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Penguin Modern Classics

1276 books in this series
Book cover of This Is Not a Small Voice by Sonia Sanchez

This Is Not a Small Voice

hear your voice
a wild sea pausing in the wind

Few poets in history have possessed the irrepressible humanity and abundant positivity that characterize Sonia Sanchez’s astonishing body of work.

Energetic, infectious and rich with sonic exuberance, Sanchez’s poems have radically transformed the direction of American poetry over the past six decades and have been an inspiration to readers around the world, including Toni Morrison and Chinua Achebe. Whether it’s her iconic haiku, rhythmic ballads or devastating elegies, Sanchez’s luminous verse thrums with a profound generosity and an international consciousness, rendering all of life’s agony and ecstasy.

This volume draws on Sanchez’s diverse repertoire to showcase the multiplicities of the poet’s voice – the profound and personal, the firebrand and socially conscious, the playful and formally dextrous, and the musical – to celebrate her as one of the world’s most skilled and versatile poets of the past half century.
Book cover of Transfigurations by Jay Wright

Transfigurations

For over half a century, Jay Wright’s poetry has been celebrated for its alertness to the multiplicity of human experience and identity, and championed by eminent literary figures from Carl Phillips to Harold Bloom.

The gravitational pull of Wright’s lyric voice transforms life into myth, body into spirit, image into icon, and ritual into collective consciousness. Revelling in the rich interplay between Native American, African American, Latin American and West African cultural forms, Wright disentangles the threads of these complex historical forces to present a tapestry of the Atlantic World and the people who move within it.

Published for the first time in the UK, Transfigurations is a career-defining volume that includes all of Wright’s twentieth century major poetry works: The Homecoming Singer (1971), Soothsayers and Omens (1976), Explications/Interpretations (1984), Dimensions of History (1976), The Double Invention of Komo (1980), Elaine's Book (1988), Boleros (1991) and Transformations (1997).

Transfigurations is a singular opportunity for readers to fully immerse themselves in the sublime imagination of one of the most profound and enigmatic American poets.
Book cover of Chinatown by Oh Jung-hee

Chinatown

In this emblematic selection of her stories, Oh Jung-hee probes beneath the surface of seemingly quotidian lives to expose nightmarish family configurations warped by desertion, psychosis, and death. In ‘Chinatown’ a young girl living on the edge of the city’s Chinese community comes of age among mundane violences, collisions with adult sexuality and the American occupation; in ‘The Garden Party’ a woman grapples with her conflicting identities of wife, mother and writer at an alcohol-fuelled gathering. Throughout a career spanning six decades, Oh Jung-hee has drawn comparisons to Alice Munro, Virginia Woolf, and Joyce Carol Oates, and is assuredly a trailblazing writer.
Book cover of Engagement by Gun-Britt Sundström

Engagement

‘I want to have him, I really do. I just don’t want him to have me.’

Martina and Gustav, students in 1970s Stockholm, meet and fall immediately into coupledom. But what is coupledom? A route to marriage? A declaration of co-dependency? A new dimension of commitment and responsibility? A sexual confrontation? Or is it a habit that an intelligent person must consider breaking? Martina and Gustav discuss their relationship endlessly, between themselves and with others, as they try to make it work.

Engagement, set during a time of social change and political upheaval, sees Martina trying to engage with the world on her own terms. Unwilling to marry, she finds herself in a state of permanent engagement while her friends settle down to marriage and children; uncertain of the world’s future, she engages with demos, sit-ins and philosophy seminars in her quest for a new blueprint for joy. First published in 1976, when it was heralded as an instant classic, Engagement remains as relevant, hilarious and heartbreaking today.
Book cover of Wolf Solent by John Cowper Powys

Wolf Solent

First published in 1929, Wolf Solent was the first in John Cowper Powys’ great sequence of visionary works of fiction, set in Hardy’s Wessex but a Wessex now ravaged by the impact of the Great War and the curse of modernity. Both a lyrical story of the English countryside and an agonised account of life and love in the shadow of monstrous change, Wolf Solent is a cult novel like no other.
Book cover of Suspicion by Seicho Matsumoto

Suspicion

Onizuka Kumako is a fierce woman: tall, beautiful, and not afraid to speak her mind. In Tokyo bars, she seduces customers and commits petty crime, using her connections to the local yakuza to get by. When she meets Shirakawa Fukutaro, a rich widower desperate for companionship and unaware of her shady past, the two hit it off and are soon married. But their newlywed bliss is suddenly cut short: one rainy July evening, their car veers off course, plunges into the harbour and Fukutaro is pulled beneath the waves.

Suspected of murder and labelled a femme fatale, Kumako is hounded by the press, but stays firm, repeatedly proclaiming her own innocence. As pressure from dogged journalists mounts, the tide of public opinion is rising against her. But when a scrupulous defence lawyer takes on her case, doubt begins to creep in . . .

In this intricate, psychological noir, masterfully translated into English for the first time, Seicho Matsumoto draws out the hidden demons that guide our convictions, our biases and our deepest desires.
Book cover of Art on My Mind by bell hooks

Art on My Mind

'There must be a revolution in the way we see, the way we look'

In a collection of essays, critiques and interviews, bell hooks responds to the ongoing dialogues about producing, exhibiting and criticizing art and aesthetics in a world increasingly concerned with identity politics. hooks shares her own experience of the transformative power of art whilst exploring topics ranging from art in education and the home to the politics of space and imagination as a revolutionary tool. She positions her writings on visual politics within the ever-present question of how art can be empowering within the Black community.

Speaking with artists such as Carrie Mae Weems and Alison Saar, and examining the work of Jean-Michel Basquiat and Felix Gonzalez-Torres, Art on My Mind is a generous and expansive body of work that has become increasingly relevant since it was first published in 1995. Here is an essential tool for understanding the contemporary moment, and a fundamental text for any reader concerned with making and sustaining a democratic artistic culture.
Book cover of Night Watch by Terry Pratchett

Night Watch

Commander Sam Vimes of the Ankh-Morpork City Watch is in hot pursuit of a serial killer. The trouble is, a well-timed lightning strike has thrown both policeman and pursued into the city’s past. Now Vimes must relive the history that made him: a cruel regime, a bloody revolution, a corrupt police force, and, most unnerving of all, a keen young recruit named Sam Vimes… Night Watch, which draws on inspirations as far ranging as Victor Hugo and M*A*S*H, is a keen satire about the true nature of political power, and the sacrifices made in the name of the greater good; but also a profoundly empathetic novel about community, connection and the tenacity of the human spirit.

Terry Pratchett’s Discworld novels are among the most successful and influential fantasy titles of the twentieth and twenty-first centuries. This edition of Night Watch – written at the height of Pratchett’s imaginative powers – includes a new foreword by Rob Wilkins and an introduction and annotations by Dr David Lloyd and Dr Darryl Jones, contextualising the novel and Pratchett’s far-reaching legacy for new readers and current fans alike.

'A master storyteller' - A.S. Byatt
Book cover of Inspector Imanishi Investigates by Seicho Matsumoto

Inspector Imanishi Investigates

Tokyo, 1960. As the first rays of morning light hit the rails at Kamata Station, a man’s body is found on the tracks. With only two leads – a distinctive accent and a single word, ‘kameda’ – Senior Inspector Imanishi Eitaro is called in to solve the puzzle.

Setting aside his beloved bonsai and haikus, he must cross Japan in search of answers, from Osaka to Akita, accompanied by junior detective Yoshimura. At each new town, they encounter traces of the avant-garde Nouveau Group – young Tokyo artists who are bringing new ideas from the West. What to make of this modern collective? And how to stop another mysterious death occurring? Inspector Imanishi investigates . . .

A fascinating glimpse into Japanese society at a time of great change, this is one of Seicho Matsumoto’s best-loved novels – a riveting mystery from the master of Japanese crime.

Book cover of Nothing Grows by Moonlight by Torborg Nedreaas

Nothing Grows by Moonlight

In the blue dusk of a spring evening, a man is drawn to a lonely, beautiful stranger across a station platform. She follows him home, and over one heady night of wine and cigarettes, recounts to him the devastating story of her life . . .

First published in 1947, Nothing Grows by Moonlight tells the haunting tale of one woman’s soul-shattering love affair. When an obsessive passion for her high school teacher consumes a small-town seventeen-year-old, her life spirals out of control, giving way to pregnancy, poverty and alienation. Here, darkness and light converge, and unrequited love blooms against the shadows of societal injustices, as she fights for autonomy: over her life, her mind and her body.

Captivating, visceral and brimming with emotion, Nothing Grows by Moonlight is a feminist classic of Scandinavian literature, and an uncompromising ode to female desire.

Book cover of The Great Gatsby by F. Scott Fitzgerald

The Great Gatsby

Jay Gatsby is the man who has everything. But one thing will always be out of his reach ... Everybody who is anybody is seen at his glittering parties. Day and night his Long Island mansion buzzes with bright young things drinking, dancing and debating his mysterious character. For Gatsby - young, handsome, fabulously rich - always seems alone in the crowd, watching and waiting, though no one knows what for. Beneath the shimmering surface of his life he is hiding a secret: a silent longing that can never be fulfilled. And soon this destructive obsession will force his world to unravel.
Book cover of Voices of the Fallen Heroes by Yukio Mishima

Voices of the Fallen Heroes

A writer is seized by apocalyptic visions; a voyeuristic marquis commits a brutal act; and a trio of beatniks dance to modern jazz in the ruins of an abandoned church. Here, stark autobiography contrasts with pure horror, and the tenderness of first love cedes to obsession, heartbreak and deathly beauty. A new selection of Mishima’s short stories from the 1960s, Voices of the Fallen Heroes traces the final decade of Mishima’s career and offers a unique glimpse into the mind of one of Japan’s greatest writers.

In the title story, a séance brings forth the spirits of young officers in the Imperial Army and the kamikaze pilots of the Second World War, who reproach the Emperor and mourn Japan’s modern decline. In another, Mishima recounts the true story of the time a deranged fan broke into his home at dawn, insisting on meeting the author and imploring him to ‘tell the truth’. Elsewhere, a beautiful youth achieves eternal life through violent murder, and an ill-matched couple seal their fate with a pack of cards, tangled in the web of time and unfulfilled desire.

Available in English for the first time, and carefully selected by expert translators, these captivating stories are the perfect introduction to Mishima's work, on the 100th anniversary of his birth.
Book cover of Lies and Sorcery by Elsa Morante

Lies and Sorcery

'Thrillingly addictive, magnificent, luxurious . . . as staggering and absorbing as a great 19th-century novel' Telegraph


'I loved it and it had been a long time since I had read anything that gave me such life and joy' Natalia Ginzburg

The first unabridged English translation of the electrifying novel of secrets and delusions, from one of the greatest Italian writers of the twentieth century.


Elisa – orphaned as a child, raised by a ‘fallen woman’, fed by fairy tales – has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family’s tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself.

First published in 1948, Elsa Morante’s debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante.

Translated by Jenny McPhee


WINNER OF THE ALTA 2024 ITALIAN PROSE IN TRANSLATION AWARD


WINNER OF THE JOHN FLORIO PRIZE

SHORTLISTED FOR THE OXFORD-WEIDENFELD PRIZE 2024

Book cover of The Princess of 72nd Street by Elaine Kraf

The Princess of 72nd Street

Ellen is a single artist living alone on New York’s Upper West Side in the 1970s. She is beset by old boyfriends, paint pigment choices, and, occasionally, by 'radiances' - episodes of joyous, reckless unreality. Under the influence of 'radiances' she becomes Princess Esmeralda, and West 72nd Street becomes the kingdom over which she rules. Life as Esmeralda is a liberating experience for Ellen, who, despite the chaos and stigma these episodes can bring, relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda, and by the freedom that it gives her.

The Princess of 72nd Street is Elaine Kraf's witty, dizzyingly inventive take on female liberation and mental health, a work of immense literary power and unbridled energy. Provocative at the time of its publication in 1979 and thoroughly iconoclastic, it is a remarkable portrait of an unforgettable woman.

Book cover of There Lives a Young Girl in Me Who Will Not Die by Tove Ditlevsen

There Lives a Young Girl in Me Who Will Not Die

While Tove Ditlevsen is now famous around the world as an extraordinary prose writer, in Denmark she has also long been celebrated as a poet. She published her first collection in her early twenties, and continued writing and publishing poetry until the end of her life. This new selection offers English readers a chance to explore her brilliant, surprising verse across nearly four decades of writing.

In this playful, mournful, witty collection, little girls stand tip-toe inside adult bodies, achievements in literature and lethargy are unflinchingly listed, and lovers come and go like the seasons. Gorgeously translated by Jennifer Russell and Sophia Hersi Smith, with an introduction by Olga Ravn, There Lives a Young Girl in Me Who Will Not Die cements Ditlevsen as one of the twentieth century's most creative writers.
Book cover of Selected Poems by Zbigniew Herbert

Selected Poems

be courageous when reason fails you be courageous
in the final reckoning it is the only thing that counts

Zbigniew Herbert was one of the best-known and most-translated poets of post-war Poland, opposed alike to Communism, Fascism, nationalism and the Church, yet moved, throughout his work, by ‘a powerful sense of right and wrong without a corresponding belief in a system’ (New York Times).

His is a poetry of compression, lucidity and profound humanity. The universe he conjures is deeply informed not only by his own time, but by history – by that of the Medieval Mediterranean and Central Europe, as much as of the Classical world – and by a taste for historical and philosophical paradox. In the early and middle works, the figure of the trickster never seems far from view. Throughout, Herbert asks questions about the nature and needs of sentient beings. His desire, always, is to ‘touch the essence’: to get to the heart of life.

Selected and introduced by J. M. Coetzee and Alissa Valles, this outstanding gathering from the full range of Herbert’s poetic output invites readers to experience the beauty and profundity of a remarkable body of work.