Penguin Modern Classics

Flora Thompson's immortal trilogy, containing "Lark Rise", "Over To Candleford" and "Candleford Green", is a heartwarming portrayal of country life at the close of the 19th century. This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.

With a new introduction by Richard Mabey

Full grown with a long, smoke-coloured beard, requiring the services of a cane and fonder of cigars than warm milk, Benjamin Button is a very curious baby indeed. And, as Benjamin becomes increasingly youthful with the passing years, his family wonders why he persists in the embarrassing folly of living in reverse. In this imaginative fable of ageing and the other stories collected here – including ‘The Cut-Glass Bowl’ in which an ill-meant gift haunts a family’s misfortunes, ‘The Four Fists’ where a man’s life shaped by a series of punches to his face, and the revelry, mobs and anguish of ‘May Day’ – F. Scott Fitzgerald displays his unmatched gift as a writer of short stories.

In these nine unforgettable and impressionistic 'tales of little madness', the Nobel Prize-winning author Le Clézio explores how the physical sensations we experience every day can be as strong as feelings of love or hate, with their power to bring chaos to our lives. In 'The Day that Beaumont became Acquainted with his Pain', a man with toothache spends the night seeking ways to disown his throbbing jaw; in 'Fever', Roch finds his mind transported by sunstroke; while in 'A Day of Old Age' little Joseph tries to comprehend the physical suffering of a dying old woman. Set in a timeless, spaceless universe, these experimental and haunting works portray the landscape of the human consciousness with dazzling verbal dexterity and power.

François Besson listens to a tape recording of a girl contemplating suicide. Drifting through the days in a provincial city, he thoughtlessly starts a fire in his apartment, attends confession, and examines, with great intentness but without affection, a naked woman he wakes beside. And, as Besson moves through an ugly and threatening rain, his thoughts eventually lead to violence, first turned outward and then directed languidly against himself.

For Chancelade, the world is teeming with beauty, wonder and possibilities. From a small boy playing on the beach, through his adolescence and his first love, to the death of his father and on to the end of his own life, he relishes the most minute details of his physical surroundings - whether a grain of sand, an insect or a blade of grass - as he journeys on a sensory adventure from cradle to grave. Filled with cosmic ruminations, lyrical description and virtuoso games of language and the imagination, Terra Amata brilliantly explores humankind's place in the universe, the relationship between us and the Earth we inhabit and, ultimately, how to live.

A man, dispirited by ageing, endeavours to steal a younger man’s face; a doctor yearns for a virus that might eliminate his discomfort by turning everyone else into doubles of himself; a Colonel lays out the precepts of the life of DE (Do Easy); conspirators posthumously succeed in blowing up a train full of nerve gas; a mandrill known as the Purple Better One runs for the presidency with brutal results; and the world drifts towards apocalypses of violence, climate and plague. The hallucinatory landscape of William Burroughs’ compellingly bizarre, fragmented novel is constantly shifting, something sinister always just beneath the surface.

William Burroughs’ work was dedicated to an assault upon language, traditional values and all agents of control. Produced at a time when he was at his most extreme and messianic, The Job lays out his abrasive, incisive, paranoiac, maddened and maddening worldview in interviews interspersed with stories and other writing. On the Beat movement, the importance of the cut-up technique, the press, Scientology, capital punishment, drugs, good and evil, the destruction of nations, Deadly Orgone Radiation and whether violence just in words is violence enough – Burroughs’ insights show why he was one of the most influential writers and one of the sharpest, most startling and strangest minds of his generation.

Burroughs’ first novel, a largely autobiographical account of the constant cycle of drug dependency, cures and relapses, remains the most unflinching, unsentimental account of addiction ever written. Through junk neighbourhoods in New York, New Orleans and Mexico City, through time spent kicking, time spent dealing and time rolling drunks for money, through junk sickness and a sanatorium, Junky is a field report (by a writer trained in anthropology at Harvard) from the American post-war drug underground. A cult classic, it has influenced generations of writers with its raw, sparse and unapologetic tone. This definitive edition painstakingly recreates the author’s original text word for word.

Rand lives free; lean, pure and defiant, the world has little influence on him. His passion is climbing – the mountains, the huge vertical faces. There, where storms, snow, or rockfall can kill, he finds his happiness, sometimes climbing with others, sometimes alone. This is a novel of obsession and where it leads. Rand, not intending it, becomes suddenly famous for a daring rescue in the Alps. What happens when passion is spent and what becomes of heroes is revealed in this terse and powerfully written novel.

In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.

William Burroughs closed his classic debut novel, Junky, by saying he had determined to search out a drug he called 'Yage' which he believed transmitted telepathic powers, a drug that could be 'the final fix'. In The Yage Letters - a mix of travel writing, satire, psychedelia and epistolary novel - he journeys through South America, writing to his friend Allen Ginsberg about his experiments with the strange drug, using it to travel through time and space, to derange his senses - the perfect drug for the author of the wild decentred books that followed. Years later, Ginsberg writes back as he follows in Burroughs' footsteps, and the drug worse and more profound than he had imagined.

Deadly forces are about to be awakened …

In the degenerate, unliked backwater of Dunwich, Wilbur Whately, a most unusual child, is born. Of unnatural parentage, he grows at an uncanny pace to an unsettling height, but the boy’s arrival simply precedes that of a true horror: one of the Old Ones, that forces the people of the town to hole up by night, fearful for their lives, by day able only to trace the wreckage wrought by the gigantic, unseen monster.

In this and other tales of the macabre, H. P. Lovecraft weaves unearthly fantasies of creatures beyond conception – existing between the spaces of the dimensions we know.

In eighteenth century France, Charles Perrault rescued from the oral tradition fairy tales that are known and loved even today by virtually all children in the West. Angela Carter came across Perrault's work and set out to adapt the stories for modern readers of English. In breathing new life into these classic fables, she produced versions that live on as classics in their own right, marked as much by her signature wit, irony, and subversiveness as they are by the qualities that have made them universally appealing for centuries.

Written when Mishima was only twentysix, Forbidden Colors is a depiction of a male homosexual relationship, in which a rich older man buys the love of a young man who is stunningly handsome but who lacks the ability to love. As in Mann's Death in Venice, the older man's longing for the beauty of youth is associated with aestheticism and death.

The Psychedelic Experience, created by the prophetic shaman-professors Timothy Leary, Ralph Metzer and Richard Alpert, is a foundational text that serves as a model and a guide for all subsequent mind-expanding inquiries. In this wholly unique book, the authors provide an interpretation of an ancient sacred manuscript, the Tibetan Book of the Dead, from a psychedelic perspective. The Psychedelic Experience describes their discoveries in broadening spiritual consciousness through a combination of Tibetan mediation techniques and psychotropic substances.

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.

Bruno Munari was among the most inspirational designers of all time, described by Picasso as ‘the new Leonardo’. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children’s books, advertising, cars and chairs – these are just some of the subjects to which he turns his illuminating gaze.