Penguin Modern Classics

Part pulp adventure, part otherworldly meditation, this is the story of Trafalgar Medrano: intergalactic trader and lover of bitter coffee and black cigarettes. In the bars and cafés of Rosario, Argentina, he recounts tall tales of his space escapades - involving, among other things, time travel and dancing troglodytes.

Cosmopolitan, philosophical and, above all else, pure fun, Angélica Gorodischer's Trafalgar is a unique blend of science fiction, magical realism and shaggy-dog tale from one of Argentina's most distinctive writers.

In city squares and golden palaces, a series of storytellers recount the history of the greatest Empire that never was: a history in which orphans rise from the underworld to the throne, mad emperors raze cities, captive dancers induce fatal delirium and murderous empresses plot against their own children.

Angélica Gorodischer’s novel, masterfully translated by Ursula K. Le Guin, conjures a vivid fictional universe of labyrinthine cities, desert caravans and the lawless South – and of an Empire fated to rise, fall and rise again.

You and I met and fell in love passionately, impatiently, dangerously. I regret nothing and I feel that these last days I’ve lived are enough to justify a life. – Albert Camus to Maria Casarès, 1^st July 1944

Their affair began in wartime Paris. Maria Casarès, a young Spanish actress, was starring in a production of the great writer’s play The Misunderstanding, and at an after-party hosted by Simone de Beauvoir and Jean-Paul Sartre, they embarked on a brief but passionate relationship. Separated by the end of the Occupation and the return of Camus’s wife to Paris, the couple were reunited by chance one day on the boulevard Saint-Germain, and from that day forward – until the fatal car crash that took Camus’s life in 1960 – they were inseparable.

Their correspondence, uninterrupted for over a decade, is testimony to the depth of their connection while also offering a vivid portrait of artistic life in post-war Europe. Camus and Casarès debate books and politics; describe encounters with Colette, Cocteau, Gide and Picasso; discuss stardom and everyday life, their love of the sea and nature, their doubts and dreams. Above all, they describe a relationship that feels like an impossible gift.

Translated into English for the first time by Sandra Smith and Cory Stockwell, these 865 letters reveal the intimate personal lives of two extraordinary artists, and record one of the great love affairs of the twentieth century.

‘The undertow of unspoken feeling is tumultuous, and although hardly anything happens the action amounts to a fearful adventure’ New York Times

James Joyce’s play Exiles follows the story of writer Richard Rowan, who, along with his 'common-law wife’ Bertha and their son Archie, has come home to Dublin after ten years away. The couple’s return triggers an existential questioning, an anxiousness which is exacerbated by meetings with old friends and lovers. All this is set against the background of the summer of 1912, when Ireland and even England were threatening to tear themselves apart over Ulster. Exiles is a profound exploration of jealousy, doubt and the complexity of human desire; it is also about the torments of disunion in both the public and private realm.

With a new introduction and notes by Andrew Gibson.

'His writing is not about something; it is that something itself' Samuel Beckett

James Joyce's towering genius as a novelist has often overshadowed his achievements as a poet, yet his verse occupies a pivotal position in his career. This new edition comprises all the poetry that was published in Joyce's lifetime, including his highly accomplished 1907 debut Chamber Music, which fused exuberant lyricism with sharp irony, and the later collection Pomes Penyeach, which confronted adultery, jealousy and betrayal. Also included here are the satirical poems ‘The Holy Office’ and ‘Gas from a Burner’, and ‘Ecce Puer’, written for his new-born grandson.

With a new introduction and notes by Clare Hutton.

'Thomas was born in the village of Gine at that time of year when a ripe apple thumps to the ground during an afternoon lull.' So a boy's life begins in a winding river valley on the Polish-Russian border where time is measured by seasonal rhythms and ancient songs. For Thomas, the ghosts in the forest are as real as the magical water-snakes that live in the Issa; in the village he is entranced by the women with their cinched waists and the men in their long boots. But when he is shown a map, he discovers a kingdom all his own and starts to dream of leaving the valley behind.

My dear Judge, I would like one man, just one, to understand me. And I really hope that man can be you.

In a small town in western France, Dr Charles Alavoine seems to lead the perfect life: his own medical practice, two beautiful children, a new wife and a doting mother. Yet as each quiet day of bourgeois conformity passes, Alavoine begins to feel a sharp sense of futility and solitude. Then, one rainy day in December, he meets a mysterious young woman on a station platform. Fascinated by her innocence and the scars of her past, Alavoine’s passion soon gives way to obsession, as he is drawn deeper into a web of desire and deceit, ending in a terrible act that will forever change the course of his life.

First published in 1947, Letter to My Judge is a masterful exploration of the darkest corners of the human soul, and a harrowing exorcism of Simenon’s phantoms.

Musashino, 1959. A young Japanese flight attendant is found strangled on the icy banks of the river. The police suspect foul play – but the deeper they dig, the more they collide with a wall of silence.

At the centre of it all stands a foreign priest and the Guglielmo Church, a charitable Christian mission. The dead woman’s connection to the church is undeniable. But what begins as a routine investigation quickly turns into something far more treacherous, entangling together narcotics, post-war relief schemes and the delicate web of international diplomacy.

As the story moves from back alleys to diplomatic sanctuaries, following the twists and turns of Detective Fujisawa's investigation, Seicho Matsumoto masterfully constructs a slow-burning procedural where truth is clear but justice is not permitted.

‘I am Black because I come from the earth’s inside
now take my word for jewel in the open light.’

Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection faithfully captures the complex interiority of the self. With insight and great feeling, these poems explore racial and sexual politics, liberation and love; they are strongly autobiographical (including poems about Lorde’s children, her sister and her parents, as well as an elegy for a dear childhood friend). These timeless poems resonate down the years.

'A love that cannot be throttled by the rubber tube of an enema bulb is immortal.'

Bookish and idealistic Vladimir is tormented with love for Olga; he brings her flowers when other men bring her flour and millet. Olga eventually agrees to marry him, as her building’s central heating will be out of service all winter and at least with two in the bed they’ll be warmer. When she decides she’d like to serve the revolution, he introduces her to his brother Sergei, a Bolshevik who manages the waterways. Thus begins an excruciating love triangle, measured in ration coupons and black market goods.

Described by the poet Joseph Brodsky as 'one of the most innovative novels in Russian literature', Marienhof’s Cynics is a pitch-black comedy set during the wild and savage years of War Communism and the New Economic Policy. Cinematic in its style and collagist in its aesthetic, it establishes Marienhof as a true formal radical. It is a bawdy, savage, lavishly emotional portrayal of working for the revolution (and trying to ignore it).

Close, close beneath the land I had once rooted myself in and loved, lay a land filled with violence, injustice and hatred

On 22 April 1962 what remains of Göran Rosenberg’s family embark from his native Sweden to make Israel their new home. Transplanted into a nation born only a few months before him, he is first enchanted by its vitality, imprinted by its ideals. It marks the beginning of a lifetime’s journey across the promised land and into its past, a reckoning with the utopian visions and desperate fears that went into Zionism as well as the violence and dispossession of its realization. This landmark book tells the story of that journey – through buried stories and erased villages, dreams and disillusionments, and the histories still unfurling today.

David, a young American in 1950s Paris, is waiting for his fiancée to return from vacation in Spain. But when he meets Giovanni, a handsome Italian barman, the two men are drawn into an intense affair. After three months David's fiancée returns and, denying his sexuality, he rejects Giovanni for a 'safe' future as a married man — a decision that will bring tragedy, longing and regret.

Vienna, 1939. Count Wallmoden, an officer and veteran of the First World War, is preparing to take part in a mysterious ‘military exercise’. One evening, while off duty, he meets the austere and beautiful Baroness Pistohlkors, whose secretive nature and elusive circle of acquaintances suggest that things – including the ‘military exercise’ – are not quite what they seem. Forced to leave the Baroness, Wallmoden promises to return for a tryst once his tour of duty is over, only to discover his unit has been mobilised for war. He finds himself over the border, marching across Europe – and, more seductively, stumbling to and fro over the border that separates the living from the dead. One constant remains: in this world or the next, he must keep his tryst with Baroness Pistohlkors.

Simultaneously a ghost story drawing on the phantasms of the unconscious mind, a thriller where the erotic and the supernatural converge, and a shockingly realist account of the German Wehrmacht’s invasion of Poland, the novel Mars in Aries was refused a publishing permit by the Nazis, hinting as it did at the existence of an Austrian resistance. The book’s entire print run was put into storage and subsequently destroyed by an Allied air raid. Reprinted from the author’s proofs after the war, Mars in Aries is one of Alexander Lernet-Holenia’s finest and most celebrated novels.

Kathrin – five years into a disenchanting marriage – struggles to work the farm with her sister-in-law while her husband Heinrich is away fighting for the Third Reich. To help them with the harvest, Heinrich arranges for Alexei, a Russian prisoner of war, to labour in the fields. Though initially suspicious of this watchful stranger, Kathrin is soon drawn to Alexei, with ruinous consequences.

First published in 1956, Woman in the Pillory is a formative novella by one of East Germany’s most significant writers, showcasing Brigitte Reimann’s vivid ideological engagement with the legacy of Nazi Germany and the Communist drive to create ‘a new kind of person’ following the devastation of the war.

In the oppressive silence of the sitting room, the woman finally smoothed out the paper and, without putting on her glasses, read the two words her husband had written:

The cat.

Amidst the din of their Parisian neighbourhood, Émile and Marguerite live in total silence. After a hasty marriage in their sixties, their uneasy peace was shattered when Émile’s beloved cat mysteriously disappeared and was later found dead. Branding his wife the culprit, Émile’s retaliation against Marguerite’s cherished parrot sparked a silent battle of wills. Now they live parallel lives, communicating only through spiteful notes, mocking glances and mute accusations. As their suspicion and resentment mount, this bitter game of psychological warfare becomes a twisted necessity, binding them together in a relentless cycle of torment from which there can only be one escape.

First published in 1967, The Cat is a masterful exploration of marital discord, loneliness and the absurdity of human relationships, painting a vivid portrait of two souls trapped in quiet desperation.