Penguin Modern Classics

1283 books in this series
Book cover of Dubliners by James Joyce

Dubliners

Dubliners, Joyce's first major work and written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. From 'The Sisters', a vivid portrait of childhood faith and guilt, to 'Araby', a timeless evocation of the inexplicable yearnings of adolescence, to 'The Dead', in which Gabriel Conroy is gradually brought to a painful epiphany regarding the nature of his existence, Joyce draws a realistic and memorable cast of Dubliners together in an powerful exploration of overarching themes. Writing of social decline, sexual desire and exploitation, corruption and personal failure, he creates a brilliantly compelling, unique vision of the world and of human experience.
Book cover of Engagement by Gun-Britt Sundström

Engagement

‘I want to have him, I really do. I just don’t want him to have me.’

Martina and Gustav, students in 1970s Stockholm, meet and fall immediately into coupledom. But what is coupledom? A route to marriage? A declaration of co-dependency? A new dimension of commitment and responsibility? A sexual confrontation? Or is it a habit that an intelligent person must consider breaking? Martina and Gustav discuss their relationship endlessly, between themselves and with others, as they try to make it work.

Engagement, set during a time of social change and political upheaval, sees Martina trying to engage with the world on her own terms. Unwilling to marry, she finds herself in a state of permanent engagement while her friends settle down to marriage and children; uncertain of the world’s future, she engages with demos, sit-ins and philosophy seminars in her quest for a new blueprint for joy. First published in 1976, when it was heralded as an instant classic, Engagement remains as relevant, hilarious and heartbreaking today.
Book cover of Exiles by James Joyce

Exiles

After ten long years spent away from Dublin, Richard, Bertha and their young illegitimate son Archie are back home. Despite expectations of comfort and domesticity, the couple's return to the place where they first met triggers an existential questioning, an anxiousness which is exacerbated by meetings with old friends and lovers.

James Joyce's only surviving play, Exiles builds upon one of his most famous short stories, 'The Dead', to provide a profound exploration of jealousy, doubt and the complexity of human desire.
Book cover of Finnegans Wake by James Joyce

Finnegans Wake

Joyce's final work, Finnegans Wake, is his masterpiece of the night, as Ulysses is of the day. Supreme linguistic virtuosity conjures up the dark underground worlds of sexuality and dream. Joyce undermines traditional storytelling and all official forms of English and confronts the different kinds of betrayal – cultural, political and sexual – that he saw at the heart of Irish history. Dazzlingly inventive, with passages of great lyrical beauty and humour, Finnegans Wake remains one of the most remarkable works of the twentieth century.
Book cover of Poems by James Joyce

Poems

It is only James Joyce's towering genius as a novelist that has led to his comparative neglect as a poet. And yet his poems not only occupy a pivotal position in Joyce's career, they are also magnificently assured achievements in their own right. 'Chamber Music' is an extraordinary début, fusing a broad swathe of styles with characteristically sharp irony and joyful verbal exuberance. 'Pomes Penyeach' confronts painful personal issues of adultery, jealousy and betrayal and so paves the way for the more detached and fully realized treatment of these feelings in Joyce's masterpiece, Ulysses. Also included here is 'Ecce Puer', written for his new-born grandson, as well as juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge.
Book cover of A Portrait of the Artist as a Young Man by James Joyce

A Portrait of the Artist as a Young Man

The portrayal of Stephen Dedalus's Dublin childhood and youth, his quest for identity through art and his gradual emancipation from the claims of family, religion and Ireland itself, is also an oblique self-portrait of the young James Joyce and a universal testament to the artist's 'eternal imagination'. Both an insight into Joyce's life and childhood, and a unique work of modernist fiction, A Portrait of the Artist as a Young Man is a novel of sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to fully come into themselves.
Book cover of Ulysses by James Joyce

Ulysses

Following the events of one single day in Dublin, the 16th of June 1904, and what happens to the characters Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses is a monument to the human condition. It has survived censorship, controversy and legal action, and even been deemed blasphemous, but remains an undisputed modernist classic: ceaselessly inventive, garrulous, funny, sorrowful, vulgar, lyrical and ultimately redemptive. It confirms Joyce's belief that literature 'is the eternal affirmation of the spirit of man'.

This new edition is based on the original 1922 edition, now the preferred text of Joyce's masterwork, and includes an introduction by world-renowned Joycean scholar, Andrew Gibson.
Book cover of The Paranoid Style in American Politics by Richard Hofstadter

The Paranoid Style in American Politics

'American political life … has served again and again as an arena for uncommonly angry minds'

How can a country be captured by rumours, surreal conspiracy theories and the most brazen of conmen? The historian Richard Hofstadter asked these questions in the 1960s, amid fears of rising extremism in America. Yet his dazzling dissection of the paranoid worldview – a brew of overheated exaggeration, suspicion and perceived victimhood, which can derail entire nations – is a lesson for the ages in the seductive politics of the irrational.

In an era where we feel assailed by endless paranoid public statements, Hofstadter’s discussion of famous and obscure untruths, some of which have profoundly impacted American domestic and foreign policy, provide the antidote for the present day.

Book cover of The Issa Valley by Czeslaw Milosz

The Issa Valley

'Thomas was born in the village of Gine at that time of year when a ripe apple thumps to the ground during an afternoon lull.' So a boy's life begins in a winding river valley on the Polish-Russian border where time is measured by seasonal rhythms and ancient songs. For Thomas, the ghosts in the forest are as real as the magical water-snakes that live in the Issa; in the village he is entranced by the women with their cinched waists and the men in their long boots. But when he is shown a map, he discovers a kingdom all his own and starts to dream of leaving the valley behind.
Book cover of Letter to My Judge by Georges Simenon

Letter to My Judge

My dear Judge, I would like one man, just one, to understand me. And I really hope that man can be you.

In a small town in western France, Dr Charles Alavoine seems to lead the perfect life: his own medical practice, two beautiful children, a new wife and a doting mother. Yet as each quiet day of bourgeois conformity passes, Alavoine begins to feel a sharp sense of futility and solitude. Then, one rainy day in December, he meets a mysterious young woman on a station platform. Fascinated by her innocence and the scars of her past, Alavoine’s passion soon gives way to obsession, as he is drawn deeper into a web of desire and deceit, ending in a terrible act that will forever change the course of his life.

First published in 1947, Letter to My Judge is a masterful exploration of the darkest corners of the human soul, and a harrowing exorcism of Simenon’s phantoms.
Book cover of Twilight in Musashino by Seicho Matsumoto

Twilight in Musashino

Musashino, 1959. A young Japanese flight attendant is found strangled on the icy banks of the river. The police suspect foul play – but the deeper they dig, the more they collide with a wall of silence.

At the centre of it all stands a foreign priest and the Guglielmo Church, a charitable Christian mission. The dead woman’s connection to the church is undeniable. But what begins as a routine investigation quickly turns into something far more treacherous, entangling together narcotics, post-war relief schemes and the delicate web of international diplomacy.

As the story moves from back alleys to diplomatic sanctuaries, following the twists and turns of Detective Fujisawa's investigation, Seicho Matsumoto masterfully constructs a slow-burning procedural where truth is clear but justice is not permitted.

Translated from Japanese by Jesse Kirkwood.
Book cover of Coal by Audre Lorde

Coal

‘I am Black because I come from the earth’s inside
now take my word for jewel in the open light.’

Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection faithfully captures the complex interiority of the self. With insight and great feeling, these poems explore racial and sexual politics, liberation and love; they are strongly autobiographical (including poems about Lorde’s children, her sister and her parents, as well as an elegy for a dear childhood friend). These timeless poems resonate down the years.
Book cover of Lies and Sorcery by Elsa Morante

Lies and Sorcery

Elisa – orphaned as a child, raised by a ‘fallen woman’, fed by fairy tales – has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family’s tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself.

First published in 1948, Elsa Morante’s debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante.

Translated by Jenny McPhee
Book cover of Cynics by Anatoly Marienhof

Cynics

'A love that cannot be throttled by the rubber tube of an enema bulb is immortal.'

Bookish and idealistic Vladimir is tormented with love for Olga; he brings her flowers when other men bring her flour and millet. Olga eventually agrees to marry him, as her building’s central heating will be out of service all winter and at least with two in the bed they’ll be warmer. When she decides she’d like to serve the revolution, he introduces her to his brother Sergei, a Bolshevik who manages the waterways. Thus begins an excruciating love triangle, measured in ration coupons and black market goods.

Described by the poet Joseph Brodsky as 'one of the most innovative novels in Russian literature', Marienhof’s Cynics is a pitch-black comedy set during the wild and savage years of War Communism and the New Economic Policy. Cinematic in its style and collagist in its aesthetic, it establishes Marienhof as a true formal radical. It is a bawdy, savage, lavishly emotional portrayal of working for the revolution (and trying to ignore it).
Book cover of Suspicion by Seicho Matsumoto

Suspicion

Onizuka Kumako is a fierce woman: tall, beautiful, and not afraid to speak her mind. In Tokyo bars, she seduces customers and commits petty crime, using her connections to the local yakuza to get by. When she meets Shirakawa Fukutaro, a rich widower desperate for companionship and unaware of her shady past, the two hit it off and are soon married. But their newly-wed bliss is suddenly cut short: one rainy July evening, their car veers off course, plunges into the harbour and Fukutaro is pulled beneath the waves.

Suspected of murder and labelled a femme fatale, Kumako is hounded by the press, but stays firm, repeatedly proclaiming her own innocence. As pressure from dogged journalists mounts, the tide of public opinion is rising against her. But when a scrupulous defence lawyer takes on her case, doubt begins to creep in . . .

In this intricate, psychological noir, masterfully translated into English for the first time, Seicho Matsumoto draws out the hidden demons that guide our convictions, our biases and our deepest desires.
Book cover of Israel by Göran Rosenberg

Israel

Close, close beneath the land I had once rooted myself in and loved, lay a land filled with violence, injustice and hatred

On 22 April 1962 what remains of Göran Rosenberg’s family embark from his native Sweden to make Israel their new home. Transplanted into a nation born only a few months before him, he is first enchanted by its vitality, imprinted by its ideals. It marks the beginning of a lifetime’s journey across the promised land and into its past, a reckoning with the utopian visions and desperate fears that went into Zionism as well as the violence and dispossession of its realization. This landmark book tells the story of that journey – through buried stories and erased villages, dreams and disillusionments, and the histories still unfurling today.