Penguin Modern Classics

The Gift is the phantasmal autobiography of Fyodor Godunov-Cherdynstev, a writer living in the closed world of Russian intellectuals in Berlin shortly after the First World War. This gorgeous tapestry of literature and butterflies tells the story of Fyodor's pursuits as a writer. Its heroine is not Fyodor's elusive and beloved Zina, however, but Russian prose and poetry themselves.

In a sleepy fishing village in 1930s Barbados, nine-year-old G. leads a life of quiet mischief. While the village lies tranquil in the shadow of its English landlord, Mr Creighton, and his towering house on the hill, G. makes his own fun, crab catching, teasing preachers, and playing among the pumpkin vines. Yet from this world of boyish pursuits, the precocious G. finds himself slowly awakening to strange goings-on in adult society. All around him, sudden bursts of violence - a devastating flood on the morning of his birthday; the headmaster unduly flogging his schoolmates on Empire day - hint at a brutality and destruction lurking beneath the apparently peaceful order of things.

As the mounting wrongs of the present drive the villagers to rise up against Mr Creighton, the fissures in the façade of his Barbadian 'little England' begin to crack open, laying bare the central, bruising secret at the heart of their shared past. And as the world he knows crumbles before his eyes, G. is spurred ever closer to a life-changing decision. Poetic, unsettling, this classic coming-of-age novel is a story of tragic innocence, as a poor village boy comes to consciousness amid the collapse of colonial rule in mid-century Barbados.

Albinus - rich, married middle-aged and respectable - is an art critic and aspiring filmmaker who lusts after the coquettish young cinema usherette Margot. Gradually he seduces her and convinces himself he is irresistible to her, but Margot has other plans. She wants to be a film star, and when Albinus introduces her to the American movie producer Axel Rex, she sees her chance - and plotting, duplicity and tragedy ensue.

Spurred on by admiration for his novelist half-brother and irritation at the biography written about him by Mr Goodman ('his slapdash and very misleading book'), the narrator, V, sets out to record Sebastian Knight's life as he understands it. But buried amid the extensive quoting, digressions, seeming explanations and digs, Sebastian's erratic and troubled persona remains as elusive as ever.

Nabokov's first novel written in English, The Real Life of Sebastian Knight is a nuanced, enigmatic potrayal of the conflict between the real and the unreal, and the futile quest for human truth.

In 1870 an astonishing cache, containing some 150,000 letters and great numbers of business documents, came to light. Iris Origo drew on this material to paint, in detail, a picture of Italian domestic life on the eve of the Renaissance. Francesco di Marco Datini, the 14th-century Tuscan merchant who forms the central subject of Iris Origo's study, has now probably become the most intimately accessible figure of the later Middle Ages. The book is rightly celebrated as one of the most engrossing of all modern books on Italian life and history.

New to Penguin Classics, the remarkable, devastating collected stories by the author of Wide Sargasso Sea.

Some of Jean Rhys's most powerful writing is to be found in this rich, dark collection of her collected stories. Her fictional world is haunted by her own, painful memories: of cheap hotels and drab Parisian cafés; of devastating love affairs; of her childhood in Dominica; of drifting through European cities, always on the periphery and always perilously close to the abyss. Rendered in extraordinarily vivid, honest prose, these stories show Rhys at the height of her literary powers and offer a fascinating counterpoint to her most famous novel, Wide Sargasso Sea. This volume includes all the stories from her three collections,The Left Bank (1927), Tigers Are Better-Looking (1968) and Sleep It Off, Lady (1976).

One of Hermann Hesse's greatest novels, Narcissus and Goldmund is an extraordinary recreation of the Middle Ages, contrasting the careers of two friends, one of whom shuns life in a monastery and goes on the road, tangled in the extremes of life in a world dominated by sin, plague and war, the other staying in the monastery and struggling, with equal difficulty, to lead a life of spiritual denial.

An superb feat of imagination, Narcissus and Goldmund can only be compared to such films set in medieval Europe as Bergman's The Seventh Seal and Tarkovsky's Andrei Rublev. It is a gripping, profound reading experience - as startling, in its different way, as Hesse's Siddhartha and Steppenwolf.

'How could such a book speak so powerfully to our present moment? The short answer is that we, too, live in dark times' Washington Post

Hannah Arendt's chilling analysis of the conditions that led to the Nazi and Soviet totalitarian regimes is a warning from history about the fragility of freedom, exploring how propaganda, scapegoats, terror and political isolation all aided the slide towards total domination.

'A non-fiction bookend to Nineteen Eighty-Four' The New York Times

'The political theorist who wrote about the Nazis and the 'banality of evil' has become a surprise bestseller' Guardian

This seminal text argues that the perceived passivity of the poor is the direct result of economic, social and political domination. The book suggests that in some countries the oppressors use the 'piggy bank' system - treating students as passive, empty vessels - to preserve their authority and maintain a culture of silence. Through cooperation and dialogue, Freire suggests, the authoritarian teacher-pupil model can be replaced with critical thinking so that the student becomes co-creator of knowledge. Crucial to Freire's argument is the belief that every human being, no matter how impoverished or illiterate, can develop an awareness of self, and the right to be heard.

The year is 1797, and the kingdom of Segu is flourishing. The people of Segu, the Bambara, are guided by their griots and priests while their lives are ruled by nature. But change is about to come: from the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king's most trusted advisor, and his four sons: Tiekoro, who embraces Islam; Siga, a merchant; Naba, who is kidnapped by slave traders; and Malobali, a mercenary and half-hearted Christian. Based on historical events, Segu captures the struggle of a growing nation trying to cope with jihads, national rivalries and racism.

For gauche young apprentice Milos Hrma, life at the small but strategic railway station in Bohemia in 1945 is full of complex preoccupations. There is the exacting business of dispatching German troop trains to and from the toppling Eastern front; the problem of ridding himself of his burdensome innocence; and the awesome scandal of Dispatcher Hubicka's gross misuse of the station's official stamps upon the telegraphist's anatomy. Beside these, Milos's part in the plan for the ammunition train seems a simple affair.

Closely Watched Trains, which became the award-winning Jiri Menzel film of the 'Prague Spring', is a masterpiece that fully justifies Hrabal's reputation as one of the best Czech writers of the twentieth century.

'England is a family in which the young are generally thwarted and most of the power is in the hands of irresponsible uncles and bedridden aunts. Still, it is a family.'

'England Your England' is one of the most compelling and insightful portraits of the nation ever written. Shot through with Orwell's deeply felt sense of patriotism and love for his homeland, the essay is at the same time unfailingly clear-eyed about the nation's failings: entrenched social inequality, a dishonest press and a class system that only works for those at the top. Written during the Second World War, as the bombs were falling on England, the essay today speaks to the nation's current moment of crisis just as urgently as it did in Orwell's own time. It is a crucial read for anyone who wants to understand who we are, and where we've come from.

The New York Times bestseller based on the Oscar nominated documentary film

In June 1979, the writer and civil rights activist James Baldwin embarked on a project to tell the story of America through the lives of three of his murdered friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. He died before it could be completed. In his documentary film, I Am Not Your Negro, Raoul Peck imagines the book Baldwin never wrote, using his original words to create a radical, powerful and poetic work on race in the United States - then, and today.

'Thrilling . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, "devastated my universe"' The New York Times

'Baldwin's voice speaks even more powerfully today . . . the prose-poet of our injustice and inhumanity . . . The times have caught up with his scalding eloquence' Variety

'A cinematic séance . . . One of the best movies about the civil rights era ever made' Guardian

'I Am Not Your Negro turns James Baldwin into a prophet' Rolling Stone

Haunting stories from the Soviet-Afghan War from the winner of the Nobel Prize in Literature

- A new translation of Zinky Boys based on the revised text -

From 1979 to 1989 Soviet troops engaged in a devastating war in Afghanistan that claimed thousands of casualties on both sides. While the Soviet Union talked about a 'peace-keeping' mission, the dead were shipped back in sealed zinc coffins. Boys in Zinc presents the honest testimonies of soldiers, doctors and nurses, mothers, wives and siblings who describe the lasting effects of war.

Weaving together their stories, Svetlana Alexievich shows us the truth of the Soviet-Afghan conflict: the killing and the beauty of small everyday moments, the shame of returned veterans, the worries of all those left behind. When it was first published in the USSR in 1991, Boys in Zinc sparked huge controversy for its unflinching, harrowing insight into the realities of war.

Harry Pendel is the charismatic proprietor of Pendel and Braithwaite Limitada of Panama, through whose doors everyone who is anyone in Central America passes; Andrew Osnard, mysterious and fleshly, is a spy. His secret mission is two-pronged: to keep a watchful eye on the political manoeuvrings leading up to the American handover of the Panama Canal on 31st December 1999; and to secure for himself the immense private fortune that has until now churlishly eluded him.

One of the most important Russian masterpieces of the 20th century, And Quiet Flows the Don is an epic novel depicting the lives and struggles of Don Cossacks during the First World War, the Russian Revolution and the Civil War. The story follows the Cossack Gregor Melekhov, a tragic hero who first supports the Whites, then the Reds, and finally joins nationalist guerrillas in their conflict with the Red Army. A riveting portrait of an era, And Quiet Flows the Don explores the complicated choices people have to make when they live in the midst of a revolution.