Penguin Modern Classics

Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction preys on our deepest fears of witnessing Armageddon and, worse still, surviving it ... Dr Felix Hoenikker, one of the founding 'fathers' of the atomic bomb, has left a deadly legacy to the world. For he is the inventor of 'ice-nine', a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three ecentric children, to a crazed dictator in the Caribbean, to madness. Felix Hoenikker's Death Wish comes true when his last, fatal gift to mankind brings about the end, that for all of us, is nigh ...

Primo Levi was one of the most astonishing voices to emerge from the twentieth century. This landmark selection of his short stories opens up a world of wonder, love, cruelty and curious twists of fate, where nothing is as it seems. In 'The Fugitive' an office worker composes the most beautiful poem ever with unforeseen consequences, while 'Magic Paint' sees a group of researchers develop a paint that mysteriously protects them from misfortune. 'Gladiators' and 'The Knall' are chilling explorations of mass violence, and in 'The Tranquil Star' a simple story of stargazing becomes a meditation on language, imagination and infinity.

In this thoughtful and moving novel, four men find themselves inextricably bound together by their past histories. The aged Judge Clane dreams of resurrecting the confederacy, while his grandson, Jester, is involuntarily drawn to Sherman, a volatile black orphan who feels the sharp sting of racial injustice, especially when he finds out the truth about his parentage. Through the eyes of these individuals Carson McCullers explores the roots of racial prejudice and the dual moralities of the town's leading whites.

The Great Railway Bazaar is Paul Theroux’s account of his epic journey by rail through Asia. Filled with evocative names of legendary train routes – the Direct-Orient Express, the Khyber Pass Local, the Delhi Mail from Jaipur, the Golden Arrow to Kuala Lumpur, the Hikari Super Express to Kyoto and the Trans-Siberian Express – it describes the many places, cultures, sights and sounds he experienced and the fascinating people he met. Here he overhears snippets of chat and occasional monologues, and is drawn into conversation with fellow passengers, from Molesworth, a British theatrical agent, and Sadik, a shabby Turkish tycoon, while avoiding the forceful approaches of pimps and drug dealers. This wonderfully entertaining travelogue pays loving tribute to the romantic joys of railways and train travel.

Carson McCullers' prodigious first novel was published to instant acclaim when she was just twenty-three. Set in a small town in the middle of the deep South, it is the story of John Singer, a lonely deaf-mute, and a disparate group of people who are drawn towards his kind, sympathetic nature. The owner of the café where Singer eats every day, a young girl desperate to grow up, an angry socialist drunkard, a frustrated black doctor: each pours their heart out to Singer, their silent confidant, and he in turn changes their disenchanted lives in ways the could never imagine. Moving, sensitive and deeply humane, The Heart is a Lonely Hunter explores loneliness, the human need for understanding and the search for love.

With delicacy of perception and memory, humour and pathos, Carson McCullers spreads before us the three phases of a weekend crisis in the life of a motherless twelve-year-old girl. Within the span of a few hours, the irresistible, hoydenish Frankie passionately plays out her fantasies at her elder brother's wedding. Through a perilous skylight we look into the mind of a child torn between her yearning to belong and the urge to run away.

The Old Patagonian Express tells of Paul Theroux’s train journey down the length of North and South America. Beginning on Boston’s subway, he depicts a voyage from ice-bound Massachusetts to the arid plateau of Argentina’s most southerly tip, via pretty Central American towns and the ancient Incan city of Macchu Pichu. Shivering and sweating by turns as the temperature and altitude rise and plummet, he describes the people he encountered – thrown in with the tedious, and unavoidable, Mr Thornberry in Limón and reading to the legendary blind writer, Jorge Luis Borges, in Buenos Aires. Witty, sharply observed and beautifully written, this is a richly evocative account of travelling to ‘the end of the line’.

Dressed in his cheap, battered suit, Joseph Marti arrives at the impressive villa of Karl Tobler, an enthusiastic but ill-starred inventor, to begin employment as his clerk. Tobler is determined to finance his family’s lavish lifestyle with the proceeds from his latest idea – a clock adorned with advertisements. But Tobler’s grand plans are destined for failure and the household, including Marti, refuse to acknowledge their approaching ruin.

Robert Walser claimed to have written The Assistant, a semi-autobiographical work, in just six weeks as an entry for a literary competition. The second of his few surviving novels, it is now regarded as major work of modernist literature.

Sally is big, blonde and pampered. She’s married to Richard. But she loves Jerry. Jerry loves Sally in return, but he’s also still in love with his wife Ruth. Who’s been sleeping with Richard … As a hot, feverish summer of snatched weekends, secret phone calls and illicit lovemaking on the beach comes to a head, it turns out everyone knows more than they’ve been letting on. And that no one knows quite when to stop.

In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinating, his book shows how theatre defies rules, builds and shatters illusions and creates lasting memories for its audiences.

In The Theory of the Modern Stage, leading drama critic, Eric Bentley, brings together landmark writings by dramatists, directors and thinkers who have had a profound effect on the theatre since the mid nineteenth century, from Adolphe Appia to Émile Zola.

Here, Antonin Artaud sets out a manifesto for a Theatre of Cruelty, Bertolt Brecht discusses the tension between entertainment and instruction in experimental drama and Bernard Shaw defends himself as a realist, while W. B. Yeats describes the creation of a People’s Theatre. The ideas of theatre’s great makers are revealed by their best expositors, as Eric Bentley writes about Stanislavsky belief in the importance of emotional memory when creating a dramatic role and Arthur Symons considers Richard Wagner and the relationship between genius, art and nature.

Eileen Chang is one of the great writers of twentieth-century China, where she enjoys a passionate following both on the mainland and in Taiwan. At the heart of Chang's achievement is her short fiction—tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when she was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces readers to the stark and glamorous vision of a modern master.

In 1940s Shanghai, beautiful young Jiazhi spends her days playing mahjong and drinking tea with high society ladies. But China is occupied by invading Japanese forces and things are not always what they seem in wartime.

Jiazhi’s life is a front. A patriotic student radical, her mission is to seduce a powerful employee of the occupying government and lead him to the assassin’s bullet. Yet as she waits for him to arrive at their liaison, Jiazhi begins to wonder if she is cut out to be a femme fatale and coldly take Mr Yi to his death. Or is she beginning to fall in love with him?

A passionate tale of espionage, deception and love, Lust, Caution is accompanied here by four further dazzling short stories by Eileen Chang.

When Memoirs was first published in 1975, it created quite a bit of turbulence in the media--though long self-identified as a gay man, Williams' candour about his love life, sexual encounters, and drug use was found shocking in and of itself, and such revelations by America's greatest living playwright were called "a raw display of private life" by The New York Times Book Review. As it turns out, more than thirty years later, Williams' look back at his life is not quite so scandalous as it once seemed; he recalls his childhood in Mississippi and St. Louis, his prolonged struggle as a "starving artist," the "overnight" success of The Glass Menagerie in 1945, the death of his long-time companion Frank Merlo in 1962, and his confinement to a psychiatric ward in 1969 and subsequent recovery from alcohol and drug addiction, all with the same directness, compassion, and insight that epitomize his plays.

This new edition of Brian Aldiss’s classic anthology brings together a diverse selection of science fiction spanning over sixty years, from Isaac Asimov’s ‘Nightfall’, first published in 1941, to the 2006 story ‘Friends in Need’ by Eliza Blair. Including authors such as Clifford Simak, Harry Harrison, Bruce Sterling, A. E. Van Vogt and Brian Aldiss himself, these stories portray struggles against machines, epic journeys, genetic experiments, time travellers and alien races. From stories set on Earth, to uncanny far distant worlds and ancient burnt-out suns, the one constant is humanity itself, compelled by an often fatal curiosity to explore the boundless frontiers of time, space and probability.

A cultural storm swept through the 1960s -- Pop Art, Bob Dylan, psychedelia, underground movies -- and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.