Earth Angel

Cash’s stories can be funny, inventive, linguistically exciting, and feel genuinely new. The brutality they trade on conjures depressingly convincing portraits of our ongoing modernity, realer than real

Cash’s heroines are all earth angels but none so much as presence in these stories of the author herself, whose style has a devilish (remember Satan was an angel) and celestial powers, quite apart from the characters and scenarios Cash has imagined.

Cash’s stories are a reminder of what fiction can do when it’s allowed to break the rules, express its moment, turn the despairing or the banal into something better.

The stories in [Cash's] book are bizarre in the way that only a writer with her precision can employ.

Madeline’s debut story collection reads like a captivating lucid dream.

Uncanny, poetic, and bleakly funny, Earth Angel reaches for a higher power in a society that has forgotten how to believe.

[Cash] pushes her characters a step further than expected, hooks them up to an IV filled with irony, and watches as they degrade on their own slippery slopes.

To read Madeline Cash is to mainline her apocalyptic vitality, to witness a rare vision realized with an untamed sense of control, to light your cigarette off of the flames from her burning heart.

Justin Taylor, author of Riding with the Ghost

I enjoyed Madeline's stories a lot. They're weird and funny and dead-pan, and they explore interesting, under-examined topics.

Tao Lin, author of Taipei and Leave Society

A brutal, funny and dizzying fever dream of a book. Madeline Cash’s stories read like the musings of a brilliant boarding school girl sucking on a DMT vape pen: an entire universe, vivid and writhing, is revealed beneath her placid stare. This is an electric debut.

Madeline Cash's short stories blaze through the Culture with supreme confidence, agility, and wit... What a bold, promising debut by such a one-of-a-kind young writer.

I don't know what I can tell you about Earth Angel. In one way, it is the story of one million strong, beautiful, upper middle class women in modern America, and in another, truer way, it is an unhinged, joyous nosedive through every wild thought you've ever had played out real tender, like a movie. I love this book, please read it.

Sasha Fletcher, author of Be Here to Love Me at the End of the World

Raucously endearing, worldly but clear-souled, Earth Angel introduces an uncanny and crucial new voice. There isn't anything Madeline Cash doesn't know about the ruckussy graces of our present moment. I was laughing so hard, I didn't realize how fast my heart was breaking.

The stories collected in Earth Angel are like candy-pink nostalgia pills, crushed up and snorted during a weekend slumber party with your inner adolescent in the bedroom of your youth. Hilarious, insightful, and extremely online, this is the best debut I’ve read in years.

Earth Angel is vigorous, hilarious and demented. The nightmare of the now has a radiant and vicious new bard, and her name is Madeline Cash.

The stories in Earth Angel are playful, charming, and a little bit devious -this is a striking debut by a writer to watch.

Chelsea Hodson, author of Tonight I'm Someone Else

If this is downtown Catholicism, this is its darkest, funniest, most nihilistic incarnation yet. The question of who - or what - is being skewered in these stories is an open one, but their sharpness is undeniable.

Lindsy Lerman, author of What Are You and I’m from Nowhere

Madeline Cash is at the vanguard of a new literature, one calibrated to the speed, madness and incomprehensibility of our modern world. The stories in Earth Angel - madcap, irreverent, and weirdly heartbreaking - race by like an Adderall-laced dream. But at the heart of this innovative, hilarious, original book is something as old as consciousness itself: pain.

Madeline Cash twirls through the detritus of our ravaged modern age in her charming debut, Earth Angel. Armed with an electric humour, Cash spins glittering tales of a physical world in decline, a surveillance culture lit by glaring LEDs that is dispossessed and irreverent, having forgotten how heavy with meaning it is.

Jen George, author of The Babysitter at Rest

Earth Angel is wonderfully vibrant and fresh. Madeline's stories are smart, hilarious, heartbreaking, and sharp. A glimmer of hope in the time of modern America.

Madeline Cash is the founder of Forever Magazine and the author of the story collection Earth Angel. Her fiction has appeared in Granta, The Baffler, The Sewanee Review, The Drift, and Bomb, among other publications. Lost Lambs is her debut novel.

Madeline Cash

Cash has managed to cram all the goof and melodrama of an action film/coming-of-age high-school romcom into crisp, polished prose... It’s as if a Virago novel of the 1960s or ’70s — sharp, characterful, gorgeously written — were laced with the pills, vape juice and shadowy plutocracies of 21st-century America... You finish the book with the kind of smile on your face that contemporary fiction rarely leaves you with. Lost Lambs is a perky, fiendishly readable debut. Cash’s career is surely blossoming before her.

This sparkling debut is a true tour de force: unexpected, entertaining and genuinely funny... The most wildly original book of the year.

The book every insider is reading before its release... Read it and let your mind go on an adventure.

From magical realism to magical nihilism, Madeline Cash is a voice like no other. Her novel of normal people breaking down under the most abnormal circumstances will shift the way you see the family and community into something operatic, strange and profound.

Lost Lambs is meticulously crafted by a writer who is clearly a dazzling and singular new voice in literary fiction, as bold and assured a debut as Zadie Smith’s White Teeth or Jeffrey Eugenides’ The Virgin Suicides. Loud, hilarious, shocking, and sensitive, we will all remember Lost Lambs as the beginning of a long and thrilling career.

Megan Nolan, author of Ordinary Human Failings

What an absolute scream: a checkerboard of deep shadows and dazzling light, spanning suburban ennui, internet conspiracies and dysfunctional families. I can’t even begin to describe how much I loved this sharp, irreverent novel. Madeline Cash is a total hoot.

Alice Slater, author of Death of a Bookseller

A wonderful new comic voice. I’ve read entire books that contain less wit and inventiveness than a single one of Cash’s sentences, which make “lifelike” and “absurd” seem like synonyms. Her ear for dialogue is inspired. Lost Lambs had me laughing throughout—even when I was horrified — and rooting for the Flynn sisters to save us all.

Eric Puchner, New York Times bestselling author of Dream State

Lost Lambs goes off like a firework. Intrigue and mystery burst outward while the family at the centre of the story implodes. What I loved most were the big, seeking hearts of Madeline Cash's characters as they reach awkwardly toward love and connection – this novel is as sincere as it is funny (and it’s very funny).

Ramona Ausubel, author of The Last Animal

Lost Lambs is wild. It struts. Madeline Cash calls us into a vividly imagined world, a Pynchon-paradise absurd enough to actually create a great, great American novel.

Samantha Hunt, Women’s Prize longlisted author of The Seas

With a big surge of energy, Lost Lambs splits the nucleus of the American family – look into the flash and you'll see teen terrorists, smoking hot handywomen, and the most suicidal suburban dad this side of John Cheever. Madeline Cash likes to get dark, but fortunately the dark is where her writing glows.

Tony Tulathimutte, author of Rejection – National Book Award Finalist

The nightmare of the now has a radiant and vicious new bard, and her name is Madeline Cash.

Sam Lipsyte, author of No One Left to Come Looking for You

Like an epic road trip or a perfect dinner party, Lost Lambs is immersive and propulsive and I never wanted it to end. I can’t remember the last time a novel made me laugh so hard or feel so much tenderness for its characters, this feral chorus of voices and desires, unhinged and witty and full of longing; I wanted to take care of them, hear their whispered confessions, stay up all night talking with them in the treehouse. Madeline Cash’s prose is tuned to a singular radio channel no one else has ever found, where the music is part torch song, part power ballad, part heartbeat heard from the womb – strange and sweet and utterly surprising. I loved it. I devoured it. I can’t wait for everyone else to hear it, too.

I don’t think I’ve ever read a debut that’s as funny or unexpectedly moving as LOST LAMBS. Madeline Cash’s sentences are so packed with wit, so slyly insightful about the absurdity of how we currently live, that after reading them I often found myself laughing to the point of crying, then staring up at the ceiling for five minutes in deep, existential dread. It’s a novel that smashes apart our notions of family and human connection with a sledge hammer, then rearranges the pieces into something weirdly, beautifully, staggeringly profound.

Grant Ginder, author of The People We Hate at the Wedding

Cash’s debut novel has fun with everything it touches, rocketing through the points of view of the family members and other townspeople, delighting in wordplay and absurd details... With comic energy and wild plot twists to spare, a thoroughly charming debut.

[A] glittering debut... Cash has a finely tuned ear for the silliness of modern language... The novel is anchored in its affection for the hapless but well-meaning Flynns, whose banter is endlessly irresistible... It’s unforgettable.

When Lena Dunham, Megan Nolan and Leslie Jamison start slinging around superlatives, you take notice... The Bee Sting meets Birnam Wood in this rollicking saga that is at once an offbeat love story, crime caper and ode to family.

Cash has a hit debut on her hands based on the guffaw-inducing, deadpan humour alone... In addition to the generous portions of humour, Cash weaves in a fun romp in which the family members get to exercise their strengths. An entertaining and breezy read reminiscent of the best of Kevin Wilson.

Cash’s confident first novel is a surreal illustration of a small, weird American town and a small, weird nuclear family embroiled in the local goings-on. It’s most noticeably an absurdist comedy built around a twisting, capering narrative, but Lost Lambs is by turns also tender, insightful and even existential.

Lost Lambs by Madeline Cash had me entranced, aghast and laughing immediately.

A darkly comic and tender story about love, chaos, and survival within one unforgettable family teetering on the edge. Both funny and fiercely compassionate, this remarkable debut transforms family dysfunction into an art form.

Delightfully cracked... a winning mixture of black comedy and innocent sweetness

Riotously assured... [Cash] brings to mind writers as disparate as Lydia Millet, Thomas Pynchon, and Jonathan Franzen... With her debut novel, Cash has announced herself as a writer with a distinctive voice, an eye for the grotesque within the mundane, and a deep scepticism of the stories that behemoth institutions tell to justify themselves.

Lost Lambs is an incredibly tender — yet also hilarious — debut. Madeline Cash explores adolescence, faith, family, and power through the lens of a tightly controlled religious community, where devotion and vulnerability exist side by side. With wildly inventive writing, Lost Lambs captures moral uncertainty and emotional awakening with remarkable precision. This novel marks the emergence of an incredible new talent in Madeline Cash.

Energetic, hilarious, and spirited... Like Franzen before her, Cash illuminates the inner workings of a modern family . . . Lost Lambs takes a thrillingly big swing and delivers a page-turner as full of snark as it is anchored in affection.

A clever portrait of the modern American family overflowing with charm, wit, and style. . . the big heart of this book is as spirited, and tender as, well, a little lost lamb. I could live in Cash’s mind, but I’ll settle for a few days in her smart new novel.

A refreshingly different taken on the family drama . . .The mix of drama, humour and an undercurrent of mystery make this a compelling read.

Every book content creator I follow is either raving about their advance copy of this book or frothing at the mouth for one; a comedic family epic, Lost Lambs is already one of the most talked about works of literary fiction for us weird girls.

Like a quirked-up Jonathan Franzen or Paul Murray... The plot itself is surprising and wild, but you’ll stay for the extremely specific people that make up this family and town. I was laughing immediately, couldn’t help turning the page over and over again: I didn’t want to be apart from these funny little weirdos even for a minute.

As a reader who describes their favourite genre as “dysfunctional family dramas”, it is a unique experience to encounter one that is utterly original. And yet, Madeline Cash’s debut manages to be just that.

Every page of Cash’s debut novel is utterly absorbing, and her authorial voice is sure to win hearts and laughs. I know I’ll read whatever wry delight she pens next.

This book captures the voice of [Cash's] generation.

The funny and compassionate new literary novel that turns family dysfunction into an art form. 
 
‘A voice like no other’ Lena Dunham, award-winning writer, director and creator of comedy-drama Girls 
 
'Loud, hilarious, shocking and sensitive' Megan Nolan, prize-listed author of Acts of Desperation 
 
'You finish the book with the kind of smile on your face that contemporary fiction rarely leaves you with. Lost Lambs is a perky, fiendishly readable debut.’ Financial Times 
 
For the three Flynn daughters, it’s been disastrous since their parents opened up their marriage. Abigail, the eldest, is dating an ex-soldier several years her senior nicknamed ‘War Crimes Wes’. Louise, the middle child, maintains a secret correspondence with an online terrorist. And the brilliant youngest, Harper, is being sent to a wilderness reform camp due to her insistence that someone – or something – is monitoring the town’s citizens. 
 
Casting a shadow across their lives is Paul Alabaster, a nefarious local billionaire. Rumours of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with Alabaster’s machinations sends the family hurtling into a criminal conspiracy – one that may just, finally, bring them closer together. 
 
Rippling with humour, warmth and style, Lost Lambs turns family dysfunction into an art form. 
 
 
Praise for Lost Lambs: 
 
‘Goes off like a firework. As sincere as it is funny (and it’s very funny)’ Ramona Ausubel, bestselling author of The Last Animal 
 
‘A great, great American novel’ Samantha Hunt, Women’s Prize longlisted author of The Seas 
 
‘A dazzling and singular new voice in literary fiction… Loud, hilarious, shocking, and sensitive’ Megan Nolan, award-winning author of Ordinary Human Failings 
 
‘With a big surge of energy, Lost Lambs splits the nucleus of the American family’ Tony Tulathimutte, author of Rejection – National Book Award Finalist 
 
‘Madeline Cash is a humourist in the darkly humanist tradition of George Saunders and Lorrie Moore, of Vonnegut and Twain’ Tim Kreider, author of We Learn Nothing 
 
‘Immersive and propulsive and I never wanted it to end. I can’t remember the last time a novel made me laugh so hard or feel so much tenderness for its characters… I loved it. I devoured it’ Leslie Jamison, author of Splinters

Madeline Cash

Praise for Lost Lambs

Cash has managed to cram all the goof and melodrama of an action film/coming-of-age high-school romcom into crisp, polished prose... It’s as if a Virago novel of the 1960s or ’70s — sharp, characterful, gorgeously w ...

This sparkling debut is a true tour de force: unexpected, entertaining and genuinely funny... The most wildly original book of the year.

The book every insider is reading before its release... Read it and let your mind go on an adventure.

Cash has managed to cram all the goof and melodrama of an action film/coming-of-age high-school romcom into crisp, polished prose... It’s as if a Virago novel of the 1960s or ’70s — sharp, characterful, gorgeously w ...

This sparkling debut is a true tour de force: unexpected, entertaining and genuinely funny... The most wildly original book of the year.

The book every insider is reading before its release... Read it and let your mind go on an adventure.

Cash has managed to cram all the goof and melodrama of an action film/coming-of-age high-school romcom into crisp, polished prose... It’s as if a Virago novel of the 1960s or ’70s — sharp, characterful, gorgeously w ...

This sparkling debut is a true tour de force: unexpected, entertaining and genuinely funny... The most wildly original book of the year.

The book every insider is reading before its release... Read it and let your mind go on an adventure.

Books by Madeline Cash

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