Penguin Modern Classics

Robert Graves first came across the name of Roger Lamb in 1914, when Graves was an English officer instructing his platoon in regimental history. Lamb was a British soldier who had served his king during the American War of Independence, and whose claim to a footnote in history is that he managed to escape twice from American prison camps. When Graves went to America in the 1930s, he remembered Sergeant Lamb, investigated his story and created this fictionalized memoir telling Lamb's story from his Irish childhood to war and revolution, weaving a mesmerizing tale of courage and adventure.

Edward Venn-Thomas lives in the twentieth century but has been mysteriously transported to the future, and the apparently idyllic society of New Create, where there is no hunger, no war and no dissatisfaction. However Venn-Thomas is starting to find life among the New Cretans rather dull. He comes to realize that their perfect existence, inspired by the poets and magicians of their strange occultic religion, lacks one fundamental thing - evil. So Venn-Thomas sees it as nothing less than his duty to introduce them to the darker side of life. First published in 1949 and also known as Watch the North Wind Rise, Graves's novel is a thrilling blend of utopian fantasy, science fiction and mythology.

Nobel Prize-winning author Canetti spent only a few weeks in Marrakesh, but it was a visit that would remain with him for the rest of his life. In The Voices of Marrakesh, he captures the essence of that place: the crowds, the smells - of spices, camels and the souks - and, most importantly to Canetti, the sounds of the city, from the cries of the blind beggars and the children's call for alms to the unearthly silence on the still roofs above the hordes.

In these immaculately crafted essays, Canetti examines the emotions Marrakesh stirred within him and the people who affected him for ever.

In order to reclaim his father's kingdom, Jason has been sent on an impossible mission - to take the golden ram's fleece that lies far away, guarded by a dragon. Jason, who is so attractive that women fall instantly in love with him, sets sail in the Argo, along with the greatest heroes of ancient Greece, including the surly (and often drunk) Hercules, the enchanting musician Orpheus and the battling twins Castor and Pollux. As they battle clashing rocks, monsters and seductresses, watched over by pitiless gods, they will learn that victory comes at a price.

In The Golden Fleece Robert Graves transforms Greek myth into a thrilling and richly imagined story, bringing the ancient world vividly alive.

Robert Graves's controversial historical novel is a bold reworking of the story of Christ. Here Jesus is not the son of God, but the result of a secret marriage - the descendant of Herod and true King of the Jews. Written from the perspective of a lowly official at the end of the first century AD, King Jesus recounts Jesus's birth, youth, life as a charismatic 'wonder worker' and the unorthodox, bitter nature of his death and resurrection. Portraying Jesus not as divine but as a flawed human bent upon his own doom, this retelling of the gospels is a compelling blend of research, imagination and narrative power.

Marie Powell is sixteen when her father marries her to the poet John Milton in payment of a debt. They move to a pretty garden-house in London, but she struggles to adjust to her new life. Her husband is high-minded and unyielding, and only makes Marie long for the man she really loves. As Civil War sweeps across England and the King is killed, a battle starts to rage between husband and wife - one that only the powerful can win.

Told through the fictional journals of Milton's wife, Robert Graves's sympathetic and sensitive reconstruction of her tragic life is also a convincing, linguistically rich portrait of seventeenth-century England as it is ravaged by war.

For Joyce, literature 'is the eternal affirmation of the spirit of man'. Written between 1914 and 1921, Ulysses has survived bowdlerization, legal action and bitter controversy. An undisputed modernist classic, its ceaseless verbal inventiveness and astonishing wide-ranging allusions confirms its standing as an imperishable monument to the human condition. Declan Kiberd says in his introduction that Ulysses is 'an endlessly open book of utopian epiphanies. It holds a mirror up to the colonial capital that was Dublin on 16 June 1904, but it also offers redemptive glimpses of a future world which might be made over in terms of those utopian moments.'

This Annotated Student Edition has full explanatory notes and line numbers for critical reference.

A respected literary biographer, Mark is working on the life of Gilbert Strong - a writer about whom he thinks he knows everything. Happily married, and apparently dedicated to a life of letters, he nevertheless falls in love with Strong's granddaughter Carrie, a vague and unsophisticated young woman more interested in bedding plants than books or passion. As Mark's obsessions develop over a hot, complicated summer, he begins to understand that nothing is ever what it seems; not Gilbert Strong, and certainly not himself.

According to Mark is a witty and moving look at love, literature and the dangers of middle-aged folly.

Pauline is spending the summer at World's End, a cottage somewhere in the middle of England. This year the adjoining cottage is occupied by her daughter Teresa and baby grandson Luke; and, of course, Maurice, the man Teresa married. As the hot months unfold, Maurice grows ever more involved in the book he is writing - and with his female copy editor - and Pauline can only watch in dismay and anger as her daughter repeats her own mistakes in love. The heat and tension will lead to a violent, startling climax.

In Heat Wave, Penelope Lively gives us a moving portrayal of a fragile family damaged and defined by adultery, and the lengths to which a mother will go to protect the ones she loves.

Set in Italy in the summer of 1940, this trio of stories explores the relationships between the different generations caught up in the war as well as Calvino's own experiences as a teenager. In the title story, 'Into the War', we are given an insight into what life was really like for those too young to be conscripted into Mussolini's army, while in 'The Avanguardisti in Menton', Calvino and his friends take a revealingly anti-climactic trip to the garrisoned French town of Menton, the sole Italian conquest of the early months of the conflict. The final story, 'UNPA Nights', is a touching, comic tale of friendship in a blackout, where the narrator's imagination wanders as he roams through the seedier parts of the darkened town instead of guarding the school buildings.

Into the War is Calvino at his autobiographical best, combining brilliantly recollected memory with compelling wit and perfect prose.

When the Department - faded since the war and busy only with bureaucratic battles - hears rumour of a missile base near the West German border, it seems like the perfect opportunity to regain some political standing in the Intelligence market place. The Cold War is at its height and the Department is dying for a piece of the action.

Swiftly becoming carried away by fear and pride, the Department and her officers send deactivated agent Fred Leiser back into East Germany, armed only with some schoolboy training and his memories of the war.

In the land of eloquent silence that is Communist East Germany, Leiser's fate becomes inseparable from the Department's.

From the gothic Old South to revolutionary Mexico, few writers have evoked such a multitude of worlds, both exterior and interior, as powerfully as Katherine Anne Porter. This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.

Mr Marble is in serious debt, desperate for money to pay his family's bills, until the combination of a wealthy relative, a bottle of Cyanide and a shovel offer him the perfect solution. In fact, his troubles are only just beginning. Slowly the Marble family becomes poisoned by guilt, and caught in an increasingly dangerous trap of secrets, fear and blackmail. Then, in a final twist of the knife, Mrs Marble ensures that retribution comes in the most unexpected of ways ...

First published in 1926, C. S. Forester's gritty psychological thriller took crime writing in a new direction, portraying ordinary, desperate people committing monstrous acts, and showing events spiralling terribly, chillingly, out of control.

At the Universal Advertising Agency on the Strand, London, a murder is being planned. Three men have been discovered taking bribes and face the grim prospect of the dole queue, unless they can get rid of the person who caught them. Their ringleader, thick-set and vicious Mr Morris, soon discovers that killing is far easier than he thought - and that he even has a talent for it. He might, he feels, be superhuman. But as he will discover, there is no such thing as the perfect crime, and no deed goes unpunished.

Taking us into a 1930s London of grimy back streets, smoky cafes and shabby rooms, Plain Murder, C. S. Forester's second crime novel, is a brilliantly atmospheric and gripping portrayal of the dark heart of a killer.

West Germany, a simmering cauldron of radical protests, has produced a new danger to Britain: Karfeld, menacing leader of the opposition. At the same time Leo Harting, a Second Secretary in the British Embassy, has gone missing - along with more than forty Confidential embassy files. Alan Turner of the Foreign Office must travel to Bonn to recover them, facing riots, Nazi secrets and the delicate machinations of an unstable Europe in the throes of the Cold War.

As Turner gets closer to the truth of Harting's disappearance, he will discover that the face of International relations - and the attentions of the British Ministry itself - is uglier that he could possibly have imagined.

Essayist and poet Joseph Brodsky was one of the most penetrating voices of the twentieth century. This prize-winning collection of his diverse essays includes uniquely powerful appreciations of great writers: on Dostoevsky and the development of Russian prose, on Auden and Akhmatova, Cavafy, Montale and Mandelstam. These are contrasted with his reflections on larger themes of tyranny and evil, and subtle evocations of his childhood in Leningrad. Brodsky's insightful appreciation of the intricacies of language, culture and identity connect these works, revealing his remarkable gifts as a prose writer.