Penguin Modern Classics

Pin is a bawdy, adolescent cobbler's assistant, both arrogant and insecure who - while the Second World War rages - sings songs and tells jokes to endear himself to the grown-ups of his town - particularly jokes about his sister, who they all know as the town's 'mattress'. Among those his sister sleeps with is a German sailor, and Pin dares to steal his pistol, hiding it among the spiders' nests in an act of rebellion that entangles him in the adults' war.

In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.

Kenton's career as a journalist depends on his facility with languages, his knowledge of European politics and his quick judgement. Where his judgement sometimes fails him, however, is in his personal life. When he travels to Nuremberg to investigate a story about a top-level meeting of Nazi officials, he inadvertently finds himself on a train bound for Austria after a bad night of gambling. Stranded with no money, Kenton jumps at the chance to earn a fee helping a refugee smuggle securities across the border. Yet he soon discovers that the documents he holds have far more than cash value - and that they could cost him his life ...

A couple on an epicurean journey across Mexico are excited by the idea of a particular ingredient, suggested by ancient rituals of human sacrifice. Precariously balanced on his throne, a king is able only to listen to the sounds around him - sure that any deviation from their normal progression would mean the uprising of the conspirators that surround him. And three different men search desperately for the beguiling scents of lost women, from a Count visiting Madame Odile's perfumery, to a London drummer stepping over spent, naked bodies.

Why Read the Classics? is an elegant defence of the value of great literature by one of the finest authors of the last century. Beginning with an essay on the attributes that define a classic (number one - classics are those books that people always say they are 'rereading', not 'reading'), this is an absorbing collection of Italo Calvino's witty and passionate criticism.

In the wild there is no safety. The otter cub Tarka grows up with his mother and sisters, learning to swim, catch fish - and to fear the cry of the hunter and the flash of the metal trap. Soon he must fend for himself, travelling through rivers, woods, moors, ponds and out to sea, sometimes with the female otters White-tip and Greymuzzle, always on the run. Eventually, chased by a pack of hounds, he meets his nemesis, the fearsome dog Deadlock, and must fight for his life.

At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns out, the governments have been lying to their people. When the deadly disease hits Britain they are left alone, and society starts to descend into barbarism. As John and his family try to make it across country to the safety of his brother's farm in a hidden valley, their humanity is tested to its very limits.

A highly entertaining and moving journal chronicling J. R. Ackerley's time in India

In the 1920s, the young J. R. Ackerley spent several months in India as the Private Secretary to the Maharajah of Chhokrapur. Knowing almost nothing of India, he discovers Hindu culture, festivals and language, and reveals the fascinating attitudes of the Palace staff on women, marriage. the caste system and death. At the heart of Hindoo Holiday is the wonderfully unpredictable figure of his Highness the Maharajah Sahib who, ultimately, just wants 'someone to love him'.

Quentin is a successful lawyer in New York, but inside his head he is struggling with his own sense of guilt and the shadows of his past relationships. One of these an ill-fated marriage to the charming and beautiful Maggie, who went from operating a switchboard to become a self-destructive star - a singer everyone wanted a piece of.

After the Fall is often seen as the most explicitly autobiographical of Arthur Miller's plays, and Maggie as an unflinching portrait of Miller's ex-wife Marilyn Monroe, only two years after her suicide. But in its psychological acuity and depth, and its brilliant, dreamlike structure, it is a literary, and not just biographical, masterpiece.

Tennessee Williams's controversial Hollywood screenplay Baby Doll opens with Archie Lee's teenage bride driving him to distraction, as she has refused to consummate their marriage until the day of her twentieth birthday. Enter wily Sicilian Silva Vaccaro, Archie's rival both in the cotton business and for the affections of the flirtatious Baby Doll, and things reach breaking-point. This volume also contains Something Unspoken, a brilliantly comic study of a wealthy, manipulative Southern spinster, and Summer and Smoke, a sexually charged portrayal of Alma, a sensitive, unmarried minister's daughter, and her childhood love, the wild, sensual doctor's son John.

'Big Daddy' Pollitt, the richest cotton planter in the Mississippi Delta, is about to celebrate his sixty-fifth birthday. His two sons have returned home for the occasion: Gooper, his wife and children, Brick, an ageing football hero who has turned to drink, and his feisty wife Maggie. As the hot summer evening unfolds, the veneer of happy family life and Southern gentility gradually slips away as unpleasant truths emerge and greed, lies, jealousy and suppressed sexuality threaten to reach boiling point. Made into a film starring Elizabeth Taylor and Paul Newman, Cat on a Hot Tin Roof is a masterly portrayal of family tensions and individuals trapped in prisons of their own making.

A reticent personnel manager living with his mother, Mr Newman shares the prejudices of his times and of his neighbours - and neither a Hispanic woman abused outside his window nor the persecution of the Jewish store owner he buys his paper from are any of his business. Until Newman begins wearing glasses, and others begin to mistake him for a Jew.

Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, more gracious life in Blue Mountain when she was pursued by 'gentleman callers'. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother's suffocating embrace, while Laura, her shy crippled daughter, has her glass menagerie and her memories. Amanda is desperate to find her daughter a husband, but when the long-awaited gentleman caller does arrive, Laura's romantic illusions are crushed.

In Vichy France, 1942, a group of men sit outside an office, waiting to be interviewed. The reason they have been pulled off the street and taken there is obvious enough. They are, for the most part, Jews. But how serious an offence this is, and how they are to suffer for it, is not clear, and they hope for the best. But as rumours pass between them of trains full of people locked from the outside and furnaces in Poland, and although they reassure themselves that nothing so monstrous could be true, their panic rises.

WINNER OF THE PULITZER PRIZE FOR FICTION

In 1949 two young Cuban musicians, brothers Cesar and Nestor, leave Havana for New York. By day they work hard, by night they are the Mambo Kings: packing out clubs, dance halls and theatres with their sensuous, pulsing Latin music. This is the captivating story of charming, vivacious womanizer Cesar and quiet, romantic Nestor - still nursing an unrequited love for 'beautiful Maria of my soul' - and their changing fortunes as they try to make it big in America.

Victor, a New York cop nearing retirement, moves among furniture in the disused attic of a house marked for demolition. Cabinets, desks, a damaged harp, an overstuffed armchair - the relics of a lost life of affluence he's finally come to sell. But when his brother Walter, who he hasn't spoken to in years, arrives, the talk stops being just about whether Victor's been offered a fair price for the furniture, and turns to the price that one and not the other of them paid when their father lost both his fortune and the will to go on ...