Penguin Modern Classics

Detectives Coffin Ed and Grave Digger Jones have lost two criminals. Pinky ran off - but it shouldn't be hard to track down a giant albino in Harlem. Jake the drug dealer, though, isn't coming back - he died after Grave Digger punched him in the stomach. And his death might cost them both their badges. Unless they can track down the cause of all this mayhem - like the African with his throat slit and the dog the size of a lion with an open head wound.

Chester Himes's hardboiled tales of Harlem have a barely contained chaos and a visceral, macabre edge all their own.

Jackson's woman has found him a foolproof way to make money - a technique for turning ten dollar bills into hundreds. But when the scheme somehow fails, Jackson is left broke, wanted by the police and desperately racing to get back both his money and his loving Imabelle.

The first of Chester Himes's novels featuring the hardboiled Harlem detectives Coffin Ed Johnson and Grave Digger Jones, A Rage in Harlem has swagger, brutal humour, lurid violence, a hearse loaded with gold and a conman dressed as a Sister of Mercy.

With a new Introduction by Luc Sante.

The night's over for Ulysses Galen. It started going bad for the big Greek when a knife was drawn, then there was an axe, then he was being chased and shot at. Now Galen is lying dead in the middle of a Harlem street. But the night's just beginning for detectives Grave Digger Jones and Coffin Ed Johnson. Because they have a smoking gun but it couldn't have killed Galen, and they had a suspect but a gang called the Real Cool Moslems took him. And as patrol cars and search teams descend on the neighbourhood, their case threatens to take a turn for the personal.

The Real Cool Killers is loaded with grizzly comedy and with all the raucous, threatening energy of the streets it's set on.

'Insistently asks the question: What would you do? Would you fight, or acquiesce, or collaborate? ... Karski was deeply patriotic and ludicrously brave ... an astonishing testament of survival' Ben Macintyre, author of Operation Mincemeat

It is 1939. Jan Karski, a brilliant young Polish student, enjoys a life of parties and pleasure. Then war breaks out and his familiar world is destroyed. Now he must live under a new identity, in the resistance. And, in a secret mission that could change the course of the war, he must risk his own life to try and save those of millions.

These two novellas by the groundbreaking, fearless, and immeasurably influential Robert Coover are dirty, funny and brilliant. In Briar Rose a sleeping beauty is trapped in an enchantment for a hundred years, dreaming of stories in which someone like her wakes up disappointed, or becomes a mother, or is stripped and defiled. And, as she dreams, outside, failed princes die and hang their remains on the thorns of a briar hedge. In Spanking the Maid a maid and her master are each committed to their own hard service: she, attempting to perform her simple duties without error; he, supplying punishment by rod, belt, hairbrush, whip, cane and slipper when she inevitably fails. These tales of desire are Coover at his most darkly playful.

Ros is dead. A bad actress but a tremendous lover, when she was alive her thighs pillowed cast members, crew, friends and acquaintances. Now Gerald's party continues around her murdered corpse (it is, after all, just the first of the night), as the guests indulge in drinking, flirting and jealousies, and the police make their brutal investigations.

An evening of cocktails, sex and violence, Robert Coover's novel is a murder mystery as rousing and disorienting as the best drunken party, a vaudevillian masterpiece.

In his carnivalesque and riotously inventive Pricksongs & Descants Robert Coover remakes old stories: of Red Riding Hood, Hansel and Gretel, and Beauty (who married her Beast and spends a lifetime suffering his doggy stink). And he reshapes his own: a man makes repeating, re-imagined journeys in an office elevator (while his fellow riders taunt and tempt him), and in the seminal, fractal 'The Babysitter' every moment in a single night is played and replayed, every hope and threat of sex and violence done and undone. Coover's dark, wilfil, comic imagination revels brilliantly in contradictions, a master of chaos.

Two soldiers travel across Italy at the height of summer, passing through Genoa, Rome and Naples. One of the soldiers is blind, graceful, gleefully vicious and wears a prosthetic arm; the other, twenty years his junior, is his guide. But as these men drink their way through bars, brothels and train carriages, who is guiding who? Only as they reluctantly approach the blind man's destination, and a stifled love affair, does the purpose of the trip become tragically clear.

The inspiration for two acclaimed films, Scent of a Woman is a lyrical exploration of regret, defiance, and what it really means to see.

Infamous for the murder of Maria Iribarne, the artist Juan Pablo Castel is now writing a detailed account of his relationship with the victim from his prison cell: obsessed from the first moment he saw her examining one of his paintings, Castel had become fixated on her over the next months and fantasized over how they might meet again. When he happened upon her one day, a relationship was formed which swiftly convinced him of their mutual love. But Castel's growing paranoia would lead him to destroy the one thing he truly cared about...

Sabato's first novel El Túnel (translated as 'The Outsider' or 'The Tunnel'), written in 1948, is framed as the confession of the painter Juan Pablo Castel, who has murdered the only woman capable of understanding him. Sabato's novels were praised by authors such as Albert Camus and Graham Greene.

In a small, provincial town in the heart of India, a politician's wife has done her husband's career a great service, by dying under suspicious circumstances. That the corpse and the trail have been cold for fifteen years hasn't saved Inspector Ghote of the Bombay CID from being sent to investigate. But what chance does he have when his chief suspect is so powerful, when the whole district is against him, and when a holy man is fasting to the death to protest his prying?

But still the good inspector dutifully goes, carrying just the honour of his police force and a box of double-sized eggs . . .

Some crooks have tried to snatch the plump son of a business tycoon, and have accidentally made off with his playmate instead. But they're not changing their plan: a payment is to be delivered to them or a small corpse is to be delivered to Inspector Ghote.

But what kind of ransom can a mere tailor's boy demand? And, as something more unpleasant than just a ransom note arrives from the kidnappers, are the police helping keep the boy in one piece?

In the house of Lala Varde, a vast man of even greater influence, an attack has taken place. Varde's secretary, Mr Perfect, has been struck on his invaluable business head. And try as Inspector Ghote might to remain conscientious and methodical, his investigation is beset on all sides by cunning, disdain and corruption. And then there's the impossible theft of a single rupee to be dealt with . . .

The Perfect Murder introduced Inspector Ghote: Bombay CID's most dutiful officer, and one of the greatest, most engaging creations in all detective fiction.

What had until recently been a police sergeant is now lying at Ghote's feet bleeding its last. An accident it may have been, but Ghote saw exactly what happened, and it's his duty to arrest the killer. Isn't it? Or can the inspector better serve his beloved police force by disposing of the body, by concealing a crime? And if he does, will he manage to keep his terrible secret?

As an Inquiry begins beneath the first torrents of monsoon rain - will he even want to?

Gay Talese is the father of American New Journalism, who transformed traditional reportage with his vivid scene-setting, sharp observation and rich storytelling. His 1966 piece for Esquire, one of the most celebrated magazine articles ever published, describes a morose Frank Sinatra silently nursing a glass of bourbon, struck down with a cold and unable to sing, like 'Picasso without paint, Ferrari without fuel - only worse'. The other writings in this selection include a description of a meeting between two legends, Fidel Castro and Muhammad Ali; a brilliantly witty dissection of the offices of Vogue magazine; an account of travelling to Ireland with hellraiser Peter O'Toole; and a profile of fading baseball star Joe DiMaggio, which turns into a moving, immaculately-crafted meditation on celebrity.

Sam the Lion runs the pool-hall, the picture house and the all-night café. Coach Popper whips his boys with towels and once took a shot at one when he disturbed his hunting. Billy wouldn't know better than to sweep his broom all the way to the town limits if no one stopped him. And teenage friends Sonny and Duane have nothing better to do than drift towards the adult world, with its temptations of sex and confusions of love.

The basis for a classic film, The Last Picture Show is both extremely funny and deeply profound. And, with the eccentrically peopled Thalia, Texas, Larry McMurtry made a small town that feels as real as any you've ever walked around.

Ex-detective Nick Charles plans to spend a quiet Christmas holed up in a hotel suite with his glamorous wife Nora, their pet Schnauzer and a case of good Scotch. But then a bullet-riddled corpse and a missing inventor (not to mention the attentions of a beautiful young woman) force him out of retirement and back into business. Trying to make sense of false leads, suspicious alibis and mistaken identities, Nick and Nora are thrown into a world of gangsters, hoodlums and speakeasies, where no-one can be trusted.

Dashiell Hammett was credited with inventing the hardboiled crime novel, and this story of murder and mayhem in Manhattan, with its breakneck plot, snappy dialogue - and the hard-drinking, wisecracking couple Nick and Nora - is one of his most thrillingly enjoyable mysteries.