Editions

Solar

  • Imprint: Vintage

  • ISBN: 9780099549024

  • Length: 304  Pages

  • Dimensions: 198mm x 22mm x 129mm

  • Weight: 283g

  • RRP: £9.99

Solar

Michael Beard is a Nobel prize-winning physicist whose best work is behind him. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: his wife is having the affair, and he is still in love with her. When Beard's professional and personal worlds collide in a freak accident, an opportunity presents itself for Beard to extricate himself from his marital mess, reinvigorate his career and save the world from environmental disaster.

  • Imprint: Vintage

  • ISBN: 9780099549024

  • Length: 304  Pages

  • Dimensions: 198mm x 22mm x 129mm

  • Weight: 283g

  • RRP: £9.99

Reviews

  • Savagely funny... Enormously entertaining

    Sunday Times

  • A satirical masterpiece...it will come to be regarded as a classic

    Daily Telegraph

  • A stunningly accomplished work, possibly his best yet

    Financial Times

  • McEwan has succeeded in producing a novel that is both profoundly serious and hilariously funny

    Mail on Sunday

  • Vivacious and sprawling, a beautifully and compellingly written novel

    The Times

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About the Author

Ian McEwan

Ian McEwan is the critically acclaimed author of seventeen books. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; and Machines Like Me, which was a number-one bestseller. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

Ian McEwan

Read more

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News

Ian McEwan addresses Britain’s current political chaos in new satirical novella ‘The Cockroach'

The author to follow Machines Like Me with a ‘political satire in the old tradition’ this month.
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Features

Ian McEwan on rewriting the past and artificial intelligence: 'it's not quite a dystopia, it's something slightly better than reality'

From alternative realities to machine learning, Ian McEwan discusses the questions raised in Machines Like Me and how the dytopian novel is really about the present.

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