Penguin Modern Classics

Italo Calvino was due to deliver the Charles Eliot Norton lectures at Harvard in 1985-86, but they were left unfinished at his death. The surviving drafts explore of the concepts of Lightness, Quickness, Multiplicity, Exactitude and Visibility (Constancy was to be the sixth) in serious yet playful essays that reveal Calvino's debt to the comic strip and the folktale. With his customary imagination and grace, he sought to define the virtues of the great literature of the past in order to shape the values of the future. This collection is a brilliant précis of the work of a great writer whose legacy will endure through the millennium he addressed.

Italo Calvino, one of Italy's finest postwar writers, has delighted readers around the world with his deceptively simple, fable-like stories. Calvino was born in Cuba in 1923 and raised in San Remo, Italy; he fought for the Italian Resistance from 1943-45. His major works include Cosmicomics (1968), Invisible Cities (1972), and If on a winter's night a traveler (1979). He died in Siena in1985, of a brain hemorrhage.

Literary agent Joe Allston, the central character of Stegner's novel All the Little Live Things, is now retired and, in his own words, 'just killing time until time gets around to killing me.' His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, had not been his choice. He passes through life as a spectator. A postcard from an old friend causes Allston to return to the journals of a trip he and his wife had taken years before, a journey to his mother's birthplace, where he'd sought a link with the past. The memories of that trip, both grotesque and poignant, move through layers of time and meaning, and reveal that Joe Allston isn't quite spectator enough.

Wallace Stegner was the author of, among other works of fiction, Remembering Laughter (1973); The Big Rock Candy Mountain (1943); Joe Hill (1950); All the Little Live Things (1967, Commonwealth Club Gold Medal); A Shooting Star (1961); Angle of Repose (1971, Pulitzer Prize); Recapitulation (1979); Crossing to Safety (1987); and Collected Stories (1990). His nonfiction includes Beyond the Hundredth Meridian (1954); Wolf Willow (1963); The Sound of Mountain Water (essays, 1969); The Uneasy Chair: A Biography of Bernard deVoto (1964); American Places (with Page Stegner, 1981); and Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West (1992). Three short stories have won O.Henry prizes, and in 1980 he received the Robert Kirsch Award from the Los Angeles Times for his lifetime literary achievements.

In Kingsley Amis's Take A Girl Like You, twenty year old Jenny Bunn is supernally beautiful and stubbornly chaste, which is why Patrick Standish, an arrogant schoolmaster, wants her so much. This perceptive coming of age novel about a northern girl who moves south, wants to fit in and yet wants to preserve her principles, challenges our assumptions about the battle of the sexes and classes in Britain. It is a story about 'the squalid business of the man and the woman' and 'the most wonderful thing that had ever happened' to Jenny Bunn.

Few twentieth century novelists have explored our preoccupation with sex like Kingsley Amis. The results are surprising and often hilarious.

Kingsley Amis's (1922-95) works take a humorous yet highly critical look at British society, especially in the period following the end of World War II. Born in London, Amis explored his disillusionment in novels such as That Uncertain Feeling (1955). His other works include The Green Man (1970), Stanley and the Women (1984), and The Old Devils (1986), which won the Booker Prize. Amis also wrote poetry, criticism, and short stories.

In That Uncertain Feeling by Kingsley Amis, competition is stiff for the position of sub-librarian in Aberdarcy Library. For John Lewis, the situation is complicated by the attentions of daunting and desirable village socialite, Elizabeth Gruffyd-Williams, who is married to a member of the local Council. Pursuing an affair with her whilst keeping his job prospects alive is John's predicament, as he finds himself running down Welsh country lanes at midnight in a wig and dress, resisting the advances of local drunks and suffering the long speeches of a 'nut-faced' clergyman.

At times tenderly satirical and at times riotously slap-stick, Amis sends up an array of rural stereotypes in this story about a man who doesn't know what he wants.

Kingsley Amis's (1922-95) works take a humorous yet highly critical look at British society, especially in the period following the end of World War II. Born in London, Amis explored his disillusionment in novels such as That Uncertain Feeling (1955). His other works include The Green Man (1970), Stanley and the Women (1984), and The Old Devils (1986), which won the Booker Prize. Amis also wrote poetry, criticism, and short stories.

These letters cover the activities of Burroughs, Allen Ginsberg, and Jack Kerouac in the years that gave birth to the Beat Generation. Written mostly to Ginsberg or Kerouac, the letters provide a rare glimpse into Burroughs's psyche, revealing his struggle with drug addiction, his confusion over his sexual identity, and his search for a form fluid enough to mirror his mind and art.

Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about?

Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius.

'Reading Brodsky's essays is like a conversation with an immensely erudite, hugely entertaining and witty (and often very funny) interlocutor' Wall Street Journal

Watermark is Joseph Brodsky's witty, intelligent, moving and elegant portrait of Venice. Looking at every aspect of the city, from its waterways, streets and architecture to its food, politics and people, Brodsky captures its magnificence and beauty, and recalls his own memories of the place he called home for many winters, as he remembers friends, lovers and enemies he has encountered. Above all, he reflects with great poetic force on how the rising tide of time affects city and inhabitants alike.

Watermark is an unforgettable piece of writing, and a wonderful evocation of a remarkable, unique city.

Winner of the Nobel Prize for Literature

This is the essential edition of the essential book of modern times, 1984, now annotated for students with an introduction by D. J. Taylor.

Ever since its publication in 1948, George Orwell's terrifying vision of a totalitarian regime where Big Brother controls its citizens like 'a boot stamping on a human face' has become a touchstone for human freedom, and one of the most widely-read books in the world. In this new annotated edition Orwell's biographer D. J. Taylor elucidates the full meaning of this timeless satire, explaining contemporary references in the novel, placing it in the context of Orwell's life, elaborating on his extraordinary use of language and explaining the terms such as Newspeak, Doublethink and Room 101 that have become familiar phrases today.

Dark Back of Time is a compelling story of the way in which reality blurs into fiction by Javier Marías, whose highly-anticipated new novel The Infatuations is published in 2013. It is translated by Esther Allen in Penguin Modern Classics.

'We lose everything because everything remains except us', says the mysterious narrator of this extraordinary novel, which meditates on the transience, chance and fragility of life. As a man called Javier Marías recalls the strange events and people that shaped his past, including ghostly literary figures, a pilot, an adventurer, a brother who died as a child and the king of an island in the Caribbean, we begin to question the nature of time, memory and reality itself. Here the writer is both a keeper of memories and a purveyor of illusions, destined to be lost in the dark back of time.

Javier Marías was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practised translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne.

'I was enthralled by his strange mix of made-up memories, lost experiences and real-life fantasies' Marina Warner, Guardian

'He uses language like an anatomist uses a scalpel to lay bare the innermost secrets of that strangest of species, the human being' W. G. Sebald, author of Austerlitz

In these dark, dreamlike love stories with a twist, Ludmilla Petrushevskaya tells of strange encounters in claustrophobic communal apartments, ill-fated holiday romances, office trysts, schoolgirl crushes, tentative courtships, rampant infidelity, tender devotion and terrifying madness. By turns sly and sweet, earthy and sublime, these fables of flawed love blend black humour and macabre spectacle with transformative moments of grace.

In the dark narratives that make up When I Was Mortal by Javier Marías, winner of the Dublin IMPAC prize and author of the bestselling A Heart So White, a dapper Paris doctor dispenses a treatment for dissatisfied wives. A mother auditions for her first porn movie. A writer working on a study of pain makes himself the subject of his experiments. A voyeur mistakes a murderer for a fellow peeping tom ... these are some of the characters observed by the narrator of these chilling stories. Ironic, unsettling, imbued with dread and with droll humour, Javier Marías' short tales cast a shrewd, sardonic eye on humanity.

Javier Marías was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practised translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne. He has held academic posts in Spain, the United States and in Britain, as Lecturer in Spanish Literature at Oxford University.

Walter Bridge, husband to India and father to three, is a successful lawyer in a Kansas suburb. The daily dramas of his life only serve to illuminate his narrow prejudices and complacent outlook, yet he is also troubled by dark undercurrents of desire and a yearning for something forever out of his reach. In Mr Bridge, Evan S. Connell gives us a poignant, satirical and poetic portrayal of a man who cannot escape his limitations and of a couple growing old together but unable, ultimately, to connect.

First published in 1967, Death Kit is a classic of modern fiction. Blending realism and dream, Susan Sontag's second novel offers a passionate exploration of the recesses of the American conscience.

The novel is a narrative of the suffering of Dalton 'Diddy' Harron, told through his own observations. He works in advertising for a microscope manufacturer, is thirty-three and divorced and a month ago tried to commit suicide. The haphazard events of his life, including killing a railway worker and falling in love with a blind girl, are brought to us through the lens of Diddy's own mind. We follow him through his journey to justify his actions and exorcise his inner demons, but we can see what is happening to Diddy only from inside his head, in the present, and the balance of his mind does not always bear close scrutiny.

'Politics and the English Language' is widely considered Orwell's most important essay on style. Style, for Orwell, was never simply a question of aesthetics; it was always inextricably linked to politics and to truth.'All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.When the general atmosphere is bad, language must suffer.'Language is a political issue, and slovenly use of language and cliches make it easier for those in power to deliberately use misleading language to hide unpleasant political facts. Bad English, he believed, was a vehicle for oppressive ideology, and it is no accident that 'Politics and the English Language' was written after the close of World War II.

Dr Philip Wild, a man of brilliance, wit, fortune and tremendous bulk, is used to suffering humiliations at the hands of his wife, the younger, slender, and rudely promiscuous Flora. But in a novel, a 'maddening masterpiece' documenting her infidelities, written by one of her lovers and given to the doctor, she appears as My Laura. Dishonoured, Wild still finds pleasure in life, by indulging in self-annihilation, beginning with the removal of his toes.

'The most esteemed philosopher to have produced a general introduction to his discipline since Bertrand Russell' Independent

In these essays, one of the most important thinkers of the twentieth century writes about communism and socialism, the problem of evil, Erasmus and the reform of the Church, reason and truth, and whether God is happy. Accessible and absorbing, the essays in Is God Happy? deal with some of the eternal problems of philosophy and the most vital questions of our age.

Leszek Kolakowski has also written on religion, Spinoza, Bergson, Pascal and seventeenth-century thought. He left communist Poland after his expulsion from Warsaw University for anti-communist activities. From 1970 he was a fellow of All Souls College, Oxford.

'His distinctive mix of irony and moral seriousness, religious sensibility and epistemological scepticism, social engagement and political doubt was truly rare ... a true Central European intellectual-perhaps the last' Tony Judt, The New York Times Review of Books