Penguin Modern Classics

A philosopher, essayist, novelist, pornographer and fervent Catholic who came to regard the brothels of Paris as his true 'churches', Georges Bataille ranks among the boldest and most disturbing of twentieth-century thinkers. In this influential study he links the underlying sexual basis of religion to death, offering a dazzling array of insights into incest, prostitution, marriage, murder, sadism, sacrifice and violence, as well as including comments on Freud, Sade and Saint Theresa. Everywhere, Eroticism argues, sex is surrounded by taboos, which we must continually transgress in order to overcome the sense of isolation that faces us all.

Harry Caldecote is the most charming man you'll ever meet, a convivial academic who devotes his life to others. He is on call when his alcoholic niece falls into strange hands, when his brother threatens to emulate Wordsworth, when his son's lesbian lodger is beaten up by her girlfriend. He endures misplaced seductions, swindles and aggressive dogs just to keep the peace at the King's pub in Shepherd's Hill. But when the Adams' Institute of Cultural and Commercial History in America offers him the opportunity to do 'whatever he wanted to do' in a picturesque lakeside town, he faces a choice between freedom or responsibility - and whether to take charge of his own life.

The quickest way to get rich is to marry someone rich, but how do you do this if you aren't yet rich? TV chat-show host Ronnie Appleyard is preoccupied with this question as he pursues wealthy heiress Simona Quick over two continents in the company of braying aristocrats, Greek shipping magnates, American dandies and the dreaded mother-in-law to be. But as he comes closer to his prize other questions present themselves. Is the androgenous Simona really worth it? Why doesn't she like sex? Is it possible to drink all day? With his unerring eye for absurdity and class satire Kingsley Amis shows us what happens when money meets naked ambition.

L'Abbé C is a shocking, unnerving narrative about the intense and terrifying relationship between twin brothers. Charles is a modern libertine, dedicated to vice and depravity, while Robert is a priest so devout that he is nicknamed 'l'Abbé'. When the sexually wild Eponine intrudes upon their suffocating relationship, anguish, delirium, and death ensue. Charged with sensuality and a heightened, dreamlike atmosphere, this novel portrays the darkest and most profound aspects of human experience.

'Literature is not innocent,' stated Georges Bataille in this extraordinary 1957 collection of essays, arguing that only by acknowledging its complicity with the knowledge of evil can literature communicate fully and intensely. These literary profiles of eight authors and their work, including Emily Brontë's Wuthering Heights, Baudelaire's Les Fleurs du Mal and the writings of Sade, Kafka and Sartre, explore subjects such as violence, eroticism, childhood, myth and transgression, in a work of rich allusion and powerful argument.

In these three works of erotic prose Georges Bataille fuses sex and spirituality in a highly personal and philosophical vision of the self. My Mother is a frank and intense depiction of a young man's sexual initiation and corruption by his mother, where the profane becomes sacred, and intense experience is shown as the only way to transcend the boundaries of society and morality. Madame Edwarda is the story of a prostitute who calls herself God, and The Dead Man, published in 1964 after Bataille's death, is a startling short tale of cruelty and desire. This volume also contains Bataille's own introductions to his texts as well as essays by Yukio Mishima and Ken Hollings.

In this hilarious, inspiring and provocative series of essays, Kingsley Amis introduces every reader to the wonders and value of science fiction writing. From the extraordinary ideas but sexless science of Jules Verne to the power of H. G. Wells's terrifying storytelling; from the brilliance of bad science fiction writing to the potency of their important ideas; from a portrait of the average SF reader to Amis's sad prediction that this genre will never make it in film or television, New Maps of Hell is a warm and witty exploration of a world many readers may be yet to discover.

For Willi Kufult, prison life means staying out of trouble, keeping his cell clean, snagging a precious piece of tobacco - and dreaming of the day of his release.

Then he gets out.

As Willi tries to make a new life for himself in Hamburg, finding a job and even love, he still cannot escape his past. Gradually he becomes sucked into a world of drink, desperation and deceit, and with one terrible act, he is ensnared in a noose of his own making...

Hans Fallada's dark and moving 1934 novel brilliantly describes a seedy criminal underworld of shabby lives and violent deeds, showing how our actions always catch up with us.

A mummy is stolen from a small town museum along with some Roman coins and a soaking wet man collapses in fourteen year old Peter Furneaux's living room bleeding from the head. What was a suspected student prank is followed by murder. At first it is impossible to see the connection, but the eccentric Colonel Manton does. With Peter's help the Colonel unravels a mystery that strikes fear into the heart of a genteel suburban neighbourhood and gives Peter rather more excitement than he bargained for at the tennis club social. This meticulously paced thriller shows Amis at his most subtle and daring.

This major collection of William Burroughs' letters gives an unprecedented insight into one of America's most incisive and influential writers, at a time when his work was at its most experimental and his life entered a new era of creativity.

William Burroughs' life was often as extreme as his prose. This second volume of his letters documents the time after the notorious publication of Naked Lunch in 1959, as he drifted away from Kerouac, Ginsberg and the Beats and on towards new horizons in Europe and North Africa, moving from place to place in search of inspiration, or to avoid the law over his drug addiction and openly gay lifestyle. We see Brion Gysin gradually replace Ginsberg as Burroughs' most trusted confidant, as they explore ideas on mind control and language, and there is correspondence with Paul Bowles, Ian Sommerville, Timothy Leary and Norman Mailer, among many others. These letters show the creative surge that led to works such as the Nova Trilogy; Burroughs' brief fascination with Scientology; his desperation to kick his drug habit; his continuing dedication to the cut-up method, but also a gradual return to more narrative forms of writing as, in 1974, he prepared to return to New York.

Darkly funny, sharply perceptive and often shocking, these letters also reveal an open and curious side to Burroughs, in contrast to the familiar view of his isolated, itinerant life at this time. Rub Out the Words adds a new richness to our view of one of the most innovative artists of the twentieth century.

Lord Copper, newspaper magnate and proprietor of The Daily Beast, has always prided himself on his intuitive flair for spotting ace reporters. That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another. Acting on a dinner party tip from Mrs Algernon Stitch, he feels convinced that he has hit on just the chap to cover a promising little war in the African Republic of Ishmaelia. But for, pale, ineffectual William Boot, editor of the Daily Beast's 'nature notes' column, being mistaken for a competent journalist may prove to be a fatal error...

Composed between 1939-62, the late stories of Evelyn Waugh are in turn blackly comic and bitingly satirical. In 'The Sympathetic Passenger' a radio-loathing retiree picks up exactly the wrong hitchhiker, while 'Charles Ryder's Schooldays' provides a hilarious and fragmentary insight into life before Brideshead. These witty and immaculately crafted stories display the finest writing of a master of satire and comic twists.

Guy Crouchback has lost his Halberdier idealism. A desk job in London gives him the chance of reconciliation with his former wife. Then, in Yugoslavia, as a liaison officer with the partisans, he finally becomes aware of the futility of a war he once saw in terms of honour.

In 1960 Jack Kerouac was near breaking point. Driven mad by constant press attention in the wake of the publication of On the Road, he needed to 'get away to solitude again or die', so he withdrew to a cabin in Big Sur on the Californian coast. The resulting novel, in which his autobiographical hero Jack Duluoz wrestles with doubt, alcohol dependency and his urge towards self-destruction, is one of Kerouac's most personal and searingly honest works. Ending with the poem 'Sea: Sounds of the Pacific Ocean at Big Sur', it shows a man coming down from his hedonistic youth and trying to come to terms with fame, the world and himself.

Jack Kerouac called Doctor Sax, the enigmatic figure who haunted his boyhood imagination, 'my ghost, personal angel, private shadow, secret lover'. In this extraordinary autobiographical account of growing up in Lowell, Massachussetts, told through his fictional alter ego Jack Duluoz, he mingles real people and events with fantastical figures to capture the accents, scents, sights and texture of his childhood: playing among the river weeds and railroad tracks, going to church, witnessing life and death on the street corners. Written when he was staying with William Burroughs in Mexico in 1952, Doctor Sax was Kerouac's favourite of all his books: a dark, vivid and magical evocation of a boy's vibrant inner life.

Herman Broder, a refugee and Holocaust survivor, has three women in his life: Yadwiga, the loyal Polish peasant who hid him in a hayloft from the Nazis; Masha, his beautiful and neurotic true love; and Tamara, his first wife. Unsure of who he really is, what he wants and whether he can ever find peace, Herman navigates a crowded, Yiddish New York with a sense of paranoia and impending doom. Published in 1972, Enemies, A Love Story is an astonishing novel that blends humour and pathos to create a rich, humane portrayal of a man who cannot escape his past.