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Where to start reading Roland Barthes

Roland Barthes by Roland Barthes

The only autobiography by the great Roland Barthes, philosopher, literary theorist and semiotician

Highly original, extremely fertile and inventive, [Barthes] really does represent, in a peculiarly qualified way, a new kind of writing, and he continually discovers new ways of writing about writing... It is a remarkable book

Anyone who saw [Barthes] as only the stern structuralist, dissecting signs, symbols and systems, must have missed the personal touches that would eventually burst into the open in his weird and wonderful “anti-autobiography” which begins with the announcement that its contents “must all be considered as if spoken by a character in a novel” and proceeds to jump from first to second to third person, accumulating scenes and lists and essay fragment

Though Barthes left behind disciples, there can be no replacing him; his brilliance had a wavelength all its own

The only autobiography by the great Roland Barthes, philosopher, literary theorist and semiotician. 
 
This is the autobiography of one of the greatest minds of the twentieth century. As idiosyncratic as its author, Barthes plays both commentator and subject to reveal his tastes, habits, passions and regrets. No event, relationship or thought is given priority over any other; no attempt to construct a narrative is made. And yet, via a series of vignettes, Barthes's life and views on a multitude of subjects emerge - from money and love to language and truth. 
 
WITH AN INTRODUCTION BY ADAM PHILLIPS

A Roland Barthes Reader

An excellent introduction to the intellectual Roland Barthes, whose distinctive philosophy incorporates art, literature and diverse aspects of mainstream culture.

To read through A Barthes Reader is finally to be left with the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language, sign systems, texts - and what they have to tell us about the concept of the human

Susan Sontag contributes an informative introduction to this collection and arranges his greatest hits chronologically... This is an excellent entree to a thinker whose precepts have often filtered down into mass culture

Barthes's work, along with that of Wilde and Valéry, gives being an aesthete a good name... Defending the senses, he never betrayed the mind

Roland Barthes was born in 1915 and studied French literature and classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980.

‘To read through A Barthes Reader is finally to be left with the image of Barthes as one of the great public teachers of our time’ New Republic 
 
Edited by Susan Sontag, A Roland Barthes Reader offers a definitive selection of works by the French intellectual Roland Barthes, including seminal essays, such as 'Introduction to the Structural Analysis of Narratives' as well as his more unusual works, such as 'The World of Wrestling'. 
 
'At last, with A Barthes Reader, we have a sort of Michelin guide to one of the most beguiling minds of our era. Smartly introduced by Susan Sontag, the Reader samples Barthes' achievement over three decades' Newsweek

Fragments

A Lover's Discourse

'A kind of mercurial elegy. . . Some extraordinary passion leaks through Barthes' lucid prose' Peter Ackroyd, Spectator

Love, here, is a state of the imagination, with the lover desperate to interpret the dire ambiguities inseparable from his role. This is a speculative book, and a melancholy one, an exploration of the idiom of anxiety. Barthes's love is a passion in the old, suffering sense of the word

May be the most detailed, painstaking anatomy of desire that we are ever likely to see or need again... All readers will find something they recognize in Barthes' recreation of the lover's fevered consciousness: The book is an ecstatic celebration of love and language and...readers interested in either or both...will enjoy savouring its rich and dark delights

‘May be the most detailed, painstaking anatomy of desire that we are ever likely to see or need again... An ecstatic celebration of love and language’ Washington Post 
 
The language we use when we are in love is not a language we speak. It is a language addressed to ourselves and to our imaginary beloved. It is a language of solitude, of mythology, of what Barthes calls an 'image repertoire'. 
 
Reviving the notion of the amorous subject beyond psychological or clinical enterprises, Barthes’ A Lover’s Discourse is a book for everyone who has ever been in love, or indeed, thought themselves to be immune to its power.

The Grain Of The Voice

Back in print exclusively from Vintage Classics, interviews with the great French intellectual

As a first introduction to the work of Roland Barthes, The Grain of the Voice could not be bettered...Stimulated by generally intelligent questioners, Barthes here talks about the development of his thought, explains why and how he wrote his many books, and pays tributes to philosophers, linguists, novelists, poets, painters and film-makers who have interested and inspired him... What comes across most vividly is the sheer gusto of a man who never stopped developing and changing, never stopped interacting with contemporaries of all ages and all tastes, and never stopped enjoying his intellectual activities and spiritual explorations.

In these interviews, given between 1962 and 1980, Barthes speaks about the development of his thought, explaining why and how he wrote his many books, paying tributes to philosophers, linguists, novelists, poets, painters and film-makers who have inspired him, as well as discussing how his life became dedicated to an exploration of semiotics. What comes across is the sheer gusto of a man who never stopped developing and changing, and the warm personal side of his rich and probing intelligence.

Writing Degree Zero & Elements of Semiology

Two key texts in the development of semiology and structuralism by a master of literary criticism

No one addresses himself to language so persistently or ingeniously as Barthes

[Writing Degree Zero is] a sweeping account of French literature...cemented Barthes' presence on the academic scene

A writer whose books of criticism and personal musings must be admired as serious and beautiful works of the imagination

Semiology is the science of signs and symbols, and their role in culture and society. Writing Degree Zero is Barthes' introduction to his field of study, the basic definitions required in the analysis of speech, language, writing and style, delivered with a poet's insight from one of France's most famous literary critics . 
 
In Elements of Semiology Barthes presented a concise scientific definition of Saussurean linguistics and their aftermath. Published in 1967, this is a key text in the study of 'structuralism', which at that time was a relatively new critical movement rapidly gaining an international following.

The Fashion System

The great linguist and sociologist turns his attention to the world of fashion

Obsessed with thinking about thinking, Barthes' life was a stylish intellectual adventure. He was also a hedonist, a meticulous dresser, gay, sensitive, sardonic, sociable, gossipy. He made reading a sacrament. With his unique vision, Barthes has helped us to read the world

Only lightweights read gushy coffee-table books of the 'Monsieur X is the best designer in the world!' variety; to be truly hardcore, get your hands on Roland Barthes' The Fashion System. Struggle to the end of this and, boy, will you feel clever

Barthes was an enormously alluring, sympathetic and sexy character

Fashion never ceases to interest psychologists, aestheticians and sociologists. Roland Barthes, however, examined fashion from a new point of view. Using descriptions from magazines, he uncovered a system of meaning and subjected it for the first time to semantic analysis. The Fashion System, published in France in 1967, is bold and imaginative. In his endeavour to confine his love, outrage and passion for fashion to a system, Barthes created a work of literature that is witty, humane, personal and enormously stimulating

Mythologies

Beautiful reissue of this unique classic collection, featuring a newly translated essay not included in previous collections

Barthes is an intellectual star, one of the very small group of maîtres à penser, such as Sartre, Levi-Strauss and Foucault... I readily proclaim that Mythologies is a kind of masterpiece, a fascinating book, the meaning of which sticks in the mind and can lend itself to all sorts of applications

Essays on the codings that command our daily life (from hair-styles in the film of Julius Caesar through glossy photos of gourmet cooking, to the cult of foam in detergents)...Mythologies has penetrating gusto

Semiology is the study of the signs and signals, the symbols, gestures and messages through which western society sustains, sells, identifies and yet obscures itself by painting or powdering over its raddled, whore-like visage... Barthes' purpose is to tear away masks and demystify the signs, signals and symbols of the language of mass culture

All about the most ordinary things. He knew how to connect Racine and beach holidays, Freud and the anticipation of a lover's phone call. Like so many modern artists, he saw the deeper themes running through supposedly banal things.

'Barthes' purpose is to tear away masks and demystify the signs, signals and symbols of the language of mass culture' The Times 
 
In this magnificent and often surprising collection of essays Barthes explores the myths of mass culture. Taking subjects as diverse as wrestling, films, plastic and cars, Barthes elegantly deciphers the symbols and signs embedded deep in familiar aspects of modern life, unmasking the hidden ideologies and meanings which implicitly affect our thought and behaviour. This early classic of semiotics from one of France's greatest thinkers may irrevocably change the way you view the world around you.

Roland Barthes

Richard Howard

Of all his works it is the most accessible in language and the most revealing about the author. And effortlessly, as if in passing, his reflections on photography raise questions and doubts which will permanently affect the vision of the reader

Roland Barthes' final book - less a critical essay than a suite of valedictory meditations - is his most beautiful, and most painful

Profoundly shaped the way the medium is regarded

I am moved by the sense of discovery in Camera Lucida, by the glimpse of a return to a lost world

Vintage Design Edition

Barthes investigation into the meaning of photographs is a seminal work of twentieth-century critical theory. This is a special Vintage Design Edition, with fold-out cover and stunning photography throughout. 
 
Examining themes of presence and absence, these reflections on photography begin as an investigation into the nature of photographs – their content, their pull on the viewer, their intimacy. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind. He was grieving for his mother at the time of writing. Strikingly personal, yet one of the most important early academic works on photography, Camera Lucida remains essential reading for anyone interested in the power of images. 
 
‘Effortlessly, as if in passing, his reflections on photography raise questions and doubts which will permanently affect the vision of the reader’ Guardian

Roland Barthes

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