Reviews

  • Happy Moscow is worth reading on countless scores. On the violence, often not physical, which a totalitarian system wreaks on the lives of those who exist within it, it is a vital counterpart to those works which deal with the more tangible horrors of the USSR, and a reminder of the unique, paradoxical power of literature to expose the mismatch between rhetoric and reality

    Spectator
  • In the Thirties Stalin proclaimed Moscow a paradise. This savage satire shows the truth through the eyes of the ebullient Moscow Chestnova. In Platonov’s hands she becomes a parody of a superwoman who leaves a career in aeronautics for lovers and life. Around her is a fascinating cast of characters and, even in translation, Platonov’s prose is extraordinary

    The Times
  • I squint back on our century and I see six writers I think it will be remembered for.They are Marcel Proust, Franz Kafka, Robert Musil, William Faulkner, Andrey Platonov and Samuel Beckett…They are summits in the literary landscape of our century

    Joseph Brodsky
  • Andrey Platonov is the most exciting Russian writer to be rediscovered since the end of the Soviet Union. Happy Moscow shows Platonov as a master of language, weaving out of official names, political speeches, ideological exhortations and popular philosophical hopes a reality equal to the gut feel of Soviet life in the 1930s… This is just what it felt like to be swept away by the Soviet ideal of a new humanity

    Independent
  • Andrei Platonov was an eloquent and brave voice in the Soviet era... the best Russian writer of the 20th century

    Frank Westerman, Independent

Strictly Necessary


Analytics


Preferences & Features


Targeting / Advertising