• A dizzying and delightful book

    New Scientist
  • Deploying a blend of semiotics, sociology, and art history, Mirzoeff shows us how to interpret everything from old masters to selfies, from Rashomon to a map of the Mississippi. Mirzoeff says he owes much of his approach to John Berger, and this is evident in the way he argues how inevitably political visual images are... Mirzoeff draws on theorists such as Benjamin, Foucault, and Deleuze, but thankfully is much clearer and easier to read than any of those writers

    Independent on Sunday