Discover the Penguin books that shaped us

Penguin Modern Classics

1275 books in this series
Book cover of Sweet Thursday by John Steinbeck

Sweet Thursday

In Monterey, on the California Coast, Sweet Thursday is what they call the day after Lousy Wednesday, which is one of those days that's just naturally bad. Returning to the scene of CANNERY ROW, the weedy lots, junk heaps and flop houses of Monterey, Steinbeck once again brings to life the denizens of a netherworld of laughter and tears. The book is in many ways a statement about Steinbeck's greatest theme: the common bonds of humanity and love which make goodness and happiness possible.
Book cover of To a God Unknown by John Steinbeck

To a God Unknown

While fulfilling his dead father's dream of creating a prosperous farm in California, Joseph Wayne comes to believe that a magnificent tree on the farm embodies his father's spirit. His brothers and their families share in Joseph's prosperity andthe farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, TO A GOD UNKOWN is a mystical tale, exploring one man's attempt to control theforces of nature and to understand the ways of God.
Book cover of The Complete Short Stories by Saki

The Complete Short Stories

Saki is perhaps the most graceful spokesman for England's 'Golden Afternoon' - the slow and peaceful years before the First World War. Although, like so many of his generation, he died tragically young, in action on the Western Front, his reputation as a writer continued to grow long after his death. The stories are humorous, satiric, supernatural, and macabre, highly individual, full of eccentric wit and unconventional situations. With his great gift as a social satirist of his contemporaryupper-class Edwardian world, Saki is one of the few undisputed English masters of the short story.
Book cover of Molesworth by Geoffrey Willans

Molesworth

School is 'wet and weedy', according to Nigel Molesworth, the 'goriller of 3B', 'curse of St Custard's' and superb chronicler of fifties English life. Nothing escapes his disaffected eye and he has little time for such things as botany walks and cissy poetry with an assortment of swots, snekes and oiks. Instead he is very good at missing lessons, charming masters and putting down little brothers, in fact he is exceptional at most things except spelling. Wildly funny and full of sharp observations on life, the ‘Molesworth tetralogy’ is magnificently complemented by the illustrations of Ronald Searle
Book cover of Journey's End by R. C. Sherriff

Journey's End

Set in the First World War, Journey's End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed ...

Laurence Olivier starred as Stanhope in the first performance of Journey's End in 1928; the play was an instant stage success and remains a remarkable anti-war classic.
Book cover of Keep the Aspidistra Flying by George Orwell

Keep the Aspidistra Flying

Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life. Through the character of Gordon Comstock, Orwell reveals his own disaffection with the society he once himself renounced.
Book cover of To the Lighthouse by Virginia Woolf

To the Lighthouse

This novel is an extraordinarily poignant evocation of a lost happiness that lives on in the memory. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever.

In this, her most autobiographical novel, Virginia Woolf captures the intensity of childhood longing and delight, and the shifting complexity of adult relationships. From an acute awareness of transcience, she creates an enduring work of art.
Book cover of A Clergyman's Daughter by George Orwell

A Clergyman's Daughter

Intimidated by her father, the rector of Knype Hill, Dorothy performs her submissive roles of dutiful daughter and bullied housekeeper. Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.
Book cover of Goodbye to All That by Robert Graves

Goodbye to All That

In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life.

It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.
Book cover of Labyrinths by Jorge Luis Borges

Labyrinths

Jorge Luis Borges was a literary spellbinder whose tales of magic, mystery and murder are shot through with deep philosophical paradoxes. This collection brings together many of his stories, including the celebrated "Library of Babel".
Book cover of Poetry of the Thirties

Poetry of the Thirties

Auden, Day, Lewis, Spender, MacNeice and the other key poets of the Thirties were children of the First World War, obsessed by war and by communalism, by the class-struggle and a passionate belief in poets as people whose actions are as publically important as their poems.For them, the Spanish Civil War epitomized the mood of the times, as their symbolic obsessions were transmuted into tragic reality. But from within their strongly defined unity of ideals, an astonishingly varied body of poetry emerged.

Robin Skelton has arranged the poetry to make an illuminating ‘critical essay’ of the period, and in his introduction he brilliantly probes the moods and mores of an intensely troubled and creative decade.
Book cover of Tarry Flynn by Patrick Kavanagh

Tarry Flynn

He did not ask things to have a meaning or to tell a story. To be was the only story

A semi-autobiographical novel from the author of The Green Fool and The Great Hunger

A man's mother can be a terrible burden sometimes. For Tarry Flynn - poet, farmer and lover-from-afar of beautiful young virgins - the responsibility of family, farm, poetic inspiration and his own unyielding lust is a heavy one. The only solution is to rise above all - or escape over the nearest horizon.

Patrick Kavanagh's Tarry Flynn is an idyllic and beautifully evocative account of life as it was lived in Ireland in the 1930s.
Book cover of The Aleph by Jorge Luis Borges

The Aleph

Borges' stories have a deceptively simple, almost laconic style. In maddeningly ingenious stories that play with the very form of the short story, Borges returns again and again to his themes: dreams, labyrinths, mirrors, infinite libraries, the manipulations of chance, gaucho knife-fighters, transparent tigers and the elusive nature of identity itself.
Book cover of Fictions by Jorge Luis Borges

Fictions

'Nobody before Borges had ever attempted this strange and wonderful mixture of arcana, popular literature, national myth, the nature of time and classical themes. Now we can see it in all its intense and disturbing brilliance, certain that we will never see anything like it again' - Justin Cartwright, Independent on Sunday
Book cover of If Not Now, When? by Primo Levi

If Not Now, When?

Primo Levi was among the greatest witnesses to twentieth-century atrocity. In this gripping novel, based on a true story, he reveals the extraordinary lives of the Russian, Polish and Jewish partisans trapped behind enemy lines during the Second World War. Wracked by fear, hunger and fierce rivalries, they link up, fall apart, struggle to stay alive and to sabotage the efforts of the all-powerful German army. A compelling tale of action, resistance and epic adventure, it also reveals Levi's characteristic compassion and deep insight into the moral dilemmas of total war. It ranks alongside THE PERIOD TABLE and IF THIS IS A MAN as one of the rare authentic masterpieces of our times.
Book cover of The Periodic Table by Primo Levi

The Periodic Table

A chemist by training, Primo Levi became one of the supreme witnesses to twentieth-century atrocity. In these haunting reflections inspired by the elements of the periodic table, he ranges from young love to political savagery; from the inert gas argon - and 'inert' relatives like the uncle who stayed in bed for twenty-two years - to life-giving carbon. 'Iron' honours the mountain-climbing resistance hero who put iron in Levi's student soul, 'Cerium' recalls the improvised cigarette lighters which saved his life in Auschwitz, while 'Vanadium' describes an eerie post-war correspondence with the man who had been his 'boss' there. All are written with characteristically understated eloquence and shot through with deep humanity.