Penguin Modern Classics

1298 books in this series
New to Penguin Modern Classics?

Try The Pursuit of Love by Nancy Mitford. It’s witty, sharp, and the writing style is accessible, making it easy to devour in a weekend. Set against the elegance of an English country house, the story sees Linda and her sisters on a quest to find the perfect partner – and the mishaps and stuffy suitors they meet along the way.

Looking for a hidden gem?

Try Nothing Grows by Moonlight by Torborg Nedreaas. It's a Norwegian classic about a woman's life-destroying love, confessed to a stranger over a long night of wine and cigarettes. It’s tender and rage-inducing in equal measure, and will stay with you long after you’ve turned the last page.

Buying a gift?

Choose The Apple in the Dark by Clarice Lispector. The surreal artwork makes it the kind of book people pick up before they've even read the blurb, but the story of a man attempting to reinvent himself after committing murder means it more than lives up to first impressions.

Book cover of The Issa Valley by Czeslaw Milosz

The Issa Valley

'Thomas was born in the village of Gine at that time of year when a ripe apple thumps to the ground during an afternoon lull.' So a boy's life begins in a winding river valley on the Polish-Russian border where time is measured by seasonal rhythms and ancient songs. For Thomas, the ghosts in the forest are as real as the magical water-snakes that live in the Issa; in the village he is entranced by the women with their cinched waists and the men in their long boots. But when he is shown a map, he discovers a kingdom all his own and starts to dream of leaving the valley behind.
Book cover of Letter to My Judge by Georges Simenon

Letter to My Judge

My dear Judge, I would like one man, just one, to understand me. And I really hope that man can be you.

In a small town in western France, Dr Charles Alavoine seems to lead the perfect life: his own medical practice, two beautiful children, a new wife and a doting mother. Yet as each quiet day of bourgeois conformity passes, Alavoine begins to feel a sharp sense of futility and solitude. Then, one rainy day in December, he meets a mysterious young woman on a station platform. Fascinated by her innocence and the scars of her past, Alavoine’s passion soon gives way to obsession, as he is drawn deeper into a web of desire and deceit, ending in a terrible act that will forever change the course of his life.

First published in 1947, Letter to My Judge is a masterful exploration of the darkest corners of the human soul, and a harrowing exorcism of Simenon’s phantoms.
Book cover of Twilight in Musashino by Seicho Matsumoto

Twilight in Musashino

Musashino, 1959. A young Japanese flight attendant is found strangled on the icy banks of the river. The police suspect foul play – but the deeper they dig, the more they collide with a wall of silence.

At the centre of it all stands a foreign priest and the Guglielmo Church, a charitable Christian mission. The dead woman’s connection to the church is undeniable. But what begins as a routine investigation quickly turns into something far more treacherous, entangling together narcotics, post-war relief schemes and the delicate web of international diplomacy.

As the story moves from back alleys to diplomatic sanctuaries, following the twists and turns of Detective Fujisawa's investigation, Seicho Matsumoto masterfully constructs a slow-burning procedural where truth is clear but justice is not permitted.
Book cover of Coal by Audre Lorde

Coal

‘I am Black because I come from the earth’s inside
now take my word for jewel in the open light.’

Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection faithfully captures the complex interiority of the self. With insight and great feeling, these poems explore racial and sexual politics, liberation and love; they are strongly autobiographical (including poems about Lorde’s children, her sister and her parents, as well as an elegy for a dear childhood friend). These timeless poems resonate down the years.
Book cover of Cynics by Anatoly Marienhof

Cynics

'A love that cannot be throttled by the rubber tube of an enema bulb is immortal.'

Bookish and idealistic Vladimir is tormented with love for Olga; he brings her flowers when other men bring her flour and millet. Olga eventually agrees to marry him, as her building’s central heating will be out of service all winter and at least with two in the bed they’ll be warmer. When she decides she’d like to serve the revolution, he introduces her to his brother Sergei, a Bolshevik who manages the waterways. Thus begins an excruciating love triangle, measured in ration coupons and black market goods.

Described by the poet Joseph Brodsky as 'one of the most innovative novels in Russian literature', Marienhof’s Cynics is a pitch-black comedy set during the wild and savage years of War Communism and the New Economic Policy. Cinematic in its style and collagist in its aesthetic, it establishes Marienhof as a true formal radical. It is a bawdy, savage, lavishly emotional portrayal of working for the revolution (and trying to ignore it).
Book cover of Israel by Göran Rosenberg

Israel

Close, close beneath the land I had once rooted myself in and loved, lay a land filled with violence, injustice and hatred

On 22 April 1962 what remains of Göran Rosenberg’s family embark from his native Sweden to make Israel their new home. Transplanted into a nation born only a few months before him, he is first enchanted by its vitality, imprinted by its ideals. It marks the beginning of a lifetime’s journey across the promised land and into its past, a reckoning with the utopian visions and desperate fears that went into Zionism as well as the violence and dispossession of its realization. This landmark book tells the story of that journey – through buried stories and erased villages, dreams and disillusionments, and the histories still unfurling today.
Book cover of Giovanni's Room by James Baldwin

Giovanni's Room

David, a young American in 1950s Paris, is waiting for his fiancée to return from vacation in Spain. But when he meets Giovanni, a handsome Italian barman, the two men are drawn into an intense affair. After three months David's fiancée returns and, denying his sexuality, he rejects Giovanni for a 'safe' future as a married man — a decision that will bring tragedy, longing and regret.
Book cover of Mars in Aries by Alexander Lernet-Holenia

Mars in Aries

Vienna, 1939. Count Wallmoden, an officer and veteran of the First World War, is preparing to take part in a mysterious ‘military exercise’. One evening, while off duty, he meets the austere and beautiful Baroness Pistohlkors, whose secretive nature and elusive circle of acquaintances suggest that things – including the ‘military exercise’ – are not quite what they seem. Forced to leave the Baroness, Wallmoden promises to return for a tryst once his tour of duty is over, only to discover his unit has been mobilised for war. He finds himself over the border, marching across Europe – and, more seductively, stumbling to and fro over the border that separates the living from the dead. One constant remains: in this world or the next, he must keep his tryst with Baroness Pistohlkors.

Simultaneously a ghost story drawing on the phantasms of the unconscious mind, a thriller where the erotic and the supernatural converge, and a shockingly realist account of the German Wehrmacht’s invasion of Poland, the novel Mars in Aries was refused a publishing permit by the Nazis, hinting as it did at the existence of an Austrian resistance. The book’s entire print run was put into storage and subsequently destroyed by an Allied air raid. Reprinted from the author’s proofs after the war, Mars in Aries is one of Alexander Lernet-Holenia’s finest and most celebrated novels.
Book cover of Woman in the Pillory by Brigitte Reimann

Woman in the Pillory

Kathrin – five years into a disenchanting marriage – struggles to work the farm with her sister-in-law while her husband Heinrich is away fighting for the Third Reich. To help them with the harvest, Heinrich arranges for Alexei, a Russian prisoner of war, to labour in the fields. Though initially suspicious of this watchful stranger, Kathrin is soon drawn to Alexei, with ruinous consequences.

First published in 1956, Woman in the Pillory is a formative novella by one of East Germany’s most significant writers, showcasing Brigitte Reimann’s vivid ideological engagement with the legacy of Nazi Germany and the Communist drive to create ‘a new kind of person’ following the devastation of the war.

Translated by Lucy Jones
Book cover of The Cat by Georges Simenon

The Cat

In the oppressive silence of the sitting room, the woman finally smoothed out the paper and, without putting on her glasses, read the two words her husband had written:

The cat.

Amidst the din of their Parisian neighbourhood, Émile and Marguerite live in total silence. After a hasty marriage in their sixties, their uneasy peace was shattered when Émile’s beloved cat mysteriously disappeared and was later found dead. Branding his wife the culprit, Émile’s retaliation against Marguerite’s cherished parrot sparked a silent battle of wills. Now they live parallel lives, communicating only through spiteful notes, mocking glances and mute accusations. As their suspicion and resentment mount, this bitter game of psychological warfare becomes a twisted necessity, binding them together in a relentless cycle of torment from which there can only be one escape.

First published in 1967, The Cat is a masterful exploration of marital discord, loneliness and the absurdity of human relationships, painting a vivid portrait of two souls trapped in quiet desperation.
Book cover of Vilhelm's Room by Tove Ditlevsen

Vilhelm's Room

I want to write a book about Vilhelm’s room and the events which took place in it, or arose from it; those that led to Lise’s death, which I have survived only so that I might write down the story of her and Vilhelm...

The ripples from a breakup radiate outwards from the room where a married couple once loved each other, and a bizarre Lonely Hearts advert sets off a train of tragicomic events that lead to an inevitable conclusion. Tove Ditlevsen’s final novel – published a year before her suicide in 1976 – is a masterful conclusion to a great work of writing: a blackly funny and devastating tour-de-force that pulses with life even as it journeys towards death.
Book cover of This Is Not a Small Voice by Sonia Sanchez

This Is Not a Small Voice

hear your voice
a wild sea pausing in the wind

Few poets in history have possessed the irrepressible humanity and abundant positivity that characterize Sonia Sanchez’s astonishing body of work.

Energetic, infectious and rich with sonic exuberance, Sanchez’s poems have radically transformed the direction of American poetry over the past six decades and have been an inspiration to readers around the world, including Toni Morrison and Chinua Achebe. Whether it’s her iconic haiku, rhythmic ballads or devastating elegies, Sanchez’s luminous verse thrums with a profound generosity and an international consciousness, rendering all of life’s agony and ecstasy.

This volume draws on Sanchez’s diverse repertoire to showcase the multiplicities of the poet’s voice – the profound and personal, the firebrand and socially conscious, the playful and formally dextrous, and the musical – to celebrate her as one of the world’s most skilled and versatile poets of the past half century.
Book cover of Transfigurations by Jay Wright

Transfigurations

For over half a century, Jay Wright’s poetry has been celebrated for its alertness to the multiplicity of human experience and identity, and championed by eminent literary figures from Carl Phillips to Harold Bloom.

The gravitational pull of Wright’s lyric voice transforms life into myth, body into spirit, image into icon, and ritual into collective consciousness. Revelling in the rich interplay between Native American, African American, Latin American and West African cultural forms, Wright disentangles the threads of these complex historical forces to present a tapestry of the Atlantic World and the people who move within it.

Published for the first time in the UK, Transfigurations is a career-defining volume that includes all of Wright’s twentieth century major poetry works: The Homecoming Singer (1971), Soothsayers and Omens (1976), Explications/Interpretations (1984), Dimensions of History (1976), The Double Invention of Komo (1980), Elaine's Book (1988), Boleros (1991) and Transformations (1997).

Transfigurations is a singular opportunity for readers to fully immerse themselves in the sublime imagination of one of the most profound and enigmatic American poets.
Book cover of Chinatown by Oh Jung-hee

Chinatown

In this emblematic selection of her stories, Oh Jung-hee probes beneath the surface of seemingly quotidian lives to expose nightmarish family configurations warped by desertion, psychosis, and death. In ‘Chinatown’ a young girl living on the edge of the city’s Chinese community comes of age among mundane violences, collisions with adult sexuality and the American occupation; in ‘The Garden Party’ a woman grapples with her conflicting identities of wife, mother and writer at an alcohol-fuelled gathering. Throughout a career spanning six decades, Oh Jung-hee has drawn comparisons to Alice Munro, Virginia Woolf, and Joyce Carol Oates, and is assuredly a trailblazing writer.
Book cover of Engagement by Gun-Britt Sundström

Engagement

‘I want to have him, I really do. I just don’t want him to have me.’

Martina and Gustav, students in 1970s Stockholm, meet and fall immediately into coupledom. But what is coupledom? A route to marriage? A declaration of co-dependency? A new dimension of commitment and responsibility? A sexual confrontation? Or is it a habit that an intelligent person must consider breaking? Martina and Gustav discuss their relationship endlessly, between themselves and with others, as they try to make it work.

Engagement, set during a time of social change and political upheaval, sees Martina trying to engage with the world on her own terms. Unwilling to marry, she finds herself in a state of permanent engagement while her friends settle down to marriage and children; uncertain of the world’s future, she engages with demos, sit-ins and philosophy seminars in her quest for a new blueprint for joy. First published in 1976, when it was heralded as an instant classic, Engagement remains as relevant, hilarious and heartbreaking today.
Book cover of Wolf Solent by John Cowper Powys

Wolf Solent

First published in 1929, Wolf Solent was the first in John Cowper Powys’ great sequence of visionary works of fiction, set in Hardy’s Wessex but a Wessex now ravaged by the impact of the Great War and the curse of modernity. Both a lyrical story of the English countryside and an agonised account of life and love in the shadow of monstrous change, Wolf Solent is a cult novel like no other.