Penguin Modern Classics

Alex Leamas is tired. It's the 1960s, he's been out in the cold for years, spying in Berlin for his British masters, and has seen too many good agents murdered for their troubles. Now Control wants to bring him in at last - but only after one final assignment.

He must travel deep into the heart of Communist Germany and betray his country, a job that he will do with his usual cynical professionalism. But when George Smiley tries to help a young woman Leamas has befriended, Leamas's mission may prove to be the worst thing he could ever have done.

In le Carré's breakthrough work of 1963, the spy story is reborn as a gritty and terrible tale of men who are caught up in politics beyond their imagining.

With a new introduction by William Boyd and an afterword by Le Carré himself.

Encompassing the very best of F. Scott Fitzgerald's short fiction, this collection spans his career, from the early stories of the glittering Jazz Age, through the lost hopes of the thirties, to the last, twilight decade of his life. It brings together his most famous stories, including 'The Diamond as Big as the Ritz', a fairy tale of unlimited wealth; the sad and hilarious stories of Hollywood hack Pat Hobby; and 'The Lost Decade', written in Fitzgerald's last years.

Depicting the daily struggle of the individual against a tyrannical dictatorship, We the Living shows the terrible impact of a revolution on three people who demand the right to live their own lives and pursue their happiness. Kira, determined to maintain her independence and courageous in the face of starvation and poverty; Leo, upper class and paralysed by state repression; and Andrei, an idealistic communist and officer in the secret police who nonetheless wants to help his friends.

George Orwell was an inveterate keeper of diaries. The Orwell Diaries presents eleven of them, covering the period 1931-1949, and follows Orwell from his early years as a writer to his last literary notebook. An entry from 1931 tells of a communal shave in the Trafalgar Square fountains, while notes from his travels through industrial England show the development of the impassioned social commentator.

This same acute power of observation is evident in his diaries from Morocco, as well as at home, where his domestic diaries chart the progress of his garden and animals with a keen eye; the wartime diaries, from descriptions of events overseas to the daily violence closer to home, describe astutely his perspective on the politics of both, and provide a new and entirely refreshing insight into Orwell's character and his great works.

The Mountains of My Life collects Walter Bonatti's classic writings detailing his exploits on numerous expeditions to different mountains of the world, as well as the real story behind the controversy over the events on K2 that changed his life. Bonatti is one of the greatest mountaineers of all time, and these awe-inspiring writings capture the adventure, audacity and magnitude of his craft.

Enchanting stories about the evolution of the universe, with characters that are fashioned from mathematical formulae and cellular structures. They disport themselves among galaxies, experience the solidification of planets, move from aquatic to terrestrial existence, play games with hydrogen atoms - and have time for a love life.

'Naturally, we were all there, - old Qfwfq said, - where else could we have been? Nobody knew then that there could be space. Or time either: what use did we have for time, packed in there like sardines?'

The Cowards (1958) is Josef Skvorecky's blackly comic tale of post-war politics that was immediately banned on publication. In 1945, in Kostelec,Danny is playing saxophone for the best jazz band in Czechoslovakia. Their trumpeter has just got out of a concentration camp, their bass player is only allowed in the band since he owns the bass, and the love of Danny's life is in love with somebody else. But Danny despairs most about the bourgeoisie patriots in his town playing at revolution in the face of the approaching Red Army - not least because it ruins the band's chance of any good gigs.

The Elephant (1957) is Slawomir Mrozek's award-winning collection of hilarious and unnerving short stories, satirising life in Poland under a totalitarian regime. The family of a wealthy lawyer keep a 'tamed progressive' as a pet; a zoo saves money for the workers by fashioning their elephant from rubber; a swan is dismissed from the municipal park for public drunkenness; and under the Writers' Association, literary critics are banished to the salt mines. In these tales of bureaucrats, officials and artists, Mrozek conjures perfectly a life of imagined crimes and absurd authority.

How I Came to Know Fish (1974) is Ota Pavel's magical memoir of his childhood in Czechoslovakia. Fishing with his father and his Uncle Prosek - the two finest fishermen in the world - he takes a peaceful pleasure from the rivers and ponds of his country. But when the Nazis invade, his father and two older brothers are sent to concentration camps and Pavel must steal their confiscated fish back from under the noses of the SS to feed his family. With tales of his father's battle to provide for his family both in wealthy freedom and in terrifying persecution, this is one boy's passionate and affecting tale of life, love and fishing.

Laurence is a young ex-sailor who can't resist the lure of the good life, and when he finds a job as chauffeur to the wealthy Mr and Mrs Bannister, his occasional work leaves him free to indulge. Bannister himself is bitter - his twisted leg keeps him on the sidelines while his ravishingly beautiful wife endures his moods with saintly patience. Or does she? It's the Bannisters' closest friend, Grisby, who starts stirring, getting Laurence to agree to a crazy plot. It will net him thousands, no strings attached. But is it all too easy?

Dix Steele is back in town, and 'town' is post-war LA. His best friend Brub is on the force of the LAPD, and as the two meet in country clubs and beach bars, they discuss the latest case: a strangler is preying on young women in the dark. Dix listens with interest as Brub describes their top suspect, as yet unnamed. Dix loves the dark and women in equal measure, so he knows enough to watch his step, though when he meets the luscious Laurel Gray, something begins to crack. The American Dream is showing its seamy underside.

Life is a Dream (1931) is Gyula Krudy's magical collection of ten short stories. Creating a world where editors shoot themselves after a hard day's brunching, men attend duels incognito and lovers fall out over salad dressing, Life is a Dream is a comic, nostalgic, romantic and erotic glimpse into the Hungary of the early twentieth century. Focussing on the poor and dispossessed, these tales of love, food, death and sex are ironic and wise about the human condition and the futility of life, and display fully Krudy's wit and mastery of the form.

My Happy Days in Hell (1962) is Gyorgy Faludy's grimly beautiful autobiography of his battle to survive tyranny and oppression. Fleeing Hungary in 1938 as the German army approaches, acclaimed poet Faludy journeys to Paris, where he finds a lover but merely a cursory asylum. When the French capitulate to the Nazis, Faludy travels to North Africa, then on to America, where he volunteers for military service. Missing his homeland and determined to do the right thing, he returns - only to be imprisoned, tortured, and slowly starved, eventually becoming one of only twenty-one survivors of his camp.

Proud to be a Mammal (1942-97) is Czeslaw Milosz's moving and diverse collection of essays. Among them, he covers his passion for poetry, his love of the Polish language that was so nearly wiped out by the violence of the twentieth century, and his happy childhood. Milosz also includes a letter to his friend in which he voices his concern about the growing indifference to murder and the true value of freedom of thought, as well as a verbal map of Wilno, with each street revealing both a rich local history and intricate, poignant personal memories.

The Snows of Yesteryear (1989) is Gregor von Rezzori's haunting evocation of his childhood in Czernowitz, in present-day Ukraine. Growing up after the First World War, Rezzori portrays a twilit world suspended between the dying ways of an imperial past and the terrors of the twentieth century. He recalls his volatile, boar-hunting father, his earthy nursemaid, his fragile, aristocratic mother, his adored governess and the tragic death of his beloved sister, in a luminous story of war, unrest, eccentricity, folk tales, dark forests, night flights, and what it is like to lose your home.

Matthew's parents are worried. At eleven, he's much too old to have an imaginary friend, yet they find him talking to and arguing with a presence that even he admits is not physically there. This presence - Chocky - causes Matthew to ask difficult questions and say startling things: he speaks of complex mathematics and mocks human progress. Then, when Matthew does something incredible, it seems there is more than the imaginary about Chocky. Which is when others become interested and ask questions of their own: who is Chocky? And what could it want with an eleven-year-old boy?