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Penguin Modern Classics

1291 books in this series
New to Penguin Modern Classics?

Try The Pursuit of Love by Nancy Mitford. It’s witty, sharp, and the writing style is accessible, making it easy to devour in a weekend. Set against the elegance of an English country house, the story sees Linda and her sisters on a quest to find the perfect partner – and the mishaps and stuffy suitors they meet along the way.

Looking for a hidden gem?

Try Nothing Grows by Moonlight by Torborg Nedreaas. It's a Norwegian classic about a woman's life-destroying love, confessed to a stranger over a long night of wine and cigarettes. It’s tender and rage-inducing in equal measure, and will stay with you long after you’ve turned the last page.

Buying a gift?

Choose The Apple in the Dark by Clarice Lispector. The surreal artwork makes it the kind of book people pick up before they've even read the blurb, but the story of a man attempting to reinvent himself after committing murder means it more than lives up to first impressions.

Book cover of The Marriage of Cadmus and Harmony by Roberto Calasso

The Marriage of Cadmus and Harmony

The Marriage of Cadmus and Harmony is a masterful retelling of the ancient myths and fables we may only think we know. From the tale of Europa and the bull to the fall of Troy, Roberto Calasso weaves his way through the entire world of Greek mythology with a captivating sense of curiosity and intrigue that casts these classical stories in a whole new light for a modern reader.
Book cover of The Birds by Tarjei Vesaas

The Birds

This is the story of Mattis, a mentally handicapped man who lives with and is cared for by his older sister, Hege. Within their isolated, lakeside existence, Mattis cannot make sense of his tangled thoughts, frightening apparitions, surges of emotion and clever insights. When a travelling lumberjack attracts Hege's affections, the disruption is too much for Mattis to bear.

This Norwegian masterpiece sensitively captures a mystic command of the natural world, the prison of unfulfilled time and the fragility of the human mind. The narrative is sparse, poetic and contemplative, with an ending that crescendos into heartbreak.
Book cover of The Black Unicorn by Audre Lorde

The Black Unicorn

I have been woman
for a long time
beware my smile
I am treacherous with old magic

Filled with rage and tenderness, Audre Lorde's most acclaimed poetry collection speaks of mothers and children, female strength and vulnerability, renewal and revenge, goddesses and warriors, ancient magic and contemporary America. These are fearless assertions of identity, told with incantatory power.
Book cover of Mexico City Blues by Jack Kerouac

Mexico City Blues

'I want to be considered a jazz poet blowing a long blues in an afternoon jam session on Sunday'

Freewheeling and spontaneous, Mexico City Blues is Jack Kerouac's most significant and emblematic poem. Consisting of 242 loosely linked 'choruses', it takes in life, death, spirituality, jazz improvisation, memory, fantasies and dreams, all infused with the rhythm of the blues, to create a surreal and all-encompassing epic.
Book cover of Pic by Jack Kerouac

Pic

It's 1948, and when ten-year-old Pictorial Review Jackson's guardian dies, his older brother Slim appears. Together, the two hitch and bum from North Carolina to New York City, observing the strange lifestyles of people they encounter.
Book cover of Sister Outsider by Audre Lorde

Sister Outsider

The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep

The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.

'The truth of her writing is as necessary today as it's ever been' Guardian
Book cover of Tristessa by Jack Kerouac

Tristessa

'She understands Karma, she says: "What I do, I reap"'


Her name means sadness, yet Tristessa, a prostitute and morphine addict, lives without cares in her shabby room with a menagerie of pets and an altar to the Virgin Mary. Based on Jack Kerouac's own real-life love affair in Mexico city, this is the story of a man's ill-fated relationship with a woman he portrays with tenderness and dignity, even as her life spirals out of control.

'A narrative meditation studying a hen, a rooster, a dove, a cat, a chihuaha dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, and pads at dawn in Mexico City slums' Allen Ginsberg
Book cover of Last Witnesses by Svetlana Alexievich

Last Witnesses

What did it mean to grow up in the Soviet Union during the Second World War? In the late 1970s, Svetlana Alexievich started interviewing people who had experienced war as children, the generation that survived and had to live with the trauma that would forever change the course of the Russian nation.

With remarkable care and empathy, Alexievich gives voice to those whose stories are lost in the official narratives, uncovering a powerful, hidden history of one of the most important events of the twentieth century.

Published to great acclaim in the Soviet Union in 1985, this masterpiece offers a kaleidoscopic portrait of the human consequences of the war - and an extraordinary chronicle of the Russian soul.
Book cover of Malina by Ingeborg Bachmann

Malina

'I was subordinate to him from the beginning, and I must have known early on that he was destined to be my doom'

A woman in Vienna walks a tightrope between the two men in her life. There is her lover Ivan, beautiful and unavailable, who obsesses her. And there is Malina, the civil servant with whom she shares an apartment: reserved, fastidious, exacting, chillingly calm. As the balance of power between them starts to shift, she feels her fragile identity unravelling, gradually revealing the dark, bruised heart of her past.

Part detective novel, part love story, part psychoanalytic case study, Bachmann's 1971 masterpiece brings us to the broken heart of human experience, eros, neurosis and history.

Introduced by Rachel Kushner.
Book cover of Who Among Us? by Mario Benedetti

Who Among Us?

They met when they were teenagers. Quiet, poor, perhaps even a little dull, Miguel fell for languid Alicia during their long walks back from school. Then Lucas arrived and changed everything, entrancing Alicia with his confident bohemian charm. Miguel could not compete. But he stuck around and, against all the odds, was the one Alicia ended up marrying.

Now, eleven years later, their marriage has begun to fray, and Alicia sets out to see Lucas again. Yet gnawing at each member of the ménage a trois is the knowledge that, somewhere along the line, something has gone badly awry.

In a final heady whirl of sex and obsession, treachery and blame, they all struggle to ascertain: who among them is to blame?
Book cover of After Leaving Mr Mackenzie by Jean Rhys

After Leaving Mr Mackenzie

For six months, Julia has lived alone in a drab Parisian hotel on an allowance from her ex-lover, Mr. Mackenzie. When his cheques stop, Julia decides to leave France and return to London. The tale of her ten day visit contains some of Jean Rhys's most sensitive, poignant writing. Past her prime, exhausted by broken love affairs and addled by drink, Julia is tragically unable to find what she really wants - love.
Book cover of Good Morning, Midnight by Jean Rhys

Good Morning, Midnight

Jean Rhys was a talent before her time with an impressive ability to express the anguish of young, single women. In Good Morning, Midnight Rhys created the powerfully modern portrait of Sophia Jansen, whose emancipation is far more painful and complicated than she could expect, but whose confession is flecked with triumph and elation. One of the most honest and distinctive British novelists of the 20th Century, Jean Rhys wrote about women with perception and sensitivity in an innovative and often controversial way.
Book cover of Ornament and Crime by Adolf Loos

Ornament and Crime

'But art has nothing to do with forgery, with lies. The paths of art may be thorny, but they are clean.'

Ornament and Crime comprises a selection of essays by celebrated Viennese architect, Adolf Loos, and cover the full range of design - from architecture to jewellery, pottery to plumbing, craft training to printing. A great enthusiast and great hater, Loos and his ideas were absolutely fundamental to 20th century aesthetics, as well as being very enjoyable to read. He extols heroes and denigrates villains, as he makes quite clear: 'If you want to have a contemporary craft, if you want to have contemporary utility objects, then poison the architects'.

The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
Book cover of Quartet by Jean Rhys

Quartet

Set in a superficially romantic, between-wars Paris, Quartet is a poignant tale of a lonely woman. Set against a background of winter-wet streets, Pernod in smoky cafes and cheap hotel rooms with mauve- flowered wallpaper, Marya tries to make something substantial of her life in order to withstand the unreality of her surroundings. Alone, her Polish husband in prison, she is taken up by an English couple who slowly overwhelm her with their passions.
Book cover of Voyage in the Dark by Jean Rhys

Voyage in the Dark

First published in 1934, Voyage in the Dark is the story of an unhappy love affair, a portrait of a hypocritical society and an exploration of exile and breakdown; all written in Jean Rhys's hauntingly simple and beautiful style. Eighteen, on her own and independent as much through circumstance as character, Anna has exchanged the West Indies of her childhood for the cold greyness of England, with its narrow streets and narrower rules. As she drifts towards the demi-monde of 1914 London, she comes to realise that life will never be so free and easy again. Her childish dreams have been replaced by the harsher reality of living in a man's world, where all charity has its price.
Book cover of Bad Behavior by Mary Gaitskill

Bad Behavior

A young woman anxiously waits for her date on a street corner in New York City; he sits in a pizza parlour across the street, watching her discomfort.

A middle-aged woman returns to a New York that is haunted by the passion and intensity of her former relationship with her estranged best friend.

A secretarial graduate starts her first job at a lawyer's office and quietly keeps her cruel experiences at his hands locked inside herself.

The stories in this collection peer deep into the inner lives of men and women, explore the cavernous spaces between what we say and what can be expressed, and are full of tenderness and cruelty. Published for the first time in Penguin Modern Classics, Bad Behaviour provides a devastatingly insightful and urgently necessary view of our times.