The words 'tomorrow is a new day' written in white on a black, pink and mauve backgound

Main-Quotes-Before-Bed-1800×1200.jpg

Features

Comforting quotes to read before you go to bed

Lyrical Ballads

A selection of poems from Wordsworth and Coleridge's 1798 collaboration, which marked the beginning of the English Romantic poetry movement. In Episode One, we hear Coleridge's 'Lewti' and Wordsworth's 'The Thorn', while in Episode Two the verses showcased are Coleridge's 'The Nightingale' and Wordsworth's 'Lucy' poems. In the final episode, we hear Wordsworth's 'Lines Written A Few Miles Above Tintern Abbey' and Coleridge's pseudo-medieval ballad, 'Love'. The readers are Julius D'Silva, Mark Meadows and Peter Gruffyd. Adapted and produced by Emma Harding.

Prelude, The Complete Series (BBC Radio 4 Classical Serial)

BBC Radio 4 presents William Wordsworth's autobiographical poem ‘The Prelude’, read by Sir Ian McKellen, directed by Susan Roberts and features specially composed music by John Harle.‘The Prelude’ is arguably the most important piece of poetic writing in our language. Accessible, full of emotion and gripping, the poem is recorded in Wordsworth's home in Grasmere, Cumbria and looks back over events in his early life in Grasmere, Cambridge, France, London and the Alps.Wordsworth believed that poetry should be written in the natural language of common speech, and in that way it was revolutionary in its time.Last broadcast on 14 and 15 May 2011, with music performed by John Harle on Saxophone and Neill MacColl on guitar.

Extracts from the Journal of Dorothy Wordsworth and from the Poems of William Wordsworth

Home at Grasmere

A continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems.

Virginia Woolf (1882-1941) is now recognised as a major 20th century author, a great novelist and essayist, and a key figure in literary history as a feminist and modernist

A continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems. Dorothy Wordsworth kept her Journal 'because I shall give William pleasure by it'. In doing so, she never dreamt that she was giving future readers not only the chance to enjoy her fresh and sensitive delight in the beauties that surrounded her at Grasmere but also a rare opportunity to observe 'the progress of a poet's mind'. Colette Clark's skilful and perceptive arrangement of Dorothy's entries alongside William's poems throws a unique light on his creative process, and shows how the interdependence of brother and sister was a vital part in the writing of many of his great poems. By reading these poems in relation to the Journal it is possible to trace the processes by which they were committed to paper and so achieve a fuller understanding of them. A writer in her own right, Dorothy kept her Journal sparse in personal and emotional detail. Yet there is, nevertheless, a deep emotional undercurrent running beneath the surface which only falters when William marries Mary Hutchinson. Never again was Dorothy to achieve the freedom, spontaneity and the limpidly beautiful prose with which she infused and irradiated the Grasmere Journals.

A Life in Letters

"Enjoyable, sympathetically selected and annotated, and making a fine companion to Juliet Barker's biography ... not to be missed" TLS

Juliet Barker is the author of the highly acclaimed The Brontes: A Life in Letters and Wordsworth: A Life. She trained as an historian at Oxford University and was curator of the Bronte Parsonage Museum in Haworth for six years. She lives in the South Pennines.

William Wordsworth is usually remembered as the quintessential Victorian Poet Laureate: a dull, worthy, establishment figure, with impeccable middle class, Tory, Anglican credentials, whose moralistic poetry has been required reading for generations of yawning school children. Yet there is so much more to Wordsworth than Daffodils and The Prelude. 
 
This selection of letters and autobiographical fragments introduces us to the real Wordsworth: the rebellious schoolboy, who vandalised his family portraits, became a supporter of the French Revolution and fathered an illegitimate daughter in France; the radical poet whose flouting of the conventions of the day attracted the ridicule of the reviewers and forced him to endure thirty years of rejection, obscurity and financial hardship before achieving belated critical and popular success; the devoted brother, husband and father who could still write passionate love letters to his wife after ten years of marriage and the birth of five children; and, finally, the revered patriarch whose poetry formed the hearts and minds of a generation, whose opinions were sought by writers, politicians, churchmen and educationalists throughout the English speaking world, but who thought nothing of vaulting walls, skating on the Lakes or climbing Helvellyn even in his seventies.

The founding work of Romanticism which changed the direction of English poetry

A collection of poems exemplifying Romantic aesthetic ideals, whose unique beauty lies in their revolutionary exploration of the 'overflow of powerful emotions recollected in tranquility', Samuel Taylor Coleridge and William Wordsworth's Lyrical Ballads is edited with a note on the text by Michael Schmidt in Penguin Classics. 
 
Published in 1798, Lyrical Ballads is a dazzling collaboration containing twenty-three poems by close friends, William Wordsworth and Samuel Taylor Coleridge - two major figures of English Romanticism. The volume heralded a new approach to poetry and expresses the poets' reflections on mankind's relationship with the forces of the world. Coleridge's contribution includes the nightmarish vision of 'The Rime of the Ancyent Marinere', one of the works for which he became best known, as well as the fantastical conversational poem 'The Foster-Mother's Tale' and the melancholic 'The Nightingale'. Wordsworth's 'We are Seven' depicts a child's naïve optimism in the face of the cruel mortality, while 'Goody Blake and Harry Gill' and 'Simon Lee' celebrate the simplicity and strength he perceived in country people, and 'Tintern Abbey' explores the healing powers of nature. 
 
This Penguin Classics edition allows readers to recapture the full impact and power of Lyrical Ballads. It also includes a note on the history of the text by Michael Schmidt. 
 
Samuel Taylor Coleridge (1772-1834) has been criticized as a political turn-coat, drug addict and plagiarist whose wrecked career left only a handful of magical early poems. But the shaping influence of his highly imaginative criticism is now generally accepted, and his position, along with that of William Wordsworth (1770-1850), as one of the two great progenitors of the English Romantic spirit is assured. A great innovator, Wordsworth permanently enlarged the range of English poetry both in subject matter and treatment. 
 
If you enjoyed the Lyrical Ballads, you might like Wordsworth's Selected Poems, also available in Penguin Classics.

Coleridge (1772-1834) has been criticized as a political turn-coat, drug addict and plagiarist whose wrecked career left only a handful of magical early poems. But the shaping influence of his highly imaginative criticism is now generally accepted,and his position, along with Wordsworth (1770-1850), as one of the two great progenitors of the English Romantic spirit is assured. A great innovator, Wordsworth permanently enlarged the range of English poetry both in subject matter and treatment. 
 
 
Michael Schmidt is Professor of English and Director of the Writing School at Manchester Metropolitan University. He is the author of the critical history LIVES OF THE POETS (1999), THE STORY OF POETRY (five volumes, 2001-), and THE FIRST POETS: LIVES OF THE ANCIENT GREEK POETS.

Published in 1798, Lyrical Ballads is a dazzling collaboration containing twenty-three poems by close friends, William Wordsworth (1770-1850) and Samuel Taylor Coleridge (1772-1834) - two major figures of English Romanticism. The volume heralded a new approach to poetry and expresses the poets' reflections on mankind's relationship with the forces of the world. Coleridge's contribution includes the nightmarish vision of 'The Rime of the Ancyent Marinere', one of the works for which he became best known, as well as the fantastical conversational poem 'The Foster-Mother's Tale' and the melancholic 'The Nightingale'. Wordsworth's 'We are Seven' depicts a child's naïve optimism in the face of the cruel mortality, while 'Goody Blake and Harry Gill' and 'Simon Lee' celebrate the simplicity and strength he perceived in country people, and 'Tintern Abbey' explores the healing powers of nature. 
 
Published as part of the Penguin Poetry First Editions series in which the greatest collections of poetry in English will be published in their original form. All texts have been completely reset and some minor changes made to punctuation.

The Four Texts (1798, 1799, 1805, 1850)

The Prelude

The culmination of a life, this collection of poetry is an examination of the self, and the growth of a man

William Wordsworth was born in the Lake District in 1770 and died there eighty years later in 1850. He had three brothers and a sister, Dorothy, to whom he was extremely close. As an undergraduate at Cambridge, Wordsworth travelled widely and wrote poetry. He spent his twenties as a wanderer in France, Wales, London, the Lakes, Dorset and Germany. In France he fathered a child who he did not meet until she was nine, due to the war. In 1795 he was reunited with Dorothy and met Coleridge, who was to be a particular influence on his poetry. He became Poet Laureate in 1843. 
 
 
Jonathan Wordsworth is descended from William's younger brother Christopher, is Chairman of the Wordsworth Trust and a Lecturer in Romantic Studies at Oxford.

First published in July 1850, shortly after Wordsworth's death, The Prelude was the culmination of over fifty years of creative work. The great Romantic poem of human consciousness, it takes as its theme 'the growth of a poet's mind': leading the reader back to Wordsworth's formative moments of childhood and youth, and detailing his experiences as a radical undergraduate in France at the time of the Revolution. Initially inspired by Coleridge's exhortation that Wordsworth write a work upon the French Revolution, The Prelude has ultimately become one of the finest examples of poetic autobiography ever written; a fascinating examination of the self that also presents a comprehensive view of the poet's own creative vision.

Selected Poems

A fresh selection of Wordsworth's poetry from the poet's biographer.

William Wordsworth was born in 1770 at Cockermouth in the Lake District and educated at Cambridge. As a young man he was fired with enthusiasm for the French Revolution but the year he spent in France after graduating left him disillusioned with radical politics. He turned more seriously to literature and, in collaboration with his friend Coleridge, produced Lyrical Ballads (1798). His return to the Lake District in 1799 marked the beginning of his most productive period as a poet, during which he wrote his most famous long poem, The Prelude (1805). 
 
 
Stephen Gill a Professor of English Literature at Oxford University and a Fellow of Lincoln College, Oxford. He holds degrees from Oxford and Edinburgh Universities and is a long-serving member of the Wordsworth Trust. He has written William Wordsworth: A Life (1989) and Wordsworth and the Victorians (1998).

One of the major poets of Romanticism, Wordsworth epitomized the spirit of his age with his celebration of the natural world and the spontanous expression of feeling. This volume contains a rich selection from the most creative phase of his life, including extracts from his masterpiece, The Prelude, and the best-loved of his shorter poems such as 'Composed Upon Westminster Bridge', 'Tintern Abbey', 'I Wandered Lonely as a Cloud', 'Lucy Gray', and 'Michael'. 
Together these poems demonstrate not only Wordsworth's astonishing range and power, but the sustained and coherent vision that informed his work.

The finest editions available of the world's greatest classics from Homer to Achebe, Tolstoy to Ishiguro, Proust to Pullman, printed on a fine acid-free, cream-wove paper that will not discolour with age, with sewn, full cloth bindings and silk ribbon markers, and at remarkably low prices. All books include substantial introductions by major scholars and contemporary writers, and comparative chronologies of literary and historical context.

It is hard to imagine how radically the tender songs and simple stories in this collection changed the history of English poetry, but Wordsworth exerted a profound influence on the whole of nineteeth-century culture in Britain and America. 
 
His literary revolution was founded on three principles: introspection, nature worship and the cult of ordinary experience. These three he blended together in a verse which is simple in manner but profound and deeply moving in content. In an age of revolutionary upheaval, industrial stress and religious doubt, Wordsworth rediscovered spiritual value in the individual’s encounter with nature. In our own age of ecological disaster and moral uncertainty, his achievement speaks to us more urgently than ever. 
 
From the poet’s extensive output, this comprehensive selection includes everything non-specialist readers are likely to need.

Wordsworth Poems

Pocket clothbound volumes from the world's greatest poets, and with a stunning range of anthologies. Each volume has an elegant jacket, full cloth sewn binding, silk ribbon marker and headbands, with gold stamping on front and spine and decorative endpapers. In size, price and presentation they make ideal gifts and are a joy to read and collect. More than eighty titles in print.

In the long history of English literature William Wordsworth (1770-1850) is the writer who achieved the most dramatic transformations of the poetic scene almost singlehanded. A leading figure among the Romantic generation which included Coleridge and Scott, he created out of his personal communion with nature a new poetic which had a profound moral and spiritual influence on the entire nineteenth century. The present selection includes all his famous lyrics and substantial extracts from narrative poems including The Prelude.

William Wordsworth

Samuel Taylor Coleridge

Lyrical Ballads (1798) is a landmark collection of poems that marks the beginning of the English Romantic Movement in literature. Co-written by friends William Wordsworth and Samuel Taylor Coleridge, the collection broke away from traditional poetic form. Of the twenty-three poems, Wordsworth penned works such as 'Lines written a few miles above Tintern Abbey' and 'The Idiot Boy' that use colloquial speech and take the everyday as their theme. The collection also includes Coleridge's greatest poem 'The Rime of the Ancyent Marinere', a supernatural tale of a sailor's voyage.

William Wordsworth

Books by William Wordsworth

Articles featuring William Wordsworth

Comforting quotes to read before you go to bed

Follow penguin

Follow ladybird

Follow puffin

Sign up to the Penguin newsletter