Everyman’s Library Contemporary Classics

The books' titles are taken from actual streets in Cairo, the city of Mahfouz's childhood and youth.
The trilogy follows the life of the Cairene patriarch al-Sayyid Ahmad Abd al-Jawad and his family across three generations, from World War I to the overthrow of King Farouk in 1952.

Who is killing monks in a great medieval abbey famed for its library - and why? Brother William of Baskerville is sent to find out, taking with him the assistant who later tells the tale of his investigations. Eco's celebrated story combines elements of detective fiction, metaphysical thriller, post-modernist puzzle and historical novel in one of the few twentieth-century books which can be described as genuinely unique.
The Name of the Rose was made into a film in 1986, starring Sean Connery and Christian Slater and directed by Jean-Jacques Annaud.

From his birth in 1923 to his belated paternity and public apotheosis as a spry septuagenarian in 1999, Bech plugs away, globetrotting in the company of foreign dignitaries one day and schlepping in tattered tweeds on the college lecture circuit the next. By turns cynical and naïve, wry and avuncular, and always amorous, he is Updike's most endearing confection-a Lothario, a curmudgeon, and a winsome literary icon all in one. A perfect forum for Updike's limber prose, The Complete Henry Bech is an arch portrait of the literary life in America from an incomparable American writer.

Since tales of his exploits began appearing in The New Yorker more than thirty years ago, Henry Bech, John Updike's playfully irreverent alter-ego, has charmed readers with his aesthetic dithering and his seemingly inexhaustible libido.

It is the mid-1800s. At Sweet Home in Kentucky, an era is ending as slavery comes under attack from the abolitionists. The worlds of Halle and Paul D. are to be destroyed in a cataclysm of torment and agony. The world of Sethe, however, is to turn from one of love to one of violence and death - the death of Sethe's baby daughter Beloved, whose name is the single word on the tombstone, who died at her mother's hands, and who will return to claim retribution.

The Republic of Gilead offers Offred only one function: to breed . If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. . . . .

Of Antonia, the passionate heroine of Willa Cather's greatest novel, the narrator says that she left 'images in the mind that did not fade - that grew stronger with time'. The same could be said of the novel itself. On one level it is a straighforward story, beautifully written, of the struggle for survival of a family of pioneers on the vast Nebraska plains. On another it encompasses history, the relationship ofhuman beings and the natural world, and the destiny of the individual - even as it lovingly and unsentimentally portrays a woman whose robust spirit and enduring warmth make her emblematic of what Cather most admired in the American people.

'The time will come when Willa Cather will be ranked above Hemingway.' - Leon Edel

Many of these stores are now so famous from film and television adaptations that they need no introduction. Roald Dahl is well known as a master of the macabre and the unexpected in the tradition of Saki, and this volume does not disappoint.
He began his literary career by writing about his own experiences in the RAF during World War II but soon developed this talent in a series of short-story collections. He is perhaps even more celebrated as an author of children's books, but the best of his short stories represent a claim for him to be numbered among the most remarkable story writers of the 20th century.
The present volume includes for the first time all the stories in chronological order as established by Dahl's biographer, Jeremy Treglown, in consultation with the Dahl estate.

R. K. Narayan (1906-2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. Swami and Friends introduces us to Narayan's beloved fictional town of Malgudi, where ten-year-old Swaminathan's excitement about his country's initial stirrings for independence competes with his ardour for cricket and all other things British. The Bachelor of Arts is a poignant coming-of-age novel about a young man flush with first love, but whose freedom to pursue it is hindered by the fixed ideas of his traditional Hindu family. In The Dark Room, Narayan's portrait of aggrieved domesticity, the docile and obedient Savitri, like many Malgudi women, is torn between submitting to her husband's humiliations and trying to escape them. The title character in The English Teacher, Narayan's most autobiographical novel, searches for meaning when the death of his young wife deprives him of his greatest source of happiness.

Mr Sampath - The Printer of Malgudi is the story of a businessman who adapts to the collapse of his weekly newspaper by shifting to screenplays, only to have the glamour of it all go to his head. In The Financial Expert, a man of many hopes but few resources spends his time under a banyan tree dispensing financial advice to those willing to pay for his knowledge. In Waiting for the Mahatma, a young drifter meets the most beautiful girl he has ever seen - an adherent of Mahatma Gandhi - and commits himself to Gandhi's Quit India campaign, a decision that will test the integrity of his ideals against the strength of his passions.

It is the autobiography of Giorgio Bassani, told in a time span of around 15 years, a time where the ambiguous and mysterious female figure of Micol was a central part of his life. They live in a time where racial laws are being passed by fascist Italy and as a result Micol and her family open the gates of their huge mansion and even bigger garden to a handful of jeweish friends that have been banned from any recreational activity. In this garden Micol guides the narrating "I" figure through the interior journey in search of his identity and maturity. Unfortunately this journey of truth can only end but in the sourest way; the rejection of a deep love felt by the author for Micol, his spiritual guide.

With this dizzyingly rich novel of ideas, Thomas Mann rose to the front ranks of the great modern novelists, winning the Nobel Prize for Literature in 1929. The Magic Mountain takes place in an exclusive tuberculosis sanatorium in the Swiss Alps-a community devoted to sickness that serves as a fictional microcosm for Europe in the days before the First World War. To this hermetic and otherworldly realm comes Hans Castorp, an "ordinary young man" who arrives for a short visit and ends up staying for seven years, during which he succumbs both to the lure of eros and to the intoxication of ideas.

We begin - at the turn of the century, in an unnamed South American country - in the childhood home of the woman who will be the mother and grandmother of the clan, Clara del Valle. A warm-hearted, hypersensitive girl, Clara has distinguished herself from an early age with her telepathic abilities - she can read fortunes, make objects move as if they had lives of their own, and predict the future. Following the mysterious death of her sister, the fabled Rosa the Beautiful, Clara has been mute for nine years, resisting all attempts to make her speak. When she breaks her silence, it is to announce that she will be married soon.
Her husband-to-be is Esteban Trueba, a stern, willful man, given to fits of rage and haunted by a profound loneliness. At the age of thirty-five, he has returned to the capital from his country estate to visit his dying mother and to find a wife. (He was Rosa's fiancé, and her death has marked him as deeply as it has Clara.) This is the man Clara has foreseen - has summoned - to be her husband; Esteban, in turn, will conceive a passion for Clara that will last the rest of his long and rancorous life.
We go with this couple as they move into the extravagant house he builds for her, a structure that everyone calls "the big house on the corner," which is soon populated with Clara's spiritualist friends, the artists she sponsors, the charity cases she takes an interest in, with Esteban's political cronies, and, above all, with the Trueba children: Blanca, a practical, self-effacing girl who will, to the fury of her father, form a lifelong liaison with the son of his foreman, and the twins, Jaime and Nicolás, the former a solitary, taciturn boy who becomes a doctor to the poor and unfortunate; the latter a playboy, a dabbler in Eastern religions and mystical disciplines and, in the third generation, the child Alba, Blanca's daughter (the family does not recognize the real father for years, so great is Esteban's anger), a child who is fondled and indulged and instructed by them all.
For all their good fortune, their natural (and supernatural) talents, and their powerful attachments to one another, the inhabitants of "the big house on the corner" are not immune to the larger forces of the world. And, as the twentieth century beats on, as Esteban becomes more strident in his opposition to Communism, as Jaime becomes the friend and confidant of the Socialist leader known as the Candidate, as Alba falls in love with a student radical, the Truebas become actors - and victims - in a tragic series of events that gives The House of the Spirits a deeper resonance and meaning.

Thomas Mann regarded his monumental retelling of the biblical story of Joseph as his magnum opus. He conceived of the four parts-The Stories of Jacob, Young Joseph, Joseph in Egypt, and Joseph the Provider-as a unified narrative, a "mythological novel" of Joseph's fall into slavery and his rise to be lord over Egypt. Deploying lavish, persuasive detail, Mann conjures for us the world of patriarchs and pharaohs, the ancient civilizations of Egypt, Mesopotamia, and Palestine, and the universal force of human love in all its beauty, desperation, absurdity, and pain. The result is a brilliant amalgam of humor, emotion, psychological insight, and epic grandeur.

Now the award-winning translator John E. Woods gives us a definitive new English version of Joseph and His Brothers that is worthy of Mann's achievement, revealing the novel's exuberant polyphony of ancient and modern voices, a rich music that is by turns elegant, coarse, and sublime.

With the style and eloquent language that earned him the Nobel prize for literature, Marquez weaves a stunning story of glory and despair. Both real history and Marquez' imagination let us enter the world of Simon Bolivar, Liberator of South America, in all his humanity - good and evil. Bolivar drove the Spanish out of South America, dealt with treachery from his own compatriots. Once hailed as a hero, he is now scorned and reviled, and fighting his own demons, he refuses to die quietly. We are given a glimpse of the genius and foibles of the man behind the legend, as we accompany him on his last journey, accompanied only by the loyal remants of his once great army.

Though W. Somerset Maugham was also famous for his novels and plays, it has been argued that in the short story he reached the pinnacle of his art and it was his true métier. These expertly told tales, with their addictive plot twists and vividly drawn characters, are both galvanizing as literature and wonderfully entertaining. In the adventures of his alter ego Ashenden, a writer who (like Maugham himself) turned secret agent in World War I, as well as in stories set in such far-flung locales as South Pacific islands and colonial outposts in Southeast Asia, Maugham brings his characters vividly to life, and their humanity is more convincing for the author's merciless exposure of their flaws and failures. Whether the chasms of misunderstanding he plumbs are those between colonizers and natives, between a missionary and a prostitute, or between a poetry-writing woman and her uncomprehending husband, Maugham brilliantly displays his irony, his wit, and his genius in the art of storytelling.