Penguin Modern Classics

1275 books in this series
Book cover of Put Out More Flags by Evelyn Waugh

Put Out More Flags

What happened to the characters of Decline and Fall and Vile Bodies when the war broke out? Put Out More Flags shows them adjusting to the changing social pattern of the times. Some of them play a valorous part; others, like the scapegrace Basil Sea, disclose their incorrigible habit of self-preservation in all circumstances. Basil's contribution to the war effort involves the use of his peculiar talents in such spheres of opportunity as the Ministry of Information and an obscure section of Military Security - adventures which incite Evelyn Waugh to another pungent satire upon the coteries of Mayfair.
Book cover of Advertisements for Myself by Norman Mailer

Advertisements for Myself

Advertisements for Myself is a comprehensive collection of the best of Norman Mailer's essays, stories, interviews and journalism from the Forties and Fifties, linked by anarchic and riotous autobiographical commentary. Laying bare the heart of a witty, belligerent and vigorous writer, this manifesto of Mailer's key beliefs contains pieces on his war experiences in the Philippines (the basis for his famous first novel The Naked and the Dead), tributes to fellow novelists William Styron, Saul Bellow, Truman Capote and Gore Vidal and magnificent polemics against pornography, advertising, drugs and politics. Also included is his notorious exposition of the phenomenon of the 'White Negro', the Beat Generation's existentialist hero whose life, like Mailer's, is 'an unchartered journey into the rebellious imperatives of the self'
Book cover of An American Dream by Norman Mailer

An American Dream

As Stephen Rojack, a decorated war hero and former congressman who murders his wife in a fashionable New York City high-rise, runs amok through the city in which he was once a privileged citizen, Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. One part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the reader by the throat and refuses to let go.
Book cover of The Armies of the Night by Norman Mailer

The Armies of the Night

October 21, 1967, Washington, D.C. 20,000 to 200,000 protesters are marching to end the war in Vietnam, while helicopters hover overhead and federal marshals and soldiers with fixed bayonets await them on the Pentagon steps. Among the marchers is Norman Mailer. From his own singular participation in the day's events and his even more extraordinary perceptions comes a classic work that shatters the mould of traditional reportage. Intellectuals and hippies, clergymen and cops, poets and army MPs crowd the pages of a book in which facts are fused with techniques of fiction to create the nerve-end reality of experiential truth.

The Armies of the Night uniquely and unforgettably captures the Sixties' tidal wave of love and rage at its crest and a towering genius at his peak.
Book cover of The Blizzard by Vladimir Sorokin

The Blizzard

Garin, a country doctor, is desperately trying to reach the village of Dolgoye, where a mysterious epidemic is transforming the villagers into zombies. He has with him a vaccine which will prevent the spread of this epidemic, but a terrible blizzard turns his journey into the stuff of nightmare. A trip that should take hours turns into a metaphysical odyssey, in which he encounters strange beasts, apparitions, hallucinations and dangerous fellow men. Trapped in this existential storm, Sorokin's characters fight their way through a landscape that owes as much to Chekhov's 19th-century Russia as it does to near-future, post-apocalyptic literature. Fantastical, comic and richly drawn, The Blizzard at once answers to the canon of Russian writers and makes a fierce statement about life in contemporary Russia.
Book cover of Day of the Oprichnik by Vladimir Sorokin

Day of the Oprichnik

Moscow 2028: Andrei Danilovich Komiaga, oprichnik, member of the czar's inner circle of trusted courtiers, rouses himself from a drunken stupor and prepares for another day of debauchery, violence, terror and beauty. In this New Russia, futuristic technology combine with the draconian world of Ivan the Terrible to create a dystopia chillingly akin to reality. Over the twenty-four-hour span of the novel, Komiaga will rape, pillage and torture, in the name of the czar he fears and adores. Shimmering with invention, fierce social commentary and razor-sharp wit, Day of the Oprichnik imagines a near future too disturbing to contemplate and too close to reality to ignore.
Book cover of Miami and the Siege of Chicago by Norman Mailer

Miami and the Siege of Chicago

Miami, Summer 1968. The Vietnam War is raging; Martin Luther King, Jr., and Bobby Kennedy have just been assassinated. The Republican Party meets in Miami and picks Richard Nixon as its candidate, to little fanfare. But when the Democrats back Lyndon Johnson's ineffectual vice president, Hubert Humphrey, the city of Chicago erupts. Antiwar protesters fill the streets and the police run amok, beating and arresting demonstrators and delegates alike, all broadcast on live television, and captured in these pages by one of America's fiercest intellects.
Book cover of My Poems Won't Change the World by Patrizia Cavalli

My Poems Won't Change the World

Two hours ago I fell in love
and trembled, and tremble still,
and haven't a clue whom I should tell.

Any hall she reads her poetry in is invariably filled to the gills. In Italy, Patrizia Cavalli is as beloved as Wislawa Szymborska is in Poland, and if Italy were Japan she'd be designated a national treasure. The Italian philosopher Giorgio Agamben said of Cavalli that she has written 'the most intensely ethical poetry in Italian literature of the 20th century'. One could add that it is, easily, also the most sensual and comical. Though Cavalli has been widely translated into German, French, and Spanish, she remains little known in Britain; My Poems Won't Change the World is the first substantial gathering of translations of her work into the English language.

The book is made up of poems from Cavalli's collections published by Einaudi from 1974 to 2006, here translated by an illustrious group of poets including Mark Strand, Jorie Graham, Jonathan Galassi and Gini Alhadeff. Thoughtful, sly and full of life, these are poems of the self, the body, pasta, cats, the city traversed on foot or by car, and - always, and above all - love.
Book cover of The Naked and the Dead by Norman Mailer

The Naked and the Dead

Based on Mailer's own experience of military service in the Philippines during World War Two, The Naked and the Dead' is a graphically truthful and shattering portrayal of ordinary men in battle. First published in 1949, as America was still basking in the glories of the Allied victory, it altered forever the popular perception of warfare.

Focusing on the experiences of a fourteen-man platoon stationed on a Japanese-held island in the South Pacific during World War II, and written in a journalistic style, it tells the moving story of the soldiers' struggle to retain a sense of dignity amidst the horror of warfare, and to find a source of meaning in their lives amisdst the sounds and fury of battle.
Book cover of Remote People by Evelyn Waugh

Remote People

Perhaps the funniest travel book ever written, Remote People begins with a vivid account of the coronation of Emperor Ras Tafari - Haile Selassie I, King of Kings - an event covered by Evelyn Waugh in 1930 as special correspondent for The Times. It continues with subsequent travels throughout Africa, where natives rub shoulders with eccentric expatriates, settlers with Arab traders and dignitaries with monks. Interspersed with these colourful tales are three 'nightmares' which describe the vexations of travel, including returning home.
Book cover of Seize the Day by Saul Bellow

Seize the Day

Fading charmer Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: he is separated from his wife and children, at odds with his vain, successful father, failed in his acting career (a Hollywood agent once placed him as 'the type that loses the girl') and in a financial mess. In the course of one climactic day he reviews his past mistakes and spiritual malaise, until a mysterious, philosophizing con man grants him a glorious, illuminating moment of truth and understanding, and offers him one last hope ...
Book cover of Helena by Evelyn Waugh

Helena

The Empress Helena made the historic pilgrimage to Palestine, found pieces of wood from the true Cross, and built churches at Bethlehem and Olivet. Her life coincided with one of the great turning-points of history: the recognition of Christianity as the religion of the Roman Empire. The enormous conflicting forces of the age, and the corruption, treachery, and madness of Imperial Rome combine to give Evelyn Waugh the theme for one of his most arresting and memorable novels.
Book cover of A Maigret Christmas by Georges Simenon

A Maigret Christmas

It is Christmas in Paris, but beneath the sparkling lights and glittering decorations lie sinister deeds and dark secrets. In the short story that lends its title to the volume, the Inspector receives two unexpected visitors on Christmas Day, who lead him on the trail of a mysterious intruder dressed in red and white. In 'Seven Small Crosses in a Notebook', the sound of alarms over Paris send the police on a cat and mouse chase across the city. And 'The Little Restaurant near Place des Ternes (A Christmas Story for Grown-Ups)' tells of a cynical woman who is moved to an unexpected act of festive charity in a nightclub - one that surprises even her...
Book cover of King of the Fields by Isaac Bashevis Singer

King of the Fields

A fictional exploration of primitive history, Singer's novel portrays an era of superstition and violence in a country emerging from the darkness of savagery. Set in Poland in the dark ages, it describes the brutality, prejudice and subjugation that occur when hunter-gatherers and farmers struggle for supremacy over the land. Part parable of modern civilization, part fascinating historical novel, this modern myth is a philosophical examination of man and his beliefs, and reaffirms the author's reputation as a master of narrative invention.
Book cover of Love and Exile by Isaac Bashevis Singer

Love and Exile

From pre-First World War Warsaw to the New York of the 1930s, Isaac Bashevis Singer traces the early years of his life in this autobiographical trilogy. In A Little Boy in Search of God, he remembers his bookish boyhood as the son of an Orthodox rabbi, equally absorbed in science, philosophy and cabbala. Later, the pursuit of women came to obsess him almost as much as the pursuit of knowledge, and in A Young Man in Search of Love he chronicles the intricacies of his first love affairs. When he emigrated to the United States from Poland on the eve of the Second World War loneliness and depression overwhelmed him, and he relives those dark years in Lost in America. From beginning to end, Love and Exile sheds new light on Singer's own life and the fictional lives mirrored in it.
Book cover of My Ántonia by Willa Cather

My Ántonia

Jim and Ántonia meets as children in the wide open plains of Nebraska at the end of the nineteenth century. Jim leaves for college and a career in the east, while Ántonia stays at home, dedicating herself to her farm and family. As the years roll by, Jim will come to view Ántonia as the embodiment of the prairie itself - tough, spirited and enduring, despite the hardness and loneliness of pioneer life. Willa Cather's beautiful novel is a celebration of the Nebraskan prairie she loved she much, and a powerful depiction of a pivotal era in the making of America.