Big Blonde

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. 
 
Dorothy Parker was the most talked-about woman of the decadent 1920s, notorious as a hard-drinking bad girl with a talent for endlessly quotable one-liners. In the stories collected here, she brilliantly captures the spirit of the decadent Jazz Age in New York, exposing both the dazzle and the darkness. This selection includes among others 'The Standard of Living', 'Mr Durant' and her masterpiece, 'Big Blonde'. 
 
'She has fascinated generations with her wit, flair and talent' The New York Review of Books

Dorothy Parker (1893-1967) was a celebrated poet, short story writer, critic, and an Oscar-nominated screenwriter. Much of her work was published in magazines including Vanity Fair and The New Yorker.

Dorothy Parker was the most talked-about woman of the decadent 1920s, notorious as a hard-drinking bad girl with a talent for endlessly quotable one-liners. In the stories collected here, she brilliantly captures the spirit of the decadent Jazz Age in New York, exposing both the dazzle and the darkness. This selection includes among others 'The Standard of Living', 'Mr Durant' and her masterpiece, 'Big Blonde'.

The Custard Heart

'She felt a cozy solidarity with the big company of the voluntary dead.' 
 
Wise-cracking and heartbreaking, these tales of women on the edge by the legendary wit Dorothy Parker show the darkness beneath the surface of the Jazz Age. 
 
Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Complete Poems

Dorothy Parker (1893-1967) was a celebrated poet, short story writer, critic, and an Oscar-nominated screenwriter. Much of her work was published in magazines including Vanity Fair and The New Yorker. 
 
Marion Meade is the author of Dorothy Parker: What Fresh Hell Is This? and editor of The Portable Dorothy Parker. She lives in New York.

Best remembered as a member of the Algonquin Round Table, the fabled Jazz Age literay coterie, Dorothy Parker built a reputations as one of the era's most beloved poets. Parker's satirical wit and sharp-edged humour earned her a reputation as the wittiest woman in America. This Penguin Classics edition of her poetry - the companion to Parker's Complete Stories and introduced by her noted biographer, Marion Meade - is the only complete collection available, showcasing the dry quips and piercingly introspective verse of a writer whose legend continues to fascinate.

The Collected Dorothy Parker

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Dorothy Parker, more than any of her contemporaries, captured the spirit of the Jazz Age in her poetry and prose, and The Collected Dorothy Parker includes an introduction by Brendan Gill in Penguin Modern Classics. 
 
Dorothy Parker was the most talked-about woman of her day, notorious as the hard-drinking bad girl with a talent for stinging repartee and endlessly quotable one-liners. The decadent 1920s and 1930s in New York were a time of great experiment and daring for women. For the rich, life seemed a continual party, but the excesses took their emotional toll. In the bitingly witty poems and stories collected here, along with her articles and reviews, she brilliantly captures the spirit of the decadent Jazz Age in New York, exposing both the dazzle and the darkness. But beneath the sharp perceptions and acidic humour, much of her work poignantly expresses the deep vulnerability of a troubled, self-destructive woman who, in the words of philosopher Irwin Edman, was 'a Sappho who could combine a heartbreak with a wisecrack'. 
 
Dorothy Parker (1893-1967) was born in West End, New Jersey, and grew up in New York. In 1916 she sold some of her poetry to the editor of Vogue, and was subsequently given an editorial position on the magazine. She then became drama critic of Vanity Fair and the central figure of the celebrated Algonquin Round Table, whose members included George S. Kaufman and Harpo Marx. Her collections of poems included Enough Rope (1926) and Not So Deep as a Well (1936), and her collections of stories included Here Lies (1939); in addition, she collaborated on and wrote screenplays including the Oscar-winning A Star is Born (1937), and Alfred Hitchcock's Saboteur (1942). 
 
If you enjoyed The Collected Dorothy Parker, you might like Truman Capote's The Complete Stories, also available in Penguin Modern Classics. 
 
'She managed to express her real feelings in stanzas which snap and glitter like a Chanel handbag' 
Peter Ackroyd, The Times

Dorothy Parker, more than any of her contemporaries, captured the spirit of her age in her writing. The decadent 1920S and 1930s in New York were a time of great experiment and daring for women. For the rich, life seemed a continual party, but the excesses took their emotional toll. With a biting wit and perceptive insight, Dorothy Parker examines the social mores of her day and exposes the darkness beneath the dazzle. Her own life exemplified this duality, for a while she was one of the most talked-about women of her day, she was also known as a &quot;masochist whose passion for unhappiness knew no bounds&quot;. As philosopher Irwin Edman said, she was &quot;a Sappho who could combine a heartbreak with a wisecrack&quot;. Her dissection of the jazz age in poetry and prose is collected in this volume along with articles and reviews.

Dorothy Parker

What can you say, when a man asks you to dance with him? I most certainly will not dance with you. I’ll see you in hell first. Why, thank you, I’d like to awfully, but I’m having labor pains.Acerbic, pithy and vibrant, Dorothy Parker’s writings capture the dizzying decadence of Jazz Age New York. Though Parker refuses to be swept along: she gleefully deconstructs its hypocrisy, prejudice and taboos with style and precision.

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