Penguin Modern Classics

1275 books in this series
Book cover of Blood and Guts in High School by Kathy Acker

Blood and Guts in High School

'Acker gives her work the power to mirror the reader's soul' William S. Burroughs

'Kathy Acker's writing is virtuoso, maddening, crazy, so sexy, so painful, and beaten out of a wild heart that nothing can tame. Acker is a landmark writer' Jeanette Winterson

This is the story of Janey, who lived in a locked room, where she found a scrap of paper and began to write down her life. It's a story of lust, sex, pain, youth, punk, anarchy, gangs, the city, feminism, America, Jean Genet and the prisons we create for ourselves. A heady, surreal mash-up of coming-of-age tale, prose, poetry, plagiarism and illustration, Kathy Acker's breakthrough 1984 novel caused huge controversy and made her an avant-garde literary icon.

Published to coincide with the 20th anniversary of Kathy Acker's untimely death, Blood and Guts in High School is published for the first time in Penguin Classics, acknowledging the profound impact she has had on our culture, and alongside the authors her work pulsates with the influence of: William S. Burroughs, Cervantes and Charles Dickens, among others.
Book cover of Why Are We 'Artists'? by Jessica Lack

Why Are We 'Artists'?

'Art is not a luxury. Art is a basic social need to which everyone has a right'.

This extraordinary collection of 100 artists' manifestos from across the globe over the last 100 years brings together political activists, anti-colonialists, surrealists, socialists, nihilists and a host of other voices. From the Négritude movement in Europe, Africa and Martinique to Japan's Bikyoto, from Iraqi modernism to Australian cyberfeminism, they are by turns personal, political, utopian, angry, sublime and revolutionary. Some have not been published in English before; some were written in climates of censorship and brutality; some contain visions of a future still on the horizon. What unites them is the belief that art can change the world.
Book cover of The Eye by Vladimir Nabokov

The Eye

Smurov, a fussily self-conscious Russian tutor, shoots himself after a humiliating beating by his mistress' husband. Unsure whether his suicide has been successful or not, Smurov drifts around Berlin, observing his acquaintances, but finds he can discover very little about his own life from the opinions of his distracted, confused fellow-émigrés. Nabokov's shortest novel, The Eye is both a satirical detective story and a wonderfully layered exploration of identity, appearance and the loss of self in a world of word-play and confusion.
Book cover of King, Queen, Knave by Vladimir Nabokov

King, Queen, Knave

'Of all my novels this bright brute is the gayest', Nabokov wrote of King, Queen, Knave. Comic, sensual and cerebral, it dramatizes an Oedipal love triangle, a tragi-comedy of husband, wife and lover, through Dreyer the rich businessman, his ripe-lipped ad mercenary wife Martha, and their bespectacled nephew Franz. 'If a resolute Freudian manages to slip in' - Nabokov darts a glance to the reader - 'he or she should be warned that a number of cruel traps have been set here and there...
Book cover of Look at the Harlequins! by Vladimir Nabokov

Look at the Harlequins!

'Look at the harlequins ... Play! Invent the world! Invent reality'. This is the childhood advice given by an aunt to Russian born writer Vadim Vadimovich, who emigrates to England, then Paris, then Germany and then the US, and, now dying, reconstructs his past. He remembers Iris his first wife, Annette his long-necked typist and Bel his daughter, as well as his own bizarre 'numerical nimbus syndrome'.
Book cover of Mary by Vladimir Nabokov

Mary

Lev Ganin is a young officer sharing a boarding house in Berlin with a host of Russian émigrés. Alone in his room, he dreams of his first love, Mary. Awash with memories of youth and idyllic scenes of pre-Revolution Russia, Ganin becomes convinced that Mary is in fact the wife of a fellow-boarder, due to arrive at this very house soon. He longs for her arrival, when he can whisk her away and leave everything behind ...
Book cover of Mumbo Jumbo by Ishmael Reed

Mumbo Jumbo

Ishmael Reed's inspired comic fable of the ragtime era - hailed by Harold Bloom as one of the five hundred greatest books of the Western canon

America, 1920s. A plague is spreading, and it's spreading fast, from New Orleans to Chicago to New York.

It's an epidemic of freedom, joy and self-expression, being spread by Black artists, that makes anyone who catches it desperate to dance, sing, laugh and jive. It's the outbreak of Jazz, Ragtime and Blues onto the world scene; the spirit of Blackness overtaking America and the world. And it's threatening to dismantle the whole social order.

Working to root out the plague by any means possible - even murder - are the members of The Wallflower Order, an international conspiracy dedicated to puritanism and control. But, deep in the heart of Harlem, private eye and Vodun priest Papa LaBas is determined to defend his flourishing ancient culture against their insidious plans. And so, he finds himself locked in a race against the Order to find an ancient Egyptian text which might just be the key to keeping the virus of freedom alive.

Caustic, badass, comic, Mumbo Jumbo is an exuberant explosion of magic, conspiracies, music and myth. It's a novel of outrage, intrigue, and wonder - an anarchic spiritual classic, and a satire for our times.
Book cover of On Heroes and Tombs by Ernesto Sabato

On Heroes and Tombs

Sabato's dark, philosophical novel is woven around a violent crime committed by Alejandra, the daughter of a prominent Argentinian family. Alejandra's act entwines the lives of three men: her father, Fernanda Vidal, a man who believes himself hunted by a secret organization of the blind, her troubled lover, Martin and Bruno, a writer who loved her mother. Exploring the tumult of Buenos Aires in the 1950s, On Heroes and Tombs leads its reader into a world of passion, philosophy and paranoia.
Book cover of Cutting It Short by Bohumil Hrabal

Cutting It Short

Set in small-town Bohemia between the wars, Cutting It Short centres on the flamboyant and unpredictable Maryska, who loves food and prepares endless feasts. Until one day she scandalises the town when she cuts short her golden tresses, leading to a small revolution in gender roles.
Book cover of The Little Town Where Time Stood Still by Bohumil Hrabal

The Little Town Where Time Stood Still

'Folks, life is beautiful! Bring on the drinks, I'm sticking around till I'm ninety! Do you hear?'

A young boy grows up in a sleepy Czech community where little changes. His raucous, mischievous Uncle Pepin came to stay with the family years ago, and never left. But the outside world is encroaching on their close-knit town - first in the shape of German occupiers, and then with the new Communist order. Elegiac and moving, Bohumil Hrabal's gem-like portrayal of the passing of an age is filled with wit, life and tenderness.

'What is unique about Hrabal is his capacity for joy' Milan Kundera

'Even in a town where nothing happens, Hrabal's meticulous and exuberant fascination with the human voice insists that, as long as there's still breath in a body, life is endlessly eventful' Independent
Book cover of Chess by Stefan Zweig

Chess

In 1941 a cruise ship is heading to Buenos Aires, and on board a group of eager passengers challenge the reigning world chess champion to a match. At first they lose pitifully, until a kind stranger aids by whispering instructions to them - he is a masterful chess player, and as they play, the game itself draws the stranger closer and closer to its secrets.

Stefan Zweig's acclaimed novella Chess is a disturbing, intensely dramatic depiction of the cost of obsession, set in a Central Europe traumatized by the psychological influence of Nazism.
Book cover of Collected Poems by Vladimir Nabokov

Collected Poems

These masterly poems span the decades of Nabokov's career, from 'Music', written in 1914, to the short, playful 'To Vera', composed in 1974. 'The University Poem', one of Nabokov's major poetic works, is here in English for the first time: an extraordinary autobiographical poem looking back at his time at Cambridge, with its dinners, girls and memories, it is suffused with rich description, wit and verbal dexterity. Included too are the surreally comic 'A Literary Dinner', the enchanting, 'Eve', the wryly humorous 'An Evening of Russian Poetry' and a meditation on the act of creation, 'Tolstoy', as well as verse written on America, lepidoptery, sport, love and Nabokov's Russian homeland.
Book cover of The Early Stories of Truman Capote by Truman Capote

The Early Stories of Truman Capote

'Breathtaking ... The stories are special. They stand in their own right as lovely vignettes of the lives of the lonely, broken and troubled' Andrew Johnson, Independent

Written when Truman Capote was in his teens and twenties, these recently-discovered short stories give a rare insight into an American icon. Tales of disappointed lovers, ageing spinsters, hoboes and murderous housewives, of yearning, poverty, despair, compassion, wit and wonder, they show us the boy from Alabama who became one of the twentieth century's most celebrated literary voices.

'An intriguing glimpse of Capote as a boy: precocious, provocative, spirited and strange, a "pocket Merlin" spinning tall tales' Olivia Laing, New Statesman
Book cover of The Enchanter by Vladimir Nabokov

The Enchanter

Nabokov described this novella, written in Paris in 1939 but only published twenty years later, as 'the first little throb of Lolita'. The plot is similar: a middle-aged man wedding an unattractive widow in order to indulge his paedophilic obsession with her daughter.

However, The Enchanter has an utterly different atmosphere, as time, place and even names remain a mystery. Nabokov transforms his protagonist's attempts to lull his twelve-year-old step-daughter into a state of 'enchantment' into a graceful, chilling fairytale.
Book cover of Glory by Vladimir Nabokov

Glory

'In general Glory is my happiest thing.' 'The fun of Glory is . . . to be sought in the echoing and linking of minor events, in back-and-forth switches, which produce an illusion of impetus; in an old daydream directly becoming the blessing of the ball hugged to one's chest, or in the casual vision of Martin's mother grieving beyond the time-frame of the novel in an abstraction of the future that the reader can only guess at, even after he has raced through the last seven chapters where a regular madness of structural twists and a masquerade of all characters culminate in a furious finale, although nothing much happens at the very end - just a bird perching on a wicket in the greyness of a wet day' - Vladimir Nabokov
Book cover of Transparent Things by Vladimir Nabokov

Transparent Things

The darkly comic Transparent Things, one of Nabokov's final books, traces the bleak life of Hugh Person through murder, madness, prison and trips to Switzerland. One of these was the last journey his father ever took; on another, having been sent to ingratiate himself with a distinguished novelist, he met his future wife. Nabokov's brilliant short novel sinks into the transparent things of the world that surround this one Person, to the silent histories they carry.

Remarkable even in Nabokov's work for its depth and lyricism, Transparent Things is a small, experimental marvel of memories and dreams, both sentimental and malign.