the Honourable M. A. Nanga is 'a man of the people', as cynical as he is charming, and a roguish opportunist. At first, the contrast between Nanga and Odili, a former pupil who is visiting the ministry, appears huge. But in the 'eat-and-let-eat' atmosphere, Odili's idealism soon collides with his lusts - and the two men's personal and political tauntings threaten to send their country into chaos. Published, prophetically, just days before Nigeria's first attempted coup in 1966, A Man of the People is an essential part of his body of work dealing with modern African history.
Book cover of No Longer at Ease by Chinua Achebe

No Longer at Ease

Obi Okonkwo is an idealistic young man who, thanks to the privileges of an education in Britain, has now returned to Nigeria for a job in the civil service. However in his new role he finds that the way of government seems to be backhanders and corruption. Obi manages to resist the bribes that are offered to him, but when he falls in love with an unsuitable girl - to the disapproval of his parents - he sinks further into emotional and financial turmoil. The lure of easy money becomes harder to refuse, and Obi becomes caught in a trap he cannot escape.

Showing a man lost in cultural limbo, and a Nigeria entering a new age of disillusionment, No Longer at Ease concludes Achebe's remarkable trilogy charting three generations of an African community under the impact of colonialism, the first two volumes of which are Things Fall Apart and Arrow of God.
Book cover of Over to You by Roald Dahl

Over to You

During the Second World War Roald Dahl served in the RAF and suffered horrific injuries in an air crash in the Libyan desert. Drawing on his own experience as a fighter pilot, Dahl crafted these ten spine-tingling stories: of air battles in the sky; of the nightmare of being shot down; of the infectious madness of conflict; and of the nervy jollity of the Mess and Ops room. Dahl brilliantly conveys the bizarre reality of a wartime pilot's daily existence, where death is a constant companion and life is lived from one heartbeat to the next.
Book cover of Things Fall Apart by Chinua Achebe

Things Fall Apart

Okonkwo is the greatest warrior alive, famous throughout West Africa. But when he accidentally kills a clansman, things begin to fall apart. Then Okonkwo returns from exile to find missionaries and colonial governors have arrived in the village. With his world thrown radically off-balance he can only hurtle towards tragedy. Chinua Achebe's stark novel reshaped both African and world literature. This arresting parable of a proud but powerless man witnessing the ruin of his people begins Achebe's landmark trilogy of works chronicling the fate of one African community, continued in Arrow of God and No Longer at Ease.
Book cover of The Western Lands by William S. Burroughs

The Western Lands

A fascinating mix of autobiographical episodes and extraordinary Egyptian theology, Burroughs's final novel is poignant and melancholic. Blending war films and pornography, and referencing Kafka and Mailer, The Western Lands confirms his status as one of America's greatest writers. The final novel of the trilogy containing Cities of the Red Night and The Place of Dead Roads, this is a profound meditation on morality, loneliness, life and death.
Book cover of Someone Like You by Roald Dahl

Someone Like You

These eighteen tales of the macabre show Dahl's dark brilliance as a short-story writer. They are wicked (as an old man attracts the attentions of those more interested in his skin than his wellbeing), shocking (as distasteful bets are made - a daughter's hand on the identity of a glass of claret, a finger risked for a Cadillac) and blackly humorous (as a cuckolded husband receives a chance to take his revenge out on his wife's neck). Someone Like You is as devilishly ingenious and suspenseful as writing gets.
Book cover of Collected Stories by Paul Bowles

Collected Stories

In these hauntingly beautiful stories of abandonment and vengeance, extreme situations lead to disturbing conclusions. A missionary is sent to a place so distant he finds his God has no power there; a husband abandons his wife as they honeymoon in the South American jungle; a splash of water triggers an explosion of violence; and a boy's drug-induced transformation leads to cruelty enjoyed and suffered.

Masterfully written, these are chilling tales from sun-drenched and brutal climes.
Book cover of Let It Come Down by Paul Bowles

Let It Come Down

Let It Come Down, with its title from Macbeth, tells the story of Dyar, a New York bank clerk who throws up his secure, humdrum job to find a reality abroad with which to identify himself, and his macabre experiences in the inferno of Tangiers as he gives in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.
Book cover of The Sheltering Sky by Paul Bowles

The Sheltering Sky

'The Sheltering Sky is a book about people on the edge of an alien space; somewhere where, curiously, they are never alone' Michael Hoffman.

Port and Kit Moresbury, a sophisticated American couple, are finding it more than a little difficult to live with each other. Endeavouring to escape this predicament, they set off for North Africa intending to travel through Algeria - uncertain of exactly where they are heading, but determined to leave the modern world behind. The results of this casually taken decision are both tragic and compelling.