Everyman’s Library Contemporary Classics

Blood's a Rover takes us into the 70s. RFK and MLK are dead. A kid private eye clashes with a mob goon and an enforcer for FBI director Edgar Hoover in L.A. There's an armoured-car heist and a cache of missing emeralds. Revolution brews in Haiti and the Dominican Republic. Amidst all this, all three anti-heros fall for Red revolutionary Joan Rosen Klein. Each will pay 'a dear and savage price to live History'.

The Black Dahlia depicts the infrastructure of L.A.'s most sensational murder case. A young cop morphs into the obsessed lover and lust-crazed avenger. His rogue investigation is a one-way ticket to hell.

The Big Nowhere blends the crime novel with the political novel. It is winter, 1950, and the L.A. authorities are targeting movieland Reds. The three cops assigned to the job are out to grab all the kudos they can. But a series of brutal sex killing intervenes ...

L.A. Confidential plumbs the depths: political corruption, scandal-rag journalism, racism and gangland wars, savage slaughter in an all-night hash house. And the inglorious Los Angeles Police Department to disentangle the conspiracy that links it all together.

White Jazz gives us the tortured confession of a cop who's gone to the bad - killer, slum landlord and parasitic exploiter. He's also a pawn in a police power struggle and beginning to realize it. But he's just met a woman and wants to claw his way out of the pit. Somehow.

In 1914 Paul Bäumer and his classmates are marched to the local recruiting office by a sentimentally patriotic form-master. On a calm October day in 1918, only a few weeks before the Armistice, Paul will be the last of them to be killed. In All Quiet on the Western Front he tells their story.
A few years after it was published in 1929 the Nazis would denounce and publicly burn Remarque's novel for insulting the heroic German army - in other words, for 'telling it like it was' for the common soldier on the front line where any notions of glory and national destiny were soon blasted away by the dehumanizing horror of modern warfare.
Remarque has an extraordinary power of describing fear: the appalling tension of being holed up in a dugout under heavy bombardment; the animal instinct to kill or be killed which takes over during hand-to-hand combat. He also has an eye for the grimly comic: the consignment of coffins Paul and his friends pass as they make their way up the line for a new offensive; the young soldiers joyfully tucking into double rations when half their company are unexpectedly wiped out.
Remarque's elegy for a sacrificed generation is all the more devastating for the laconic prose in which his teenaged veteran narrates shocking experiences which for him have become the stuff of daily life. Paul cannot imagine a life after the war and can no longer relate to his family when he returns home on leave. Only the camaraderie of his diminishing circle of friends has any meaning for him. He comes especially to depend on an older comrade, Stanislaus Katczinsky, and one of the most poignant moments in the book is when he carries the wounded Kat on his back under fire to the field dressing station, with starkly tragic outcome.
The saddest and most compelling war story ever written.

In The Bloody Chamber, Carter's famous collection of deeply unsettling stories inspired by fairy tales, a Beauty is turned into a Beast and Little Red Riding's grandmother is stoned to death as a witch; a young music student is swept off her feet in Paris by a middle-aged aristocrat and transported to his ancestral abode to re-enact the story of Bluebeard against a sumptuous fin de siècle background; a British soldier on a cycling holiday in Transylvania in the summer of 1914 finds himself the guest of an alluring female vampire. By contrast, in Wise Children, Carter's last novel), the comic, the bawdy and the life-enhancing prevail. An irrepressible elderly lady recalls the many colourful decades she and her sister spent as vaudeville performers - a tale as full of twins and mistaken identities as any plot of Shake- speare's. The early collection, Fireworks, reveals Carter taking her first forays into the fantastic writing that was to become her unforgettable legacy. The Everyman's Library omnibus gathers the best of Angela Carter in one astonishing volume.

Robert Graves, aged nineteen, left school within a week of the outbreak of World War I, and immediately volunteered with the Royal Welch Fusiliers. His experiences as a junior officer form the heart of this compelling autobiography. Beginning with an ironic overview of his Edwardian childhood, he proceeds to a tongue-in-cheek account of a young poet's life at public school (not helpful to be half-German, but handy to take up boxing), progressing to caricatures of military stereotypes he encounters in training, and the devastating farce of the War itself, the blundering and mismanagement, and the appalling human consequences. Graves's handling of the horrors of war is always deadpan, honest and unadorned. It is wholly in line with his sense of the absurd that his commanding officer should write to inform his parents that he had died of wounds during the battle of the Somme. He soon found that patriotism was meaningless to the men in the trenches; loyalty to comrades alive and dead drove him back to active service though still suffering from shell-shock.
Goodbye to All That takes Graves through his convalescence in England, his efforts to protect the poet Siegfried Sassoon, a friend and fellow officer, from the consequences of his public denunciation of the war; marriage to artist and feminist Nancy Nicholson, postwar undergraduate years at Oxford and a decade as a struggling writer with four young children, beset with money problems and neurasthenia. It is written in a spirit of defiance as he prepared to put 'all that' behind him and begin a new life in Majorca with the American poet Laura Riding.

This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.

Marguerite Duras was one of the leading intellectuals and novelist of post-war France, but her wartime writings were not published in full until after her death. The Wartime Notebooks trace Duras's formative experiences - including her difficult childhood in Indochina and her harrowing wait for her husband's return from Nazi internment - revealing the personal history behind her bestselling novels. The Lover is the best known of these; set in pre-war Indochina, its haunting tale of a tumultuous affair between an adolescent French girl and her wealthy Chinese lover is based on her own life. In spare and luminous prose, Duras evokes life on the margins in the waning days of France's colonial empire, and the passionate relationship between two unforgettable outcasts. Practicalities is a collection of small and intensely personal pieces Duras dictated near the end of her life. These deceptively simple meditations on motherhood, domesticity, sex, love, alcohol, writing, and more are witty, earthy, outspoken and surprisingly fresh and relevant to the same issues today.

This generous collection of fifty-two stories selected from across her prolific career by the author, is preceded by a preface in which she discusses the sources of her art.

With irony and an unfailing eye for the telling detail, Gallant weaves stories of spare complexity, often pushing the boundaries of the form in boldly unconventional directions. The settings in the COLLECTED STORIES range from Paris to Berlin to Switzerland, from the Riviera to the Côte d'Azur, and her characters are almost all exiles of one sort or another, as she herself was the most of her expatriate life.

The wit and precision of her prose, combined with her expansive view of humanity, provide a rare and deep reading pleasure. With breathtaking control and compression, Gallant delivers a whole life, a whole world, in each story.

First published in 1961, The Severed Head is regarded is one of Iris Murdoch’s most entertaining works. A dark and ferocious comic masterpiece, the novel traces the turbulent emotional journey of Martin Lynch-Gibbon, a smug, well-to-do London wine merchant and unfaithful husband, whose life is turned inside out when his wife leaves him for her psychoanalyst.

In The Sea, the Sea the landscape shifts to the seclusion of an isolated house on the edge of England’s North Sea, where Charles Arrowby, a big name in London’s glittering theatrical world, has retired to write his memoirs. Arrowby’s plans begin to unravel when he meets his first love and becomes haunted by the idea of rekindling his adolescent passion.

The Severed Head and Booker prize-winner The Sea, the Sea are two of Iris Murdoch’s most accomplished novels, displaying all her talent for combining profundity with playful creativity. Both tragic and comic, brooding and hilarious, they brilliantly reveal how much our lives are governed by the lies we tell ourselves as well as our all-consuming desire for love, significance and, ultimately, redemption.

'Until I die there will be those moments, moments seeming to rise up out of the ground like Macbeth’s witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils...'

Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. David has just proposed marriage to his American girlfriend, but while she is away on a trip he becomes involved in a doomed affair with a bartender named Giovanni. With sharp, probing insight, James Baldwin's classic narrative delves into the mystery of love and tells an impassioned, deeply moving story that reveals the unspoken complexities of the human heart.

'Go back to where you started, or as far back as you can, examine all of it, travel your road again and tell the truth about it. Sing or shout or testify or keep it to yourself: but know whence you came.'

Originally published in 1953, Go Tell it on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem. Baldwin's rendering of his protagonist's spiritual, sexual and moral struggle towards self-invention opened new possibilities in the American language and in the way Americans understood themselves.

After a lonely boyhood, and the painful ordeal of his schooldays, Philip's yearning for adventure takes him to Germany and later Paris where he tries to make his mark as an artist before returning to London to study medicine. Here, a tortured and one-sided love affair with Mildred, a vulgar yet irresistible waitress, changes the course of his life for ever.

Commenting later on the novel’s autobiographical aspects, Maugham recalled how in writing the book he mingled fact and fiction and 'found myself free from the pains and unhappy recollections that had tormented me'.However, like Dickens’s David Copperfield to which it is often compared, Of Human Bondage goes far beyond autobiography, and is Maugham’s most ambitious and unsparing novel, revealing the author’s undoubted gift for storytelling as he explores the timeless theme of human freedom - freedom to act, to think and to love.

The Book of Evidence, shortlisted for the Booker prize in 1989 and The Sea, which won the Booker prize in 2005, take us into the hauntingly confused worlds of two ageing male protagonists - washed- up scientist Freddie Montgomery, desperate to explain why he is being held in an Irish prison for murder (The Book of Evidence) and recently widowed art historian Max Morden, who has returned to a sleepy seaside boarding house to relive the events of his first adolescent awakenings (The Sea). With spellbinding virtuosity, Banville piles ambiguity upon ambiguity to construct tense tales of sex, betrayal and self-deception, which keep us turning the page, while questioning our own certainties about memory and identity. In both works, the acclaimed Irish novelist is revealed at his masterful best, conjuring dark wit, suspense and drama from the stunning lyrical beauty of his near-perfect prose.

Samuel Beckett is the greatest Irish novelist of the later twentieth century, and this trilogy of novels is his masterpiece -which makes it perhaps the outstanding literary work of our time. Because Beckett has a reputation for being difficult, even obscure, readers of the trilogy are bound to be struck not only by the verbal brilliance and inventiveness of the three novels, but also by their extraordinary humour which ranges from wit to broad comedy and even farce in a recognizably Irish way. Each story records an episode of human endurance in the face of metaphysical adversity with compassion and wisdom and each is a compelling narrative in itself in the great tradition of European fiction from Flaubert to Joyce.

With his "counter-novel" Hopscotch and his unforgettable short stories, Julio Cortázar earned a place among the most innovative authors of the twentieth century. Hopscotch follows the adventures of an Argentinean writer living in Paris with his lover and a circle of bohemian friends, and consists of 155 short chapters that the author advises us to read out of order. Blow-Up brings together the most famous of Cortázar's short fiction--stories where invisible beasts stalk children in their homes, where a man reading a mystery finds out that he is the murderer's intended victim. In Cortázar's work, laws of nature, physics, and narrative all fall away, leaving us with an astonishing new view of the world.

Everyone is always out there searching for someone and something, usually for a lover, usually for love. And this is a love story.

But the murderee - Nicola Six - is searching for something and someone else: her murderer. She knows the time, she knows the place, she knows the motive, she knows the means. She just doesn't know the man.

London Fields is a brilliant, funny and multi-layered novel. It is a book in which the narrator, Samson Young, enters the Black Cross, a thoroughly undesirable public house, and finds the main players of his drama assembled, just waiting to begin. It's a gift of a story from real life...all Samson has to do is write it as it happens.